The most recommended photography books

This book is a lively, questioning, and comprehensive survey of American photography, from its beginnings to the present. It analyzes achievements in each of the genres, from portraiture, through landscape, to documentary, fashion, etc. It treats individual photographic artists, from Avedon to Weegee, from the views of New York taken by Berenice Abbott to J.T. Zealy’s likenesses of enslaved Africans. American Photography is always concerned to underscore what photographs have to tell us about major aspects of American culture: race and ethnicity, gender and identity, business and technology, religion, and region. It also has numerous well-reproduced images; illuminating sidebars and boxes on such topics as the daguerreotype or picture magazines; a helpful timeline; and notes on further reading and viewing. The book was expanded and retitled as Photography in America in 2015, but the first edition still holds up. 

This is a surprise pick. It’s the first book about “real” fairies that I read. I was 15 years old when my local librarian showed me the book. The author was best known for creating the Sherlock Holmes series, and he wrote a book about fairies? 

The Cottingley fairies appear in a series of photographs taken by two young girls living in England in 1917. When the pictures came to the attention of writer Sir Arthur Conan Doyle, he interpreted them as clear and visible evidence of the existence of fairies. Many people accepted the images as genuine; others believed they had been faked. This fascinating account of the “sightings” allows us to get inside the mind of a highly intelligent man who also happened to believe in fairies. But were the fairies real?

With over 150 Step-by-step Techniques and Projects and Over 1000 Photographs, this great book gives you card ideas for every occasion. It also shows you how to make easy but professional-looking envelopes, invitations, tags, and papers in a host of different styles. Takes less time to make a card than going out and buying one!

On Photography is Sontag’s attempt to develop the thought of Barthes, Benjamin, and others and apply the resultant perspective to the critical understanding of the fundamental role of photography in modern life. The book is constructed as a series of interconnected essays, each of which explores the moral and dialectical character of photographic interventions. Photography embodies the moral ambiguity of human activity: the camera claims to deliver truth but is essentially selective and partial; photography reveals and conceals the real; the photograph is an artificial mode of representation but claims to provide a `picture’ of life that can only be captured through the camera.

This ambiguous ontology of the image impacts upon both the act of image-making and the interpretive task of reading and understanding the image. With modern photography the viewer is constituted in a dual movement of separation (and alienation) and connectivity (and communality). Photographic engagement constitutes, so… show more.

This rare story had me laughing out loud, sobbing, and sighing at the beauty of it from beginning to end. It’s not about a ghost in the paranormal sense, but the story revolves around a family haunted by the death of a son.

Pup (James) Flannigan, the youngest of eight siblings, is used to being the silent observer at his raucous family gatherings. When his oldest brother dies suddenly, grief and denial rattle the family to its core.

I fell in love with Pup immediately! He’s a funny, sensitive guy who’s powerless against his family’s tide of sadness until an art teacher encourages him to pick up a camera. Pup’s slow transformation from helplessly observing to using the camera lens to bring the damaged, grieving people he loves into clear focus is a beautiful thing to watch.

Photographs pretend to replicate the real, as do literary fictions, and yet both media also create their own “realities”.

This book explores how photographs, placed in fictional narratives, can distort and deceive characters (and the reader) or, to the contrary, illustrate and illuminate the story. Photographs in the hands of writers can create alternative “realities” within the fictional world or reveal the truth! 

A primary example of the use of photography in fiction is the Argentine writer Julio Cortázar’s famous story “Blow up,” which was made into a movie—now a classic—directed by Michelangelo Antonioni. In Dan Russek’s book, we see a number of such “mixed media” fictions.

I love Latin American photography, and I love seeing how Latin American novelists engage this powerful medium for their own literary purposes.

The late Alan Trachtenberg (he died in 2020) did more than any other scholar or critic to further our understanding of photographs as cultural documents. This book – probing, detailed yet precise, and endlessly interesting – is his masterpiece. The chapters devoted to Civil War photographs and to American Photographs (1938), the extraordinary photobook produced by artist Walker Evans, are especially powerful. There is a sense in which the books I commend by other authors here – including my own The Grass Shall Grow (2020) -- would not be possible without Trachtenberg’s example.

Evidence, published in 1977, is a book of black-and-white pictures culled by these two artists from the archives of government agencies, public utilities, university laboratories, and private corporations. The anonymous photographs were made to document actual fires, land sites, crime scenes, product testing, and scientific experimentation. In Evidence, the pictures are removed from their context of origin and printed, one to a page, without caption information. Individually, the pictures take on surrealist properties subject to endless narrative interpretation; collectively, the sequencing creates a running narrative with no coherent story. Since the pictures so closely resemble the black-and-white documentary images that came to define art photography in the 1970s, Evidence was among the early postmodern works to contest the growing acceptance of photography as art, photographer as artist-author, photographic documentation as fact, and the truth-telling capability of the medium as unwavering.

This rich album of peeping in the windows of intensely private spaces may have been published in 1997 but its message of calm and possibilities burns just as brightly today. The lives of beloved personalities like Maya Angelou, Jessica McClintock, and Oprah Winfrey are opened so that you feel privy to what makes them who they are, or were. You can tell that Madden, one of HGTV’s first hosts, knew all of these women personally and was given great latitude so that we could have a real sense of the spaces these women run to for respite. Some may surprise you – a spartan bathroom with killer views, a guest room that was carved out of a living room – but all of them have a similar message theme of quiet triumph over stressful living. We all need a room of our own and there is more than one way… show more.

For me, poetry from Chaucer to Seamus Heaney can trigger an emotional reaction in the same way that a well-chosen image can.

So, it is natural that photographs and poems of the natural world should be paired. The depths that each adds to the other can hold me in thrall for hours as I delve back and forth and draw out every last emotion.