100 books like Tightwads on the Loose

The Motion of the Ocean has been a longtime favorite sailing memoir of mine, not in the least because I read it during my own sailing years and felt connected to the author.

I appreciate her humorous, honest, conversational, and compelling writing style and love the title of the book, which inspired me to keep adventuring by sailboat and even to write my own memoir.

The narrative focuses on Janna and her husband’s relationship on a small boat in a remote area of the world. It’s a story not unlike mine in regards to relationship idiosyncrasies, the Pacific territory, the couple’s ages, and some of their experiences.

Janna was a teacher in a previous life as well and shares my love for travel and writing. This is an entertaining, well-written book.

Love with a Chance of Drowning had been recommended to me for a while, but I only recently dove in.

One of the reasons was the high price for the eBook, undoubtedly because this is a traditionally published memoir. And, what can I say? I adored this well-crafted love story set on a small sailboat crossing the Pacific Ocean, sprinkled with fearful and heartfelt incidents.

Torre is a fabulous writer, who pulls you into the narrative. She is witty, sarcastic, smart, straightforward, and doesn’t shy away from sharing personal insights, flaws, and brutal honesty, a touted aspect of my book as well.

The author used the present tense to impart a sense of urgency (it’s a wonderful tool to keep you turning the pages) and focused on the connection, strength, and commitment that is needed to rescue her relationship. This is one of the most skillfully written and compelling… show more.

This book entertained me from the beginning until the end.

I applaud the author’s learning curve, increased happiness, and sense of belonging as the story progresses. Her circumnavigation brought back memories and made me feel like a kindred spirit, because her personality traits, passions, priorities, and thought processes are similar to mine. My favorite parts were her wildlife encounters. 

I also recognized myself in Jackie’s experiences and musings – from being in a mixed-culture relationship, learning to sail from our partner, leaving our home country for good, departing our adopted country after becoming a resident, needing our own challenges and jobs, getting seasick, and not spending money on ourselves to her statement that life is not about luck but about choices.

We both take our readers on a journey of courage and discovery that is inspiring, thrilling, and thought-provoking.

While I enjoyed reading One Girl One Dream and have unconventional ideas like the author, I’m torn about a child sailing the world instead of going to school.

Laura sailed single-handedly around the world when she was 14, finishing at 16. This fascinating achievement made her the youngest circumnavigator in the world. 

The first chapter is a page turner; the subsequent ones are written like a diary. I am usually not a fan of this style, but because her story remains an exciting and courageous feat from beginning to end, it kept me wanting to learn more. It was also fun to read Dutch words and traditions, because I grew up in Belgium. 

I wouldn’t call Laura’s memoir a high-quality narrative or good writing, but it held my attention and that means something for this picky reader.

Before M*A*S*H and Catch 22, Michner’s book gave American readers a captivating view of the human side of U.S. soldiers and sailors at war in the South Pacific. This sequential series of interconnected short stories set in Vanuatu and the Solomon Islands works like the best TV mini-series. There are not just sailors and marines; there are locals and colonial characters. 

A great read. Don’t just take my word for it: it won a Pulitzer in 1947. And yes, the highly successful musical play South Pacific by Rodgers and Hammerstein is based on stories from this Michener classic. 

A true story of love, loss, and survival at sea. The author’s book cover pretty much tells the true story. There you see two lovers, their heads bowed, and below their profiles the wreckage of a dismasted sailboat, a solitary female figure searching the now calm but empty horizon—the aftermath of pounding rain, gigantic seas, and 140-knot winds. One critic wrote, "this book is life-affirming, a saga of human survival, a tale of loss and victory, proof of the resilience of the human spirit." I totally agree. Be ready to shed a tear or two and maybe read all night. Hollywood made a movie of this book, so it must be a good read.

For the uninitiated sailor, the definition of terms at the back matter is excellent, and learn what happens to a 44’ sailboat in a hurricane. It ain’t pretty, but it is inspiring.

Imagine, if you will: the world’s tallest mountain suddenly appears in the middle of the ocean. Where did it come from? What is its purpose? And what happens when dumb, curious humans (a natural but very dangerous combination) decide to go investigate?

They certainly don’t have fun! But the reader will because this horror novel is so wonderfully weird that I was gobsmacked by the time I finished. You can’t be sad when you’re wondering if there are monsters in the snow…

I found this book a very exciting read about sailing alone on the ocean with little or no knowledge about sailing or the ocean. All problems he encountered were of his own making, and survival was largely due to good luck rather than good management.

Little did I realize he painted a more romanticized version of his misadventures.

As if a plague of memory loss that eventually makes you forget how to breathe isn’t scary enough, Cutter takes us deep under the ocean, to a lab where something has gone terribly wrong with our potential saviors. This is the most claustrophobic book I’ve ever read. You can feel the crushing weight of the water and the dark just outside the lab’s walls. There’s a wonderful sort of madness to the whole thing, and one scene, in particular, continues to haunt me.

Ben Finney was a surfer, sailor, and anthropologist who spent his career at the University of Hawai‘i and was a founder of the Polynesian Voyaging Society (PVS). The PVS built Hōkūle‘a, a double-hulled sailing canoe modeled on a traditional Hawaiian design but constructed of modern materials.

Finney, then, was part of a team that sailed from Hawai‘i to Tahiti in 1976 without instruments under the leadership of Pius “Mau” Piailug, a renowned navigator from the Micronesian island of Satawal. This book is Finney’s account of that journey and its many challenges.

Hōkūle‘a and the PVS’s experience helped inspire me to write my volume on Anutan seamanship, and Finney wrote the foreword. Later, in 2007, he joined me in a study of Taumako voyaging.