The most recommended photography books

Veteran photographer Larry Fink once called my own book of photography “boring”, which I wear as a badge of honor, as I would have to be on the street-beat for as long as he has – 50 years! – before I could ever measure up to his skill and accomplishments. Fink specializes in juxtapositions, and in this touching series from the early-‘80s, he spends time among the working class of rural Pennsylvania as well as nouveau-riche socialites of New York, then couples the imagery into a telling tale of two cities. He has an uncanny ability to get right up in his subject’s business at their most vulnerable moments, and in that regard, among Fink’s large body of work, Social Graces is his most poignant.

If you are looking for more than the usual travel images and want to buy only one photography book about the Himalaya, then this is your book. The author is a world-acclaimed photographer and the imagery in this book is absolutely stunning. It’s a very large book, with the photographs presented in two-page spreads that beautifully capture the detail and atmosphere of the scenes.

This rich album of peeping in the windows of intensely private spaces may have been published in 1997 but its message of calm and possibilities burns just as brightly today. The lives of beloved personalities like Maya Angelou, Jessica McClintock, and Oprah Winfrey are opened so that you feel privy to what makes them who they are, or were. You can tell that Madden, one of HGTV’s first hosts, knew all of these women personally and was given great latitude so that we could have a real sense of the spaces these women run to for respite. Some may surprise you – a spartan bathroom with killer views, a guest room that was carved out of a living room – but all of them have a similar message theme of quiet triumph over stressful living. We all need a room of our own and there is more than one way… show more.

When the Hungarian-French photographer Brassai arrived in Paris in 1924, he taught himself French by reading Proust. As a photographer, he was fascinated by a similarity between his own impulse to make pictures and how the novelist used the photographic process as a metaphor for establishing or obscuring his character’s inner and outer worlds, as if both he and Proust were developing images in their respective darkrooms. Proust, Brassai saw, “used his own body as an ultra-sensitive plate, managing to capture and register thousands of impressions.” He was like a reporter with a camera—sometimes a portraitist, a landscapist, and, “sometimes Proust rivals the paparazzi.”

With over 150 Step-by-step Techniques and Projects and Over 1000 Photographs, this great book gives you card ideas for every occasion. It also shows you how to make easy but professional-looking envelopes, invitations, tags, and papers in a host of different styles. Takes less time to make a card than going out and buying one!

As the legendary curator of photography at the Museum of Modern Art, John Szarkowski was instrumental in elevating photography’s stature to an equal among the fine arts. He is eloquent in his explanation about the meaning of photography and illuminating in his descriptions of each of the one hundred photographs published in this book from MoMA’s sterling collection of photographs. There is no better guide to an awakening of your own eye than Szarkowski.

“The Family of Man” – the huge exhibition of documentary photographs curated in 1955 by photographer Edward Steichen at New York’s Museum of Modern Art that then traveled the world – is probably the most influential photography show ever conceived. It included images of individuals and groups representing cultures from around the world. These were made by a gamut of major photographers, the majority of them American. The show was seen in person by hundreds of thousands of people and, literally, millions more have encountered the book version of the show. Sandeen’s engrossing study reveals both how the exhibition reflected Steichen’s own humanistic beliefs and how it spoke to larger cultural concerns. More recent scholarly work by, among others, Shamoon Zamir and Sandeen himself, have shown that “The Family of Man” was more controversial and less specifically “American” than was originally thought.

One of the storied Magnum agency’s less known yet supremely talented photographers, Barbey was a virtuoso of colour before many publications were geared up to print it. The Frenchman who died in 2019 had a long history of visiting China and his body of work is not as well known as that of Cartier-Bresson or Riboud but that may change as modern printing technology finally does justice to it. This book is probably the best available in English but a huge tome both larger and better produced has come out in China to a great reception.

Dolphins have been a recent-ish special interest around the house (thank you trip to the National Aquarium over the summer for that one!)

Following that trip, we ended up checking out basically every child-friendly book on Dolphins there was in the local library. Baby Dolphin’s First Swim became a vast favorite from that stack of books.

The late Alan Trachtenberg (he died in 2020) did more than any other scholar or critic to further our understanding of photographs as cultural documents. This book – probing, detailed yet precise, and endlessly interesting – is his masterpiece. The chapters devoted to Civil War photographs and to American Photographs (1938), the extraordinary photobook produced by artist Walker Evans, are especially powerful. There is a sense in which the books I commend by other authors here – including my own The Grass Shall Grow (2020) -- would not be possible without Trachtenberg’s example.