The most recommended books about Portland Oregon

I am a cookbook author, editor, local food enthusiast, and the creator of the blog Thursday Night Pizza, where I share weekly recipes and de-snobbify the process of from-scratch pizza for home cooks of all skill levels. When I’m not in the kitchen or behind my computer, I enjoy gardening, working on house projects, tending to my Little Free Library, and roaming my city of Philadelphia with my husband and son.

I’m always on the hunt for unique, thought-provoking voices among the endless thicket of personal growth titles out there. I look for thought leaders who can help me truly understand myself or the Universe, and help me reach some next-level breakthroughs in my heart. In my prior role as podcast producer for the likes of Dr. Wayne Dyer, Louise Hay, and the like, I’ve been able to really understand what does (and doesn’t) trigger true change within ourselves. I’ve compiled this short list of people who know their sh*t and both challenge me and make me feel blessed to have encountered their wild, gorgeous minds in the pages of their books. 

Growing up, I witnessed my mother have a number of precognitive episodes. I later realized I was very intuitive at times. As a technical analyst in commodities I recognized that intuition was playing a huge part in my success in calling the markets. Feeling uncomfortable in groups, I became very much an introvert. I feel others’ strong emotions and even their physical pain at times. It’s painful to watch shows where people are fighting or being hurt. Later in life I realized there was a name for my discomfort. Clairsentience. Writing/reading paranormal stories about others is not only comforting to me, but psychologically grounding as well. 

I’m a history professor, but I’m also a reader. I love books—fiction and nonfiction—that reveal a world, a character, an idea, or a political movement in ways that I didn’t previously fully understand. That make me see more deeply and think more clearly. I teach and write about the history of the United States, especially its history of radical or extreme political groups. Where did this interest come from? Well, I first visited the U.S. in 1980, when I was eleven years old, and truth be told, my fascination with the country and its people has not abated since.

I was introduced to Fluorescent Mineral collecting by my son. I started going to shows, joining mineral groups, and reading everything I could on fluorescent minerals. Realizing that there were no books with lots of photographs on the subject, and having written quite a few heavily illustrated books of collecting subjects, I decided to to a book that would appeal to new and old mineral collectors. The book was a success and lead to the publishing of a second book. Lots of fluorescent mineral experts helped by reviewing the text and photos for accuracy, and my publisher was pleased with the success of the books. Schiffer Books started an entirely new avenue of books on Minerals that it now publishes.

When I was a kid I would cut out graph paper to design my ideal house. When I was in college, I walked into a class called American Material Life and had my eureka moment: “This is how I want to learn about people in the past!” I realized. I’ve been doing that ever since, first as a museum curator and now as a history professor. Houses, furnishings, and the way people interact with the built environment can reveal the complexity, diversity, and beauty of human lives.

I have always been a reader, and with Irish and Scottish families, I’ve grown up hearing beautiful stories of magic and the fair folk. When I discovered romance novels, I was able to combine my love of happily ever afters and the myth and legend of my childhood. I even took classes on the Mythology of Ireland and Britain while I was obtaining my degrees. With a specialty in British Literature, I have been able to ensure my stories, while full of myth and magic, are also steeped in historical accuracy. The lush and vivid descriptions in my stories are paired with magic and time travel, with every story leaving the reader satisfied with the happily ever after the characters have earned.

As a multicultural author, born in Honolulu of Hawaiian, Chinese, Norwegian descent, I am drawn to mainstream thrillers that feature diverse characters and explore non-mainstream cultures. Since I also hold a fifth-degree black belt in To-Shin Do ninja martial arts and have traveled the United States teaching martial arts and empowerment, authentic fight scenes in fiction are a must! Nothing turns me off quicker than a shallow representation of culturally diverse characters or mundane and improbable action. I strive for authenticity, emotion, and page-turning action in my Lily Wong ninja thrillers, so it’s probably no surprise that I value these elements in the novels I read.

I have written three verse novels; two YA, Skyscraping and The Way the Light Bends, and one half-verse, half-prose MG Every Shiny Thing (co-authored with Laurie Morrison.) I teach verse novel specific classes for The Highlights Foundation and The Writing Barn, on topics like plotting verse novels, creating an image system in verse novels, revising verse novels. I also edit verse novel manuscripts, working with one private student per month. Along with this, I’ve taught a Writing for Children class at Bryn Mawr College. Presently, I teach kids and teens through the Kelly Yang Project and run a local, kids’ literary journal here in Philadelphia called the Mt. Airy Musers. 

Queer community means what we make it mean—but in the end, we mostly have each other, with our varied histories and problems and capacity to care for our peers and harm them. Intergenerational community is a model for young people that the problems they’re facing aren’t new. I grew up in LGBT youth groups, in a generational moment just before gay marriage, PrEP, and increased access to healthcare for trans people transformed our sense of what “activism” and “solidarity” meant. As the political pendulum swings in the other direction, I think some of the best stories we can tell are ones where we aren’t individuals or couples in our own narrative bubbles.