I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.
Jeff Strand is the flip side to the coin that I continually try to write. He takes a horrifying premise and makes it funny. I try to take a funny premise and make it horrifying. We both succeed to varying degrees.
The opening story in Gleefully Macabre Tales only spans 750 words and it was the last time I can remember laughing out loud at a written story. It concerns a door-to-door magazine salesman, crotchety old man, and a Weiner dog. To embellish further would be to betray the author’s intent. But know that if you do not find yourself smiling by the time the tale is told you desperately need to check for a pulse.
A short story collection from the author of DEAD CLOWN BARBECUE. Over 85,000 words' worth of insanity!
Cemetery Dance Magazine says that "No author working today comes close to Jeff Strand's perfect mixture of comedy and terror." GLEEFULLY MACABRE TALES compiles thirty-three of his most twisted blends of cringe-worthy horror and ghoulish humor, with a couple of serious pieces thrown in just to mess with you.
This collection includes tales from his three chapbooks (Two Twisted Nuts, Socially Awkward Moments With An Aspiring Lunatic, and Funny Stories of Scary Sex) and numerous other stories both popular and obscure, including "Really,…
I should not have to recommend the president of the Horror Writers Association, but if you are unfamiliar to Lansdale, this is a great introduction. He is a caustic voice with no pretense, or subtlety. I love him for his sincerity, his abruptness, and his ability to make me feel really bad for laughing.
Personally, I have owned 3 copies in my lifetime, two of which I read into tatters. Clive Barker remains one of the most unusual imaginations in horror to date. If you can’t find something in this collection that you enjoy, pull out the femoral stick. These stories have been translated into film almost as often as Carrie.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
Best known for penning the infamous Psycho. Robert Bloch, is perhaps the greatest horror author of the 20th century. He is to short-horror fiction, what Ray Bradbury is to the science-fiction genre. Though he is often overlooked for names such as King, Lovecraft, and Barker, Rober Bloch is the preeminent master of the subtle scare.
It should be noted, before wading into this collection, that Rage is credited as the story that inspired the Columbine killings, and is therefore not recommended for a general audience. It is not, however, the novella for which this recommendation is made. The Long Walk is without a doubt, King’s strongest ending ever written. The collection only includes four stories that achieve varying degrees of success. Personally, I find Road Work a complete waste of time. If you never read another Stephen King story, however, The Long Walk is his most iconic piece of fiction to date.
For years, readers wrote asking if Richard Bachman was really world-bestselling Stephen King writing under another name. Now the secret is out - and so, brought together in one volume, are these three spellbinding stories of future shock and suspense.
The Long Walk: A chilling look at the ultra-conservative America of the future where a grueling 450-mile marathon is the ultimate sports competition.
Roadwork: An immovable man refuses to surrender to the irresistible force of progress.
The Running Man: TV's future-favourite game show, where contestants are hunted to death in the attempt to win a $1 billion jackpot.
A delightfully twisted collection of macabre tales designed to draw readers into the darkest corners of the author's mind. Each story is a unique picture of horror designed to tear at the reader's ideas of reality.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
