Here are 100 books that The Double Bind fans have personally recommended if you like
The Double Bind.
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I love to read. I always have. I also love to write mysteries that, hopefully, keep my reader guessing until the end of the book. I look for books that not only provide me with a mystery to solve but also inform me of situations and/or places I would otherwise never learn about. I have found all the books on my list to fill that need. They are just an example of the many I have found and read.
A murder mystery and so much more. Set in the marshlands of North Carolina in the United States, it’s an unusual read with the emotional content tugging at my heartstrings. It describes life in the marsh and a child’s heartbreaking struggle to survive.
Nevertheless, I found the author’s description of the natural world in the marshlands brilliant and the haunting tale stayed with me long after I finished reading the book.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
Like all writers, I am first and foremost a reader, with deep appreciation for a great story. I’m also a veteran book club member who meets with book clubs all over the U.S. and Canada (usually via Zoom) three or four times a week to discuss my own work. They are, as I am, invariably pleased by a plot twist. It All Comes Back to You delivers a big one, along with emotional involvement in two worlds, as it’s a dual timeline. I consider myself an expert as a result of hundreds (thousands?) of hours discussing books with groups who are, without exception, smart, fun, funny women who educate me.
Upmarket Women’s Fiction at its finest! Women’s Fiction isn’t, incidentally, fiction written by or necessarily for women.
It comprisesrich stories in which the plot is driven by the protagonist’s emotional journey. You’ll always witness external events creating an interesting and lasting impact from beginning to end, changing our main character inside forever.
In Five Years excels at that, and packs a devastating, shocking, powerful punch in the process. I cried, but experiencing this story was worth it.
'SMART, EMOTIONAL, INTRIGUING AND COMPELLING - I LOVED IT!' JILL MANSELL
'Full of twists and turns, this is a heart-breaking yet uplifting story about love and friendship, and is one of this year's must-reads' Heat magazine *****
Dannie Kohan has held true to her meticulously crafted 5-year plan since she understood the concept. On the day that she nails the most important interview of her career and gets engaged to the perfect man, she's well on her way to fulfilling her life goals.
But that night Dannie falls asleep and dreams of a night five years in the future where…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
The sickness or death of a child is a particularly sharp arrow to the average person’s heart.
But I think anyone who’s suffered the loss of a child, seen their child’s life in jeopardy, or is close to someone who’s been through one of those situations is even more sensitive to the topic. My heart and soul were battered from word one, but I had to read this book.
How far would a parent go to save her child? This story explored the question from many angles in a poignant way and left me in tears. I dare people to read it and not ask themselves the same questions.
Sara and Brian Fitzgerald's life with their young son and their two-year-old daughter, Kate, is forever altered when they learn that Kate has leukemia. The parents' only hope is to conceive another child, specifically intended to save Kate's life. For some, such genetic engineering would raise both moral and ethical questions; for the Fitzgeralds, Sara in particular, there is no choice but to do whatever it takes to keep Kate alive. And what it takes is Anna. Kate (Sofia Vassilieva) and Anna (Abigail Breslin) share a bond closer than most sisters: though Kate is older, she relies on her little…
I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states.
You may have watched the movie, but have you read the novel? Fannie Flagg gave us a beautiful novel about friendship, family, second chances, and good old-fashioned southern food in the form of Fried Green Tomatoes at the Whistle Stop Café.
Using a mix of narrative voices, Flagg’s charming novel goes deeper than the movie, exploring the internal lives of the various interesting characters. I thought it was fascinating and compelling in equal measure.
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.
Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
I’m a Professor of Women’s Mental Health and have worked clinically, taught, and researched in the area of perinatal psychiatry for over thirty years. I do forensic psychiatry related to this; all this guides the books I write. I am passionate about promoting mental health and helping everyone understand the high level of trauma and its devastating effects on people; I have also been an avid reader of just about everything since I was eight, and love a gripping crime or psychological thriller. But it has to make sense, be authentic and not demonize mental illness; I have a particular hatred for the evil serial killer who was just “born that way”.
This is more literary than crime but Chandler has at the heart of her book a woman with serious mental illness; she captures the soul of a troubled woman and the rippling effects of past and psychosis, as well as the vagaries of memory. And there is a mystery to work out; it was short-listed for the Sisters in Crime Davitt’s award.
The boys from back home stand beside the bed, watching her bleed onto the white sheet. ‘He only said to scare her,’ one of them says.
Sidney is happily married to her firefighter husband and thinking about having a child, but her life has been marred by psychotic breakdowns. Haunted by memories of Dean Cola — the teenage crush who is an essential piece of the puzzle that is her past — she returns to the town where she grew up. Something unthinkable happened there, but is she strong enough to face it?
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
Misguided do-gooder Eliza Peabody lives in wealthy South London. In her middle age, Eliza is not just dedicated to volunteering in charities but also to volunteering her unsolicited advice to her neighbours in notes through their letterboxes. The book is consistently reviewed as both hilarious and poignant, but my memory of it above all includes one scene that was neither of those things. Instead, it seared me. The reveal crept up on cats’ paws, and I wasn’t at all prepared, which made the moment true for me, and unforgettable. If I read it when it came out in 1992, I would have been 26 years old. I must read it again now, at 56. No doubt I’ll remember the funny bits this time.
Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times).
With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health…
I’ve chosen to recommend fiction by Irish women, because I’m a female Irish writer myself. My own books are mostly for children, but, hey, I’m an adult. As well as a writer I am a retired publisher, a not-quite-retired editor, and an occasional translator, so I tend to engage very closely – OK, obsessively – with text. I have a pretty serious visual impairment, so most of my ‘reading’ is through the medium of audiobooks. I’m never sure if that influences my taste in reading. Anyway, these are the books I’ve liked recently, and hope you do too.
Theoretically for Young Adults (meaning older teenagers), this one is also for adults of any age. It’s about exclusion, anxiety, depression, suicide, all matters that have touched my own family with tragedy,
Helena Close knows about mental illness and what it feels like, and she describes it in visceral detail. But she is a sharp and funny writer, and she takes no prisoners when it comes to the false assurances of a certain kind of charlatan ‘counsellor’.
The heroine of this book seems set to drown in sorrow, but she learns, slowly and with help, how to swim up out of pain and fear towards the light. So uplifting!
Saoirse (18) can't wait to leave school - but just before the Leaving Cert her ex-boyfriend dies by suicide. Everyone blames Saoirse - even Saoirse herself, who cheated on him with his best friend. She is shunned by her schoolmates and suffers unbearable levels of anxiety.
Everything becomes too much, and on the night of the school Debs, Saoirse throws herself into the river - and wakes up in a psychiatric hospital. Slowly, painfully, with the support of a friendly hospital cleaner, her old best friend, her kind and hilarious grandmother, and even her irritating sister, Saoirse regains her sense…
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
I’ve been blown away by the high quality in a lot of 21st-century splatterpunk/hardcore/extreme horror, but nobody’s extremes have impressed me quite like Wrath James White’s.
I love the insane magic he works with a deceptively simple premise: a young man can resurrect people who forget the circumstances of the deaths and return, but he’s a bad young man. The result is a blend of classic Gothic tropes related to a woman terrorized by a powerful man combined with just about every kind of physical violation imaginable.
I respect White’s gross-outs, but more than that, I respect the bleakness, the deep, deep horror of the premise taken so far in such a bad way.
Dale McCarthy has a unique and miraculous ability. He can bring the dead back to life, though the resurrected have no memory of their deaths. But not every miracle comes from God, and not every healer is a saint.
Ever since her new neighbor moved in, Sarah Lincoln has been having terrible nightmares. Last night she dreamed she and her husband were brutally murdered in their beds. This morning she found bloody sheets in the laundry and bloodstains on her mattress. And the nightmare is the same, night after night after night. With no one prepared…
