90 books like The Books of Blood Volume 1

This is, in my humble view, the best science fiction novel ever written. I have read it no less than ten times so far and intend to keep rereading it. What nowadays seems incredible is that it was written back in 1961, when most science fiction was still in its age of innocence, full of naïve assumptions about extraterrestrials and their malevolent ambitions.

It will be many years before the first ideas of benevolent aliens appear and even more before we fully realize Lem's wisdom from Solaris: there isn't going to be any First Contact because Others are neither bad nor good, but indifferent, as it is the planetary intelligent ocean on Solaris. We aren't still mature enough even for contacts with ourselves, let alone Others.

About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.

As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.

Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the… show more.

No book has had a bigger influence on me as a person or a writer than this one. I suppose a lot of hoopy froods could say the same. It’s an adventure on a galactic scale, and yet, at its core, it’s just about a guy who wants to go home and have a cup of tea.

It’s a brilliantly funny satire and full of jokes and moments I’ll never forget. All four books in the series are amazing, and I’ve re-read them countless times. The fifth and final book is a downer worth skipping. 

I am not frightened by Cthulhu, the tentacled monsters waiting in the depths of outer space or the ocean. I am mesmerized by them. Lovecraft, often labeled a horror writer, is one of the greatest literary fantasists. His imagination is boundless, and he is as adept at describing strange new environments as he is at evoking a sense of cosmic dread.

This classic novel combines Lovecraft’s signature monsters with an incredible dreamlike atmosphere that grips you and does not let you go. When you stand at the summit of the Mountains of Madness and glimpse what lies on the other side, you are torn between fear and fascination. For me, at least, fascination always wins.   

One of the most popular children’s book series of the twentieth century, all of the books in the series feature the author speaking directly to the reader, detailing past events, reminding the reader of personality traits of the characters, and providing the reader with background details about the world the reader finds themselves in.

More so than the other books on the list, it’s clear the voice is that of C.S. Lewis though, rather than a seemingly separate narrator.

This is the first book that made me feel like I was in a fully realized location. I couldn’t put it down and continue to revisit it annually because the depth of detail in the town and its citizens draws me in and makes the events more impactful as they unfold.

I’ve always enjoyed a good vampire story, but Salem’s Lot was the first vampire story that made me a little nervous of the creaking sounds in the hallway or a tapping at a window. 

This is a curious blend of survival thriller and sci-fi story about a vast hidden world of caves and tunnels beneath the surface of the earth, and a previously unknown civilization of humanoids who live there. Once discovered, the corporations of the world start what becomes known as “the descent” and start founding work colonies, like offshore oil rigs, but this time underground as they mine for resources and additional space for a booming upworld population. The story becomes something of a clash of civilizations, with the blue collar workers looking for a better life coming up against savage underworlders defending their homes.

Thomas Ligotti is one of the few writers whose work genuinely, profoundly scares me. His vision is underscored by an all-too-convincing commitment to pessimistic philosophy (which is accessibly detailed in his 2010 book The Conspiracy Against the Human Race). Songs of a Dead Dreamer is haunted by the philosophical outlooks of E. M. Cioran, Arthur Schopenhauer, H. P. Lovecraft, and Edgar Allan Poe, but Ligotti’s fixation on marionettes, dolls, and the illusory nature of human agency is singular and distinctive. This is a masterpiece of existentially disturbing dark literature.   

Kathe Koja changed everything with the release of The Cipher in 1991, emerging as the most exhilarating new voice in American dark fiction since the arrival of Stephen King nearly two decades prior. Her work is characterized by hyper-sensory immersion into complex subjectivities, achieved by an inimitable, modernism-tinged voice. Koja is a master novelist, and it’s a rush to read her style within the more condensed form of short fiction; once you’re finished with Extremities, be sure to pick up her genre-expanding 2020 collection, Velo/Cities.

This book's heightened literary consciousness suggests a lifetime of practice, but it is, in fact, Gwendolyn Kiste's debut (she has quickly become one of contemporary dark fiction’s most celebrated, leading figures). Throughout Untether, the author examines both societal and individual forms of suffering (e.g. depression, dissociation, and the dangers of socially imposed normativities). My favorite piece is “Skin Like Honey and Lace,” which depicts a group of women who achieve social induction by taking skin from strangers and applying it to their own bodies. A staggeringly accomplished collection.