10 books like Songs of a Dead Dreamer and Grimscribe

I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.

Mike Thorn is the author of Shelter for the Damned, Darkest Hours, and Peel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, including Vastarien, Dark Moon Digest, and The NoSleep Podcast. His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere. 

Mike Thorn is the author of Shelter for the Damned, Darkest Hours, and Peel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, including Vastarien, Dark Moon Digest, and The NoSleep Podcast. His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere. 

Mike Thorn is the author of Shelter for the Damned, Darkest Hours, and Peel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, including Vastarien, Dark Moon Digest, and The NoSleep Podcast. His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere. 

I’ve always loved Christmas books. As I’ve gotten older, part of the attraction around Christmas is the nostalgia. Recalling the excitement as a child, the anticipation, but also the people who are no longer with us. When I started out writing, I only ever envisaged doing one book, but a little bit of success snowballed. When I was looking for ideas, I noticed my last Barton book would be released just before Christmas, and The Santa Killer was born. I wanted to write a book like Christie’s where there was the emotions around murder and crime, but also the drama of Christmas. Hopefully it’s sad, exciting, and thrilling but also poignant.

Everyone dreams, even if you don’t remember them, you dream. I have researched dreams and stories concerning dreams for decades. There are more than a handful of dream fiction books I admire and would recommend, but here are five that I think should be singled out. I am a member of the International Association for the Study of Dreams to try to keep my finger on the pulse of peer-reviewed papers concerning the ‘yet-to-be-explained’ purpose of dreaming. I wrote this story because I can see a future where dreams become mainstream entertainment, it is just a matter of time and technology.

I grew up in a small town full of ghosts. They broke plates in a doctor’s office-turned-restaurant, feuded in a house built by twins, emerged from cornfields to stand in our headlights, and turned headstones blue in a cemetery where tombstones protruded from the ground like jagged teeth. The stories that surrounded me while I was a teen still bleed into my writing. And as reader, I gravitate toward books that are atmospheric, rich in moments of magic or the unreal, and riddled with stories of the past and long-forgotten.

Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.

I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.

I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.