Here are 100 books that The Resurrectionist fans have personally recommended if you like
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I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I am not frightened by Cthulhu, the tentacled monsters waiting in the depths of outer space or the ocean. I am mesmerized by them. Lovecraft, often labeled a horror writer, is one of the greatest literary fantasists. His imagination is boundless, and he is as adept at describing strange new environments as he is at evoking a sense of cosmic dread.
This classic novel combines Lovecraft’s signature monsters with an incredible dreamlike atmosphere that grips you and does not let you go. When you stand at the summit of the Mountains of Madness and glimpse what lies on the other side, you are torn between fear and fascination. For me, at least, fascination always wins.
At the Mountains of Madness is a science fiction-horror novella by American author H. P. Lovecraft.
An expedition to Antarctica goes horribly wrong as a group of explorers stumbles upon some mysterious ancient ruins, with devastating consequences. At the Mountains of Madness ranks among Lovecraft's most terrifying novellas, and is a firm favourite among fans of classic horror.
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
From the mind of a nineteen-year-old member of the English Parliament, this book inaugurated the splatter side of the horror tradition, and it freaked late 18th-century critics out. I love it for all its gruesome irreverence, for how far it’s willing to go for shocks, for its wild, gender-bending sexuality, and so much more.
Although I find parts of it genuinely disgusting, I think it’s more amusing than scary… that said, its inset storytelling and interwoven major plotlines are a hoot to follow. The corruption of the title character is so, so easy and goes so, so far.
The object of his primary lust is so ridiculously pure… orchestrated to maximize the impact of the final confrontations, of course, and they are extreme.
Matthew Lewis's Gothic masterpiece, depicting a holy man slowly becoming entangled in a web of sin, The Monk is edited with an introduction by Christopher MacLachlan in Penguin Classics.
Savaged by critics for its blasphemy and obscenity, particularly since the author was a Member of Parliament, The Monk soon attracted thousands of readers keen to see if this Gothic novel lived up to its lurid reputation. With acute psychological insight, Lewis shows the diabolical decline of Ambrosio, a worthy superior of the Capuchins of Madrid who is tempted by Matilda, a young girl who has entered his monastery disguised as…
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This was Poe’s only novel, and I don’t know why more people don’t read it. Yes, it has problems with race and some political issues… most novels of its time do… but it also contains the scary elements for which Poe is best known (extreme claustrophobia à la live burial, storytellers with questionable sanity) as well as cannibalism and other terrors collected very efficiently in the guise of a seafaring adventure tale.
I love its almost unwavering intensity and grimness, how it dares to create a world where nearly everything is horrible. What I love most is probably its mind-boggling ending, which I see as an open door for much cosmic horror to come.
Poe found the germ of the story he would develop into ARTHUR GORDON PYM in 1836 in a newspaper account of the shipwreck and subsequent rescue of the two men on board. Published in 1838, this rousing sea adventure follows New England boy, Pym, who stows away on a whaling ship with its captain's son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism, and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery, and psychological insights that the tale has come…
I’m a certified crime junkie beginning with Helter Skelter and, more recently, FBI profiler Jack Douglas’ Mindhunter. This genre is a passion, but here’s the kicker, I started my writing journey in Western historical romance. I know, right? Then I had this wild idea: a psychologist who’s got a secret – her mother is a notorious serial killer on death row, and someone is imitating her crimes. Just like that A Killer’s Daughter was born! Now I’m always reading and listening to thrillers and true crime podcasts. Check out my newsletter to see what’s grabbing me.
I attended an author event at the coolest bookstore in Tampa in The Exchange building, and Lisa Unger was being interviewed by Colette Bancroft, the book editor for the Tampa Times.
Well, the book sounded wonderful, and it really is. The heroine in this story is smart, clever, and managed to keep one step ahead of the unusual, troubled boy she is hired to babysit. I loved this story and now have a signed copy on my keeper shelf.
A Best Book Nominee in the Goodreads Choice Awards
A CBC Morning Show Top Book Pick
An Amazon Best Book of the Month
An Indie Next Best Books of the Month Pick
"A brisk, crafty and fascinating psychological thriller... In The Blood is a complex mosaic as well, one that's tricky, arresting and meaningful." (The Washington Post)
Liar, liar, pants on fire . . .
College senior Lana Granger has told so many lies about her…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I really bonded with Tess. She's loyal and brave and won't back down when a friend's in need. I like the puzzle of the mystery and trying to figure out if there's a supernatural element or not.
Tess's vulnerability catches my heart, though: her troubled childhood leads her to see herself as less than her true worth compared to the healthy, faith-filled family she's married into. I'm passionate about recognizing our true, God-given worth and breaking free from the lies that hold us back.
Child of the Appalachian mountains, Tess Spencer has experienced more than her share of heartache. The Glock-wielding, knife-carrying housewife knows how to survive whatever life throws at her.
But when an anonymous warning note shows up in her best friend Miranda’s mailbox—a note written in a dead woman’s handwriting—Tess quickly discovers that ghosts are alive and well in Buckneck, West Virginia. Hot on a cold trail, she must use limited clues and her keen insight into human nature to unmask the killer...or the next victim might be Tess herself.
Tinged with the supernatural and overshadowed by the mountains' lush, protective…
I’ve been fascinated by sisters, siblings, and my place in the family since I was old enough to realize I had an older sister and a younger brother. I asked my parents a lot of questions. Why am I blonde? Why is my sister taller? Lots of questions my parents didn’t have answers for. At school in biology, we studied genes, familial traits, and nature versus nurture. I was fascinated, and still am today. Why does my sister behave the way she does? Why do I? Is it because of our upbringing, or was she just born with an aversion to cheese? I wanted to know the answers. I’m still searching.
This gripping and heartbreaking YA novel about Lily and her older, bipolar sister, Alice, has stayed with me. I found the plot and characters so realistic and absorbing that I forgot I was reading fiction.
This book is an intense read, but set in a world I became thoroughly immersed in. I connected with Lily’s compulsion to be the perfect daughter and straight-A student. I cried for her having to swallow her emotions and words, while internally struggling with her own demons.
It’s a must-read for anyone who has survived their teenage years. It’s considered, wholehearted, and delivers a convincing portrayal of sisterly bonds, mental health issues, and the people who are courageous enough to confront them. I’m teary now just thinking about it.
A beautifully realistic, relatable story about mental health—anxiety, perfectionism, depression—and the healing powers of art--perfect for fans of Girl in Pieces and How it Feels to Float. Whatever you struggle with, you are not alone and you are already enough—just the way you are.
It's been three months since The Night on the Bathroom Floor--when Lily found her older sister Alice hurting herself. Ever since then, Lily has been desperately trying to keep things together, for herself and for her family. But now Alice is coming home from her treatment program and it is becoming harder for Lily to ignore…
When my older sister died, I felt a pressing need to tell her story. Rachel was a strong, courageous woman, who endured decades in a psychiatric system that failed her. She was a survivor, but the stigma of severe mental illness made her an outcast from most of society. Even so, her enduring passion for poetry inspired me to write about her. I sought out other people’s stories. I enrolled in workshops and therapy. I devoured books and blogs by survivors, advocates, and family members. Everything I read pointed to a troubling rift between the dominant medical model and more humane, less damaging ones. This list represents a slice of my learning.
Psychiatric medications are prescribed more judiciously than when my sister first took them, but still many people find them intolerable.
Bergner first encountered mental illness when his younger brother Bob was diagnosed with bipolar disorder after dancing on a ferry to the rhythm of the ocean. Sadly, his parents believed that dancing was a symptom to be eliminated with higher doses of lithium.
Bergner finds two others to share their experiences: a roller derby star turned peer counselor, who heard voices since childhood; and a lawyer who feels doomed to failure despite his achievements in important cases. All three discontinue medication, two of them successfully.
Interspersed with their stories is a short history of psychiatry with a focus on the limitations of neuroscience and serious missteps in psychopharmacology.
“A profound and powerful work of essential reporting." —The New York Times Book Review
An important—and intimate—interrogation of how we treat mental illness and how we understand ourselves
In the early 1960s, JFK declared that science would take us to the moon. He also declared that science would make the “remote reaches of the mind accessible” and cure psychiatric illness with breakthrough medications. We were walking on the moon within the decade. But today, psychiatric cures continue to elude us—as does the mind itself. Why is it that we still don’t understand how the mind works? What is the difference…
Diane C. McPhail is the award-winning author of The Abolitionist’s Daughter, her debut novel based on family history and little-known impediments to Southern Abolitionism and anti-slavery. Her yet-to-be-titled second novel, a historical 1900 Chicago & New Orleans psychological mystery, is due for release in the spring of 2022. As an experienced therapist, Diane has a passionate interest in the complex, sometimes conflicting, qualities of character and culture, and how those intricacies complicate the plot. Diane holds an M.F.A., M.A., and Doctor of Ministry.
This riveting American Gothic novel, set in 1865, follows a widowed Civil War Army nurse home to New Hampshire after her bloody stint of tending the wounded and sick, only to find that her beloved, but unstable, sister is dead in a fall from the roof of the asylum. The cause is ruled a suicide, but she is not convinced and determines to find the truth at all costs. The period is synchronic with that of The Abolitionist’s Daughter and the depth of research fascinated me. Blakemore’s writing and extensive attention to sensual detail is exceptional. Since I have my own yet-to-be-titled historical mystery due for release in the Spring of 2022, I loved delving into this twisting page-turner with a woman of determination in an equivalent period of history.
Until she discovers the truth of her sister's death, no one will rest in peace.
New Hampshire, 1865. Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She'd been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.
Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief-to let go of the dead and embrace the living. But that's not easy in…
I grew up reading books that featured strong women, including Little Women and Anne of Green Gables so it only made sense that I would go on to write a book featuring four strong women. As much as I love reading fiction, since I am a professor, my writing is mainly academic and/or non-fiction and I aim to make research translatable and interesting to all – including mainstream audiences. Currently, I am working on a new book about evangelical Christian women and politics, which I started in 2020 right before the presidential election. No matter where I live or work, exploring the various facets of women’s lives will remain my driving pursuit.
Karr's memoir diverges from my other recommendations insofar as it’s a memoir and features just one woman’s voice.
I found this book while living in Madrid over a decade ago and remember sneaking out into the living room late at night to read it. Karr is a master storyteller and a master memoirist – highly relatable even if you’ve never struggled with alcoholism.
The long awaited sequel to the beloved and bestselling 'The Liars' Club' and 'Cherry' - a memoir about a self-professed 'blackbelt sinner's' descent into the inferno of alcoholism and madness, and her astonishing resurrection.
'If you'd told me, even a year before I start taking my son to church regular that I'd wind up whispering my sins in the confessional or on my knees saying the rosary, I would've laughed myself cockeyed. More likely pastime? Pole dancer. International spy. Drug mule. Assassin.'
Mary Karr's prizewinning 'The Liars' Club' chronicled her hardscrabble Texas childhood and sparked a renaissance in memoir, cresting…
