Fans pick 100 books like In the Blood

I had the opportunity to listen to Karin Slaughter speak at the Bouchercon Conference in St. Pete, Florida and this was her new release.

The book sounded wonderful, and my signed copy is on my keeper shelf. Pieces of Her has a crazy, explosive opening and breakneck pace with questions that pile on questions, and we hold on for dear life. I was so enthralled by this story that I bought a second copy for a friend and put it in her hands saying, “You have to read this.” She loved it and so did Netflix because it is now a series. 

 One of the most gripping stories I’ve read in a long time, this book sticks with you long after you put it down. I raced through it in less than six hours, unable to put it down until I reached the end, which, of course, I never saw coming.

From the vivid descriptions to the expertly crafted characters to the unrelenting suspense, I was blown away by this book and absolutely cannot wait to read more work by this author. What surprised me the most were the moments of comic relief which at times were enough to get me to laugh right out loud, even with all the dark drama going on. I can’t wait to dive into another of Freida’s fabulous stories! 

As the rest of this list hints, mystery stories involving unhappily married couples aren’t my usual go-to when picking something to read, nor is it something I particularly enjoy writing about. Maybe that’s a good thing, given the standard advice of “Write what you know,” but generally, the formula (and trust me, it is a formula) bores me. 

But at the time I came across this book, I was dabbling with the idea of writing an alternating-first-person-POV book in the way this novel does (as an aside, check out Lucy Foley’s books for other great examples of that device if you’re a fan of it too). I saw the acclaim the book had received and figured, hey, Geneva Rose must have done something right; maybe there’s something there for me to learn here. So, I started the book planning to listen to it mostly as a lesson in this technique.… show more.

I think I picked this one up in a bookstore because of the back cover blurb. I found the writing much more in the literary fiction category which is to say it is beautiful and very well written.

What I especially appreciated in this story was the way the setting, the Bottoms, became such an important feature. Really, the setting is a character all its own and I appreciated learning about a place that was so specific and different from where I was raised.

That is not to say that the twist did not take me completely unaware because they definitely did.

I really bonded with Tess. She's loyal and brave and won't back down when a friend's in need. I like the puzzle of the mystery and trying to figure out if there's a supernatural element or not.

Tess's vulnerability catches my heart, though: her troubled childhood leads her to see herself as less than her true worth compared to the healthy, faith-filled family she's married into. I'm passionate about recognizing our true, God-given worth and breaking free from the lies that hold us back.

I’ve been blown away by the high quality in a lot of 21st-century splatterpunk/hardcore/extreme horror, but nobody’s extremes have impressed me quite like Wrath James White’s.

I love the insane magic he works with a deceptively simple premise: a young man can resurrect people who forget the circumstances of the deaths and return, but he’s a bad young man. The result is a blend of classic Gothic tropes related to a woman terrorized by a powerful man combined with just about every kind of physical violation imaginable.

I respect White’s gross-outs, but more than that, I respect the bleakness, the deep, deep horror of the premise taken so far in such a bad way.

This is another novel written expressly for teenagers, and all the better for it.

Inflected by the author’s own autobiographical experiences—like Craig, the novel’s narrator, Vizzini spent a week in a psychiatric hospital as a teenager—It’s Kind of a Funny Story was the first work of fiction I’d read that articulated the adolescent experience through the language of mental health. It was here that I learned “depression” isn’t an abstracted emotion but the very real neurochemical imbalance that impels Craig to call the suicide hotline after abandoning his SSRIs.

There’s an uncanny familiarity to the circumstances of Craig’s breakdown—namely in how he struggles to remain above water at a famously rigorous college preparatory high school—and a fundamental earnestness to his story’s confessions that gilds even its grimmest moments with a fifteen-year-old's sense of impressionable wonder.

Welcome to the sweet romance of Isa, a dancer, and Alex, a baseball player, teenagers in New York with very different upbringings. Isa is a blonde, half-Cuban/half white, private school girl from a well-off family that’s falling apart behind the scenes. Alex is Dominican, attends public school, and divides his time between his divorced parents. He’s also a secret poet and leaves his poems for Isa to find on the subway train where they first met. Both have professional sports potential, but the reality is more complicated. The couple navigates challenges with their families and neighborhoods, including mental health and gangs, and you’ll be rooting for them the entire time. The author has a beautiful poem in the Rhyme and Rhythm anthology that I mentioned above.

Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.

Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”

Her reporting led to a grand jury investigation and reforms inside the asylum.

I rarely encounter writing that deals so unflinchingly with the darkest aspects of human nature in such a beautifully nuanced way. This book does not shy away from heavy, even transgressive themes, including mental illness, parental negligence, sexual predation, and grooming.

It centers around teenage sisters Edie and Mae, who are sent to stay with their estranged father after their mother’s failed suicide attempt—but their close alliance fractures due to their separate fixations on each parent. Told from multiple POVs, I found the novel’s structure as intricately woven as a spider’s web. The final act, which leaps ahead fifteen years, is an absolute stunner.