Love The Double Bind? Readers share 100 books like The Double Bind...

Kaya Clark is the wild child I longed to be growing up. Although her family story is tragic and well-explored, how she inhabits her world of nature and allows it to inhabit her is stunning. Once again, she is a young woman who is an outcast who manages to rise above her limitations and those placed on her by society. 

Beyond the incredible storytelling and intriguing plot lines, I was mesmerized by the natural world of the North Carolina marshes, being as much a main character as Kaya herself. The intricate details of the lushness and cruelty of the natural world were incredible. In looking back at my favorite novels, one of the commonalities is the writing’s ability to come alive in my head and to take up a permanent space as much as my own lived memories. This novel is one of those.

Upmarket Women’s Fiction at its finest! Women’s Fiction isn’t, incidentally, fiction written by or necessarily for women.

It comprises rich stories in which the plot is driven by the protagonist’s emotional journey. You’ll always witness external events creating an interesting and lasting impact from beginning to end, changing our main character inside forever. 

In Five Years excels at that, and packs a devastating, shocking, powerful punch in the process. I cried, but experiencing this story was worth it.

I have read every single one of Jodi Picoult’s books, and this is by far my favorite.

I love books that pull me in so much that I feel like I am in there, too. As a mom, as a sibling, this book made me wonder over and over: What would I do? Great writing. Great dilemma. Jodi does such a good job of giving readers just the right amount of information that by the time the twist comes, it is a shock. And then, THEN, the ending is altogether quite another one!

You may have watched the movie, but have you read the novel? Fannie Flagg gave us a beautiful novel about friendship, family, second chances, and good old-fashioned southern food in the form of Fried Green Tomatoes at the Whistle Stop Café.

Using a mix of narrative voices, Flagg’s charming novel goes deeper than the movie, exploring the internal lives of the various interesting characters. I thought it was fascinating and compelling in equal measure.

I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.

Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason. 

This is more literary than crime but Chandler has at the heart of her book a woman with serious mental illness; she captures the soul of a troubled woman and the rippling effects of past and psychosis, as well as the vagaries of memory. And there is a mystery to work out; it was short-listed for the Sisters in Crime Davitt’s award.

In 1995, in the attic of a decommissioned mental hospital in New York State, a curator of New York State Museum, a local volunteer, a psychiatrist/ documentarian, and a photographer found a trove of suitcases, doctor’s bags, steamer trunks with Chinese motif, housekeys, photographs, earrings, belts, upright ladies Saratoga trunks (“so named because they could hold enough clothes for an entire summer season in the resort town of Saratoga Springs.")

The researchers ventured further into the hospital's now vacant sites, an abandoned bowling alley, and its burial grounds. Finally, they obtained permission to get a few hours with the medical records, which were stored in an abandoned hospital building contaminated with asbestos and lead, requiring them to don protective gear and booties.

Their hope was to bring the forgotten patients who’d spent years in the institution back to life. This book and its intricate details haunted me. There are so… show more.

I’ve been blown away by the high quality in a lot of 21st-century splatterpunk/hardcore/extreme horror, but nobody’s extremes have impressed me quite like Wrath James White’s.

I love the insane magic he works with a deceptively simple premise: a young man can resurrect people who forget the circumstances of the deaths and return, but he’s a bad young man. The result is a blend of classic Gothic tropes related to a woman terrorized by a powerful man combined with just about every kind of physical violation imaginable.

I respect White’s gross-outs, but more than that, I respect the bleakness, the deep, deep horror of the premise taken so far in such a bad way.

Similar in vein, a more opaque story than Frankenstein, and with a more indeterminate morality surrounding the main character, who is, after all, a crackpot murderer, but eliciting perhaps the same complex reactions toward him and the other characters at the book’s tragic ending. 

This is another novel written expressly for teenagers, and all the better for it.

Inflected by the author’s own autobiographical experiences—like Craig, the novel’s narrator, Vizzini spent a week in a psychiatric hospital as a teenager—It’s Kind of a Funny Story was the first work of fiction I’d read that articulated the adolescent experience through the language of mental health. It was here that I learned “depression” isn’t an abstracted emotion but the very real neurochemical imbalance that impels Craig to call the suicide hotline after abandoning his SSRIs.

There’s an uncanny familiarity to the circumstances of Craig’s breakdown—namely in how he struggles to remain above water at a famously rigorous college preparatory high school—and a fundamental earnestness to his story’s confessions that gilds even its grimmest moments with a fifteen-year-old's sense of impressionable wonder.