I’ve been writing about cycling for 30 years and over that time I’ve become increasingly fascinated by the exploits of bike racers in the mountains and, above all, by this magnificent terrain itself. This ultimately led to my family leaving our home in the north of England and moving to the French Pyrenees, to a tiny hamlet that’s close to nowhere but is surrounded by mountains, where we can walk and ride endlessly through stunning countryside. I may not be French, but this is where I feel most at home.
I did a short promotional book tour with Max and was enthralled by his descriptions of road cycling’s obsession with the mountains.
I read his book subsequently and was equally captivated, particularly by his travels in remote areas of the southern French Alps and on Bonette-Restefond pass, the highest road pass in Europe.
Why do road cyclists go to the mountains? Many books tell you where the mountains are, or how long and how high. None of them ask 'Why?'
After all, cycling up a mountain is hard - so hard that, to many non-cyclists, it can seem absurd. But, for some, climbing a mountain gracefully (and beating your competitors up the slope) represents the pinnacle of cycling achievement. The mountains are where legends are forged and cycling's greats make their names.
Why are Europe's mountain ranges professional cycling's Wembley Stadium or its Colosseum? Why do amateurs also make a pilgrimage to these…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
This book is composed of beautifully rendered landscapes in a considered color palette. A mother-daughter story sits at the heart of the book and is accompanied by breathtaking environments juxtaposed with everyday settings. This story shows that whether we are climbing a large mountain, or watching the shadows stretch in the afternoon, as long as we are together, there is nowhere else we rather be.
Let's Do Everything and Nothing is a lush and lyrical picture book from Julia Kuo celebrating special moments―big and small―shared with a child.
Will you climb a hill with me? Dive into a lake with me? Reach the starry sky with me, and watch the clouds parade?
Love can feel as vast as a sky full of breathtaking clouds or as gentle as a sparkling, starlit night. It can scale the tallest mountains and reach the deepest depths of the sea.
Standing side by side with someone you love, the unimaginable can seem achievable. But not every magical moment is…
I’m the USA Today bestselling author of nineteen romances including the He Wanted Me Pregnant! series of short, steamy, standalone reads, several of which feature curvy heroines. I believe there’s room in romance for heroes and heroines of all shapes and sizes and I love to see curvy girls find their one-and-only: someone who loves them exactly the way they are. I like my curvy heroines to be smart, witty, and have depth and I like my romances to be just the right mix of squee-inducing instalove and steamy scenes.
Maybe it’s because I live in a city but I’m a sucker for outdoor settings both in my own books and in those I read. This book by Mia Brody pushes all the right buttons: we’ve got Crew, a prickly but good-hearted muscled lumberjack, and Maggie, a curvy bride who’s running away from a polite-language-can’t-describe-how-horrible-he-is groom. Fortunately, as she hightails it away from the arranged marriage from hell, she spins off the road and winds up stuck in a cabin with Crew in the middle of a snowstorm. It’s sweet, it’s steamy, it moves fast and it’s just the perfect read to snuggle up with when the wind’s howling outside.
When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.
While adults are sometimes accused of forgetting what it feels like to be young, that cannot be said of Edith Hemingway, who so vividly captures the grief of 11-year-old Annie in Road to Tater Hill.
While Annie’s dad is across the ocean serving in the Air Force, Annie’s day-old baby sister dies, leaving her mother distant and depressed. Annie, who spends the summer at her grandparents’ mountain home, finds an unexpected friendship to be part of her journey to healing.
It’s a powerful book with vivid scenes that have stayed with me years after reading it.
Annie can always count on spending summers at her grandparents'. This summer should be even better because Mama is going to have a baby soon. Before Daddy leaves for his Air Force assignment, he gives Annie a journal for summer memories. But now Annie is grieving over the death of her newborn sister. How can she tell Daddy that ever since the baby died, Mama has been slipping away? If Annie wrote those words, Mama might stay that way forever. The only comfort Annie finds is in holding a stone she calls her "rock baby." Then Annie secretly befriends a…
Iwas an under-employed Scottish poet hillwalker when I met a Himalayan mountaineer in a pub. Due to alcohol and a misunderstanding about the metaphorical nature of Poetry, Mal Duff asked me to join an attempt to climb the legendary 24,000ft Mustagh Tower in the Karakoram. By the time I admitted I had no climbing experience whatsoever and was scared of heights, it was too late. Those Scottish winters’ apprenticeships and following Himalayan expeditions re-shaped my writing life, outlook, and friendships. My books have been shortlisted three times for the Boardman-Tasker Award for outstanding mountaineering literature, for Summit Fever; Kingdoms of Experience (Everest the Unclimbed Ridge); Electric Brae.
I first read this among my father’s books as a child. I believe he had met Smythe in London in the early 30, thus his signed copy of The Valley of Flowers. This is the quintessential book of that era of passionate amateur climbing and exploration, the age of Shipton and Tilman, of highly knowledgeable and deeply eccentric personalities. The writing is lyrical, just this side of purple, earthed by Smythe’s passion for botany, photography, and close observation. In the true sense of amateur, Kanchenjunga is a great adventure expedition in a time that will not come again. This is the book that prompted me to accept an invitation to climb with an expedition on a serious Himalayan mountain with real mountaineers, despite my lack of experience and hardwired dislike of heights. It changed my life. I like to think Smythe would have approved.
'We went to Kangchenjunga in response not to the dictates of science, but in obedience to that indefinable urge men call adventure.'
In 1930, an expedition set out to climb the world's third-highest mountain, Kangchenjunga. As yet unclimbed, a number of attempts had been made on the peak, including two in the previous year. The Kangchenjunga Adventure records Frank Smythe's attempts as part of an international team to reach the summit, how a deadly avalanche, which killed one of the sherpas, brought an end to their climb and how they turned their attentions instead to Jonsong Peak, which offered a…
I am a queer author of over thirty novels, most recently The House in the Cerulean Sea, Under the Whispering Door, In the Lives of Puppets, and my upcoming novel, Wolfsong. Though I’ve written across many genres, science fiction, and fantasy are where I feel most at home, and my writing reflects that. I love exploring worlds where good people fight for what’s right even when they make mistakes along the way. Humanity is always at the forefront of what I do, and though we can be disappointing, there is nothing quite like us in all the universe—as far as we know.
Imagine, if you will: the world’s tallest mountain suddenly appears in the middle of the ocean. Where did it come from? What is its purpose? And what happens when dumb, curious humans (a natural but very dangerous combination) decide to go investigate?
They certainly don’t have fun! But the reader will because this horror novel is so wonderfully weird that I was gobsmacked by the time I finished. You can’t be sad when you’re wondering if there are monsters in the snow…
A mind-bending speculative thriller in which the sudden appearance of a mountain in the middle of the Pacific Ocean leads a group of scientists to a series of jaw-dropping revelations that challenge the notion of what it means to be human.
IF YOU EVER READ THIS TELL OTHERS DON'T COME HERE.
When a mountain mysteriously appears in the middle of the Pacific Ocean, a group of scientists are sent to investigate - and discover what is at the summit.
Eminent scientist, explorer and chronic loner Harry Tunmore is among those asked to join the secret mission - and he has…
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
Brooks is interested in what makes for a good society and how we as individuals can lead moral, principled lives that benefit others. This must be a subject of interest to everyone but I think has a particular application for writers trying to portray men and women of character and moral purpose. In Brooks’ metaphor the first mountain consists of career, family, wealth, reputation, and everything you would put into your CV. The second mountain is what they might say about you after you die when none of that matters anymore. The issue now is character not achievements. Were you kind, hospitable, generous, compassionate, and humble in your outlook, or ego-centric and proud? For any one trying to write a character with character this is fascinating reading.
#1 NEW YORK TIMES BESTSELLER • Everybody tells you to live for a cause larger than yourself, but how exactly do you do it? The author of The Road to Character explores what it takes to lead a meaningful life in a self-centered world.
“Deeply moving, frequently eloquent and extraordinarily incisive.”—The Washington Post
Every so often, you meet people who radiate joy—who seem to know why they were put on this earth, who glow with a kind of inner light. Life, for these people, has often followed what we might think of as a two-mountain shape. They get out of…
I embarked as a teenager on an overland journey from Europe to Nepal, and have made a career out of returning to the Himalaya as often as possible. My research and photographic expeditions to the mountains over the many decades have led me into some of the most exquisite landscapes and cultures on the planet. In all cases, I seek to combine the physical experiences with aesthetic and spiritual ones, and the books I tend to read about the region also move me in those directions.
If you are looking for more than the usual travel images and want to buy only one photography book about the Himalaya, then this is your book. The author is a world-acclaimed photographer and the imagery in this book is absolutely stunning. It’s a very large book, with the photographs presented in two-page spreads that beautifully capture the detail and atmosphere of the scenes.
This stunning collection of Valli's most beautiful photographs from his time in the Himalaya presents the region's spectacular scenery: steep and narrow pathways, lonely high valleys, dramatic passes at 16,000 feet above sea level, and remote villages seemingly untouched by modernity.
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I first read this book when my baby son was teething. I cradled him in my arms, walked around, and kept reading, unwilling to put it down. Since then, I have reread it several times. The goal of fantasy and science fiction is to transport you into a different world, and Silverberg, a veteran SF writer, knows how to do just that.
The impossible mountain of the book, the Wall, so tall and so sheer that nobody who tries to climb it comes back unchanged (or comes back at all), has loomed in my imagination ever since. I want to be the one to scale it and to find out what waits at the summit. And even though I know the ending, the thrill of discovery is still there every time I reread it.
Chosen to lead the forty men and women from the village of Jespodar in their annual quest to scale the Wall, a monstrous assemblage of cliffs, Poilar Crookleg is finally able to realize his lifelong dream
As a boy in southern California, I knew that the mountains were to the north, that they were big, and that they were somehow related to earthquakes. I loved chemistry and the outdoors and decided on the first day of college that geology offered a great way to be an outdoor chemist. I learned the craft of writing in high school as a sports reporter for the local paper. After I started as a geology professor at the University of North Carolina in 1981, Bob Sharp of Caltech and I founded the Geology Underfoot series to get people into the outdoors to discover geology on their own.
Jones gives a modern account of the roles that the Sierra Nevada range has played in the history of California: barrier to transportation, source of gold, source of water, desert maker, provider of unique ecosystems, inspiration of water law and mining law, target of vacationers, hikers, and climbers, and inspirer of the national park system. This engaging book weaves the history of exploration and development of the state into the larger story of why the range exists, what it is made of, and why it is so odd that the Sierra Nevada, unlike most tall mountain ranges, lacks a low-density root to hold it up. Jones excels at explaining things that I never even thought to wonder about.
From ski towns to national parks, fresh fruit to environmental lawsuits, the Sierra Nevada has changed the way Americans live. Whether and where there was gold to be mined redefined land, mineral, and water laws. Where rain falls (and where it doesn't) determines whose fruit grows on trees and whose appears on slot machines. All this emerges from the geology of the range and how it changed history, and in so doing, changed the country.
The Mountains That Remade America combines geology with history to show how the particular forces and conditions that created the Sierra Nevada have effected broad…
