Here are 100 books that Understanding Exposure fans have personally recommended if you like
Understanding Exposure.
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As an artist, photographer, author, and workshop leader, my goal is to help others become more skilled with photographic techniques and more creative with their photographic and artistic practice. I like to tell workshop participants that to take better photographs, one should stand in front of more interesting things. But to become a really better photographer one needs to become a more interesting person. The books in the list have helped me grow as a person and photographer, and I hope they also enhance your technique and your passion as a photographer.
This book has been extremely influential and helpful to my journey as a creative photographer. This is a short book and covers material that is often not easy because it gets at some of the deep-seated reasons that many of us find it hard to consistently create art.
The underlying issue is “resistance”: a force that is the antithesis of creativity and serves to stymie us all to a greater or lesser degree. I have found the succinct discussion of resistance in the book, along with tools and techniques for overcoming resistance, one of the most valuable discussions I have encountered in my journey as a photographer and artist.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
As an artist, photographer, author, and workshop leader, my goal is to help others become more skilled with photographic techniques and more creative with their photographic and artistic practice. I like to tell workshop participants that to take better photographs, one should stand in front of more interesting things. But to become a really better photographer one needs to become a more interesting person. The books in the list have helped me grow as a person and photographer, and I hope they also enhance your technique and your passion as a photographer.
I started flipping through this book in a bookstore, admittedly with a certain amount of skepticism about another trendy tome on how to be more creative, this one by a well-known music producer. To my surprise, I could not put this book down. There is a great deal of wisdom in these pages.
This is a book that teaches one how to be, not specifically how to create art. But being comes before creation, and I found many ideas that have stayed with me as I pursue my passion for creating beautiful imagery.
From the legendary music producer, a master at helping people connect with the wellsprings of their creativity, comes a beautifully crafted book many years in the making that offers that same deep wisdom to all of us.
"A gorgeous and inspiring work of art on creation, creativity, the work of the artist. It will gladden the hearts of writers and artists everywhere, and get them working again with a new sense of meaning and direction. A stunning accomplishment.” —Anne Lamott
“I set out to write a book about what to do to make a…
As an artist, photographer, author, and workshop leader, my goal is to help others become more skilled with photographic techniques and more creative with their photographic and artistic practice. I like to tell workshop participants that to take better photographs, one should stand in front of more interesting things. But to become a really better photographer one needs to become a more interesting person. The books in the list have helped me grow as a person and photographer, and I hope they also enhance your technique and your passion as a photographer.
I started writing my photography blog almost twenty years ago. Looking back at the vast number of stories I have written in my blog, I see that many of them are my contemporaneous thoughts about images I am in the process of creating.
This book serves a similar role in the pre-Internet, pre-blogging world: the reader gets a birds-eye view of Weston’s life and creative challenges as he makes some of his most famous images. Why not go to the source? If you want to learn more about creativity and image-making, I completely recommend this glorious day-by-day diary.
For more than 15 years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society and his art. His journal has become a classic of photographic literature. Weston was a towering figure in twentieth-century photography, whose restless quest for beauty and the mystical presence behind it resulted in a body of work unrivaled in the medium. John Szarkowski observes that “It was as though the things of everyday experience had been transformed... into organic sculptures, the forms of which were both the expression and the justification of the life within... He had freed his…
As an artist, photographer, author, and workshop leader, my goal is to help others become more skilled with photographic techniques and more creative with their photographic and artistic practice. I like to tell workshop participants that to take better photographs, one should stand in front of more interesting things. But to become a really better photographer one needs to become a more interesting person. The books in the list have helped me grow as a person and photographer, and I hope they also enhance your technique and your passion as a photographer.
Photographers know that as a matter of physics you cannot actually photograph an object; you can only photograph the light reflected or emitted by the object. This being the case, to photograph landscapes and nature it is vitally important to understand the principles that I apply.
I love that this book explains carefully how rainbows and shadows work, and most importantly how one can take advantage of the principles of applied physics to improve one’s ability to capture spectacular images that rely on natural phenomena.
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures…
Growing up, I enjoyed reading about history, especially the Civil War. So, when I stumbled upon the exploits of John Yates Beall and Bennet Burley (the rebel spies are mentioned in Doris Kearns Goodwin’s Team of Rivals), I didn’t believe it at first. After all, my hometown is near Niagara Falls, N.Y., and I’d never heard of this plan to seize the U.S.S. Michigan warship on Lake Erie. As I learned more about the extensive spy network that once existed along our northern border with Canada, I discovered how this audacious plan connected with Abraham Lincoln, Harriet Tubman, John Wilkes Booth, William Seward, and other luminaries from the time.
The Civil War was the first conflict in history to leave a detailed photographic record, and no one did it better than Mathew Brady. More than ten thousand war images are attributed to his studio and he did iconic portraits of Abraham Lincoln, John Wilkes Booth, Walt Whitman, Horace Greeley, and other celebrities.
Today, artificial intelligence, iPhones, and streaming video are remaking our world. But back in the 1850s, photography was the latest technology. It soon became so affordable that soldiers on both sides of the struggle sent a visually accurate memento to loved ones back home before they marched into battle.
In the 1840s and 1850s, "Brady of Broadway" was one of the most successful and acclaimed Manhattan portrait galleries. Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.
The Civil War was the first war in history to leave a detailed photographic record, and Mathew…
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
As a kid, I wanted to be Lauren Bacall when I grew up. I watched To Have and Have Not almost weekly, emulating her sultry moves as “Slim” and wishing that I too could one day undermine the Nazis in a little black dress.
I don’t regret my choice of teenage role model, but I do wish I had known about Lee Miller back then, who would have offered a real-life example of a femme fatale fighting for good with her talents. However, rather than grit and charm, Miller used her camera to expose the true cost of fascism.
Carolyn Burke's biography takes us on an extraordinary journey through Miller’s life—from her days as a model to her work as a war correspondent. Miller had an uncanny ability to connect with the subjects of her photographs, creating a bridge between their world and ours.
Lee Miller's life embodied all the contradictions and complications of the twentieth century: a model and photographer, muse and reporter, sexual adventurer and domestic goddess, she was also America's first female war correspondent. Carolyn Burke, a biographer and art critic, here reveals how the muse who inspired Man Ray, Cocteau, and Picasso could be the same person who unflinchingly photographed the horrors of Buchenwald and Dachau. Burke captures all the verve and energy of Miller's life, from her early childhood trauma to her stint as a Vogue model and art-world ingenue, from her harrowing years as a war correspondent to…
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
I’ve always loved the portraits the photographer Félix Nadar made of nineteenth-century Parisian celebrities such as Victor Hugo and Charles Baudelaire.
I went to this book—Nadar’s memoir—to learn more about the making of those pictures. There is a little bit of that, but what really gripped me was the weird and wonderful shaggy dog stories Nadar tells about his adventures in ‘aerostatic photography’—taking pictures from balloons.
The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography.
Celebrated nineteenth-century photographer—and writer, actor, caricaturist, inventor, and balloonist—Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of “written photographs”), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to…
I am an Oxford local historian, and the only Oxford guide endorsed by the Lewis Carroll Society. I have helped shape Oxford’s annual Alice’s Day since the first one in 2007, and have participated in French, Dutch, Canadian, Brazilian and British TV and radio documentaries, most notably for BBC 2 and BBC Radio 4. My interest is mainly the many Oxford realities which are hidden away within the apparent fantasy of the ‘Alice’ books, an angle which has enabled me to lecture on this internationally famous topic as far away as Assam in India. Subsequently, my appreciation of Carroll’s versatility as a mathematician, photographer, inventor, diarist, and letter writer has grown steadily over the years.
Mention the name ‘Lewis Carroll’ and most people will immediately think of the two Alice books. Very few would equate the name to Charles Dodgson, the photographer. This, however, is the aspect of the multi-talented Oxford don which Gernsheim, a professional photographer himself, appraised in his 1949 first edition for the very first time, concluding that Dodgson was ‘the most outstanding photographer of children in the nineteenth century. Many of the black and white plates substantiate this claim, but equally, Dodgson’s mastery of this new invention enabled him to meet and photograph (sometimes uniquely) numerous famous writers and artists, as well as many Oxford contemporaries. As an aside, Edward Wakeling’s 2015 Catalogue Raisonné is a comprehensive listing of every one of Dodgson’s hundreds of known photographs.
I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
A century after German scholars developed art history as a highly conservative meta-theory well suited to the study of the broader categories of “civilization” and “culture,” the Viennese psychoanalytic movement developed a highly radical meta-theory that posited civilization and culture as fictions meant to curb individual desires.
Art historian Mary Bergstein illuminates photography's rich role in Freud’s thinking. Bergstein deftly reminds us that Freud’s interdisciplinary approach to the history of art and the new science of psychoanalysis was specifically meaningful to his time and place. During the brief period when Vienna would be recognized as the capital of European modernism, psychoanalysis developed as a meta-theory—a radical one—with the cult of individual desires and fears at its heart.
Photographs shaped the view of the world in turn-of-the-century Central Europe, bringing images of everything from natural and cultural history to masterpieces of Greek sculpture into homes and offices. Sigmund Freud's library-no exception to this trend-was filled with individual photographs and images in books. According to Mary Bergstein, these photographs also profoundly shaped Freud's thinking in ways that were no less important because they may have been involuntary and unconscious.In Mirrors of Memory, lavishly illustrated with reproductions of the photos from Freud's voluminous collection, she argues that studying the man and his photographs uncovers a key to the origins of…
I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.
This book is a lively, questioning, and comprehensive survey of American photography, from its beginnings to the present. It analyzes achievements in each of the genres, from portraiture, through landscape, to documentary, fashion, etc. It treats individual photographic artists, from Avedon to Weegee, from the views of New York taken by Berenice Abbott to J.T. Zealy’s likenesses of enslaved Africans. American Photography is always concerned to underscore what photographs have to tell us about major aspects of American culture: race and ethnicity, gender and identity, business and technology, religion, and region. It also has numerous well-reproduced images; illuminating sidebars and boxes on such topics as the daguerreotype or picture magazines; a helpful timeline; and notes on further reading and viewing. The book was expanded and retitled as Photography in America in 2015, but the first edition still holds up.
This lively new survey offers fresh insights into 150 years of American photography, placing it in its cultural context for the first time. Orvell examinines this fascinating subject through portraiture and landscape photography, eamily albums and memory, and analyses the particularly 'American' way in which American photographers have viewed the world around them. Combining a clear overview of the changing nature of photographic thinking and practice in this period, with an exploration of key concepts, the result is the first coherent history of American photography, which examines issues such as the nature of photographic exploitation, experimental techniques, the power of…
