I have been involved in the arts all my life, working as a writer, in film, and as a musician. I have degrees in music and creative writing and have studied visual arts and art history extensively as well. Besides being an author, I teach writing and humanities at the college level. I hope you enjoy these books as much as I do!
Dorothea Lange struggled with disease and disability and eventually found her path, becoming one of America’s greatest photographers through her ability to capture the human experience notably through photographs of people in the Great Depression. This book not only helps readers learn about Lange, but it aids them in understanding this difficult time in United States’ history. The illustrations are colorful and engaging, portraying a wide range of emotions that express the essence of Lange and her work.
STARRED REVIEW! "Weatherford never talks down to her audience…using figurative language and rich vocabulary to tell her story…Green's debut as a picture-book illustrator is brilliant…A fine introduction to an important American artist."―Kirkus Reviews starred review
Dorothea Lange saw what others missed.
Before she raised her lens to take her most iconic photo, Dorothea Lange took photos of the downtrodden, from bankers in once-fine suits waiting in breadlines, to former slaves, to the homeless sleeping on sidewalks. A case of polio had left her with a limp and sympathetic to those less fortunate. Traveling across the United States, documenting with her…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I chose this story to illustrate the plight of Jewish people during the Nazi occupation in France. Catherine's War is based on the true story of a Jewish girl named Rachel Cohen who had to leave her boarding school near Paris and find somewhere safe to live. Rachel has to change her name to Catherine Colin and hide her Jewish identity in order to survive. She was sustained by her beautiful camera, which gave her a record of all that she had to through.
“A shining story of a young girl who struggles to come of age and find her place in a world fraught with danger.” —Susan Campbell Bartoletti, Newbery Honor-winning author of Hitler Youth
* Winner of the Youth Prize at the Angoulême International Comics Festival (voted by readers) * Winner of the Artémisia Prize for Historical Fiction * Winner of the Andersen Premio Prize *
A magnificent narrative inspired by a true survival story that asks universal questions about a young girl’s coming of age story, her identity, her passions, and her first loves.
Looking at photographs after my father died, when still living in Spain, I reflected on what life had been like for young men of the WWII generation. This sparked the start of my Peter Cotton series. Living abroad for so long, having more than one language and culture, gives people dual perspective, a shifting identity, which is something that fascinates me—and makes Cotton ideal prey for recruiting as an intelligence agent. I also wanted to explore the complex factors in the shifting allegiances after WW2, when your allies were often your worst enemy. All these are themes that recur in the books chosen here.
I read Eric Amber when I was young, and again when I was invited to take part in Andrew Marr’s BBC4 documentary Sleuths, Spies and Sorcerers.
Ambler’s books have no heroes or jingoism. He revolutionized spy fiction by injecting realism. He portrays the chaos of Europe in the 1930s, with people trying to survive without papers. In Epitaph for a Spy, Josef Vadassy, a Hungarian refugee, has become stateless after the Treaty of Trianon. In France, he is arrested for spying because of a mix-up with camera film. He is told to find the real spy or be deported, which could mean death. He is left with no choice but to become a spy.
Ambler said that he wanted to write “credible and literate spy fiction.” He amply succeeded in this.
Josef Vadassy, a Hungarian refugee and language teacher living in France, is enjoying his first break for years in a small hotel on the Riviera. But when he takes his holiday photographs to be developed at a local chemists, he suddenly finds himself mistaken for a Gestapo agent and a charge of espionage is levelled at him. To prove himself innocent to the French police, he must discover which one of his fellow guests at his pension is the real spy. As he desperately tries to uncover the true culprit's identity, Vadassy must risk his job, his safety and everything…
I’ve been fascinated by science and space since I was a child and naturally gravitated toward science fiction. In many respects, it was a form of escapism, as I didn’t enjoy school. I always preferred escaping into another world or being taken on a journey to another world. It wasn’t until I got older that I realized that most great science fiction is a commentary on our own world and the issues we face daily. Science fiction, more than any other genre, does a better job of exploring and dissecting aspects of our world, which in turn helps us better understand our world and our relationship with it.
Darwinia was the first novel I read by Robert Charles Wilson, who I believe is the best modern-day science fiction writer. Darwinia was a novel I had to read twice to really grasp how brilliantly Wilson had woven everything together. This is one of those novels where the ending can sneak up on you and blow you away and you weren’t even remotely prepared, which is preferred over any ending that I can predict.
In an alternative history of the twentieth century, Europe is replaced by a land of nightmarish jungle and monsters that contains the secret of human destiny.
I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.
I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects.
This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.
A wonderful, haunting story of enduring love and loss.
**Don't miss Caroline Scott's brand-new novel When I Come Home Again, a beautiful and compelling story based on true events - out now!!**
A BBC RADIO 2 BOOK CLUB PICK
'This excellent debut is a melancholic reminder of the rippling after-effects of war' The Times 'A touching novel of love and loss' Sunday Times
For fans of The Tattooist of Auschwitz and Where The Crawdads Sing comes a moving story, inspired by real events, about how hope and love will prevail against all odds.
1921 In the aftermath of war, everyone is searching for answers.
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
When I set out to write my first biography I was terrified, with the writers’ equivalent of stage fright. I needed something to jump start me, and the late Patricia Bosworth’s wonderful biography of Diane Arbus did the trick. It steadied my nerves and gave me a practical place to start. I forced myself to write the first paragraph of the book after reading the first few pages of Bosworth’s classic biography of the photographer, who was as original as she was tragic.
Diane Arbus's unsettling photographs of dwarves and twins, transvestites and giants, both polarized and inspired, and her work had already become legendary when she committed suicide in 1971. This groundbreaking biography examines the private life behind Arbus's controversial art. The book deals with Arbus's pampered Manhattan childhood, her passionate marriage to Allan Arbus, their work together as fashion photographers, the emotional upheaval surrounding the end of their marriage, and the radical, liberating, and ultimately tragic turn Arbus's art took during the 1960s when she was so richly productive. This edition includes a new afterword by Patricia Bosworth that covers the…
I became interested in Dorothea Lange last year when I picked up a compilation of her photographs documenting the internment of Japanese-Americans during World War II. These images had been censored by the US government for decades, kept under wraps.
One of them depicts a young boy seated on the stoop of his barracks, engrossed in a comic book, one that happens to have been published by my great-uncle, the subject of my recent book!
Driven to learn all I could about the circumstances of this photograph, I read Linda Gordon’s wonderful biography of Lange. A master of the form, Gordon uses the pathbreaking photographer’s life to illuminate 20th-century American social history.
We all know Dorothea Lange's iconic photos-the Migrant Mother holding her child, the shoeless children of the Dust Bowl-but now renowned American historian Linda Gordon brings them to three-dimensional life in this groundbreaking exploration of Lange's transformation into a documentarist. Using Lange's life to anchor a moving social history of twentieth-century America, Gordon masterfully re-creates bohemian San Francisco, the Depression, and the Japanese-American internment camps. Accompanied by more than one hundred images-many of them previously unseen and some formerly suppressed-Gordon has written a sparkling, fast-moving story that testifies to her status as one of the most gifted historians of our…
Isla
Morley's harrowing story is both captivating and surprising.
Her writing is
luminous; a key reason why I loved this novel. I would often stop to reread a sentence
or a paragraph. It is one of those books you can't put down, while simultaneously
not wanting it to end. A gift is that the characters stayed with me long after
I did finish.
The Last Blue is inspired by the real life Blue People of Kentucky whom I had not heard of
before. I was fascinated to learn this history, although pained that some of
human nature's worst attributes, including racism,
superstition, and prejudice, were inflicted on Jubilee, the story's protagonist,
and her family. But, there is redemption and there is love.
A luminous narrative inspired by the fascinating real case of "the Blue People of Kentucky" that probes questions of identity, love, and family.
In 1937, there are recesses in Appalachia no outsiders have ever explored. Two government-sponsored documentarians from Cincinnati, Ohio-a writer and photographer-are dispatched to penetrate this wilderness and record what they find for President Roosevelt's Works Progress Administration. For photographer Clay Havens, the assignment is his last chance to reboot his flagging career. So when he and his journalist partner are warned away from the remote Spooklight Holler outside of town, they set off eagerly in search of…
This is an unexpected gift from a writer with solid literary credentials for his novels The Museum Guard, and The Birdwatcher.
It’s a young man’s romance that understands and presents love passionately, completely ill-advisedly, yet in the end, successfully. When our hero travels to western Canada he falls for a beauty with a creepy photographer husband hanging about.
She is a professional psychic and communicator with the dead who presents her discoveries to a mostly indifferent public. Meanwhile, her cynical, unloving husband finds and photographs scenes of shocking vehicle accident carnage for a mysterious tycoon in England with surprisingly good luck. Or is it?
I enjoyed this well told yet twisted story first for the characters who were totally one of a kind—even the walk-ons—and for how I never guessed how any of them could possibly succeed in getting what they really want. And then when they do get…
The final book in Howard Norman's Canadian Trilogy: a novel about spirit-photographs, adultery, and greed
It is 1927. Young Peter Duvett has accepted a job as an assistant to the elusive portraitist, Vienna Linn, in the remote town of Churchill, Manitoba. Peter's life is about to change in ways he scarcely could have imagined. Across Canada, Linn has been arranging and photographing gruesome accidents for the private collection, in London, of a Mr. Radin Heur-theirs is a macabre duet of art and violence.
After a strenuous journey, Peter arrives in Churchill on the very night of his employer's wedding only…
As a reader, I’m drawn to characters and subjects I can relate to. Strong women who go their own way, ones who march to their own drummer. There is a raw honesty to their stories with subjects of creativity, grief, and loss. And as a writer of both fiction and personal essay, I write about these same issues as well, subjects I seem to turn to again and again. When I write, I try to tap into the emotions that might be buried but I’m always looking to move my readers whether it’s with tears or laughter, and the women in the books I chose do that for me.
Hold Still by Sally Mann – another memoir by an intriguing, strong-willed, fascinating woman. I became interested in Sally Mann when I first saw her book of amazing photographs of her children, Immediate Family. Since then I kept up with her photography and was thrilled to read her memoir. She writes of her childhood in the south, her parents, her relationship with her husband and children, the controversy surrounding those early stages photographs, her career, and beyond in absolutely lovely prose accompanied by many photos. She’s an impressive, talented woman, and her success is well deserved.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann.
In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her.
Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications,…