I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
I’m a Canadian author and artist that loves to write and draw the darker side of fantasy. Ever since I was a child, I have adored mythology, horror, and the creatures and worlds that are present within the fantasy genre. The world of fantasy has unlimited imagination, and its lore and structure grow constantly, which gives endless ideas to us writers to create endless brilliant realms and the creatures that dwell within them.
Dread Island was an enjoyable read for me due to its mix of Lovecraftian horror intertwined with the old tales of Huckleberry Fin. The way Joe R. Lansdale depicted his version of the story was incredible and gave me the insight that anything can be made into a horror story. I recommend this book to anyone who enjoys horror, especially Lovecraftian-style horror.
Limited to remaining stock on hand! This "Monster Lit" mash-up novella from modern horror master Joe R. Lansdale, a highlight from the recent Classics Mutilated anthology, combines Lovecraft and Mark Twain in a way that can only be described as brilliant. Or, as Lansdale.
I’ve been reading and writing horror for more than forty years and am prolific in both aspects. Show me a book with a tentacle and I’ll show you my newest purchase.
Cool cover, right? What’s the book about? When it comes to this great author, it could be anything in the scary realm of horror. This book is amazing, with perfect doses of Lovecraftian horror, pulp fiction, and riveting characters. Still a favorite. Well-written and turns up not only the horror but well-defined characters, this author never misses the mark. A great book to introduce yourself to his work, too.
An author's murder during an H. P. Lovecraft fan convention reveals dark secrets beneath the printed page in this biting murder-mystery satire.
At the Summer Tentacular, murder is non-fiction.
For fans of legendary pulp author H. P. Lovecraft, there is nothing bigger than the annual Providence-based convention the Summer Tentacular. Horror writer Colleen Danzig doesn't know what to expect when she arrives, but is unsettled to find that among the hobnobbing between scholars and literary critics are a group of real freaks: book collectors looking for volumes bound in human skin, and true believers claiming the power to summon the…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This was the first book I ever read by HP Lovecraft and after reading it, I read everything else that I could find by such a talented writer. Lovecraft’s stories are dark, doom-ridden tales that are filled with cosmic horror, nightmarish landscapes, and indescribable monsters. But it’s not only the tales themselves that captivated me, it’s the style in which they were written. Lovecraft has such a beautiful literary style of writing that really made me feel what the characters felt and see what horrors they witnessed. His work definitely inspired me to pick up pen and paper and write stories of my own.
This extraordinary collection features 13 spine-tingling tales of delicious terror by the unquestioned master of the horror genre, as well as portions of stories he never fully completed. Discover how the mind of H.P. Lovecraft worked, and how much his early and late stories tell about this intriguing writer.
I’ve been reading and writing horror for more than forty years and am prolific in both aspects. Show me a book with a tentacle and I’ll show you my newest purchase.
Can we even talk about tentacle horror without a mention of the master, Lovecraft? Some of his best work is included in this collection, and it is the base that all other tentacle horror is founded form. Heck, all horror for that matter. You have to start at the beginning in order to move forward. Right?
Let your imagination sink deep into more than a dozen classic tales of dark horror by H. P. Lovecraft.
The stories of H. P. Lovecraft have been a source of fascination for readers since they were published in the early twentieth century, and legions of fans continue to reinvent his dark and fantastical world to this day. This collection of short stories by the master of the macabre contains more than twenty of his most popular works, including "The Call of Cthulhu," "The Shadow Over Innsmouth," and "The Dunwich Horror." Each story will leave the reader feeling unsettled and uncertain,…
I took a deep dive into
Lovecraft’s oeuvre this year in an effort to make my way through Alan Moore’s
fantastic “Providence” (which constantly references HPL).
At the Mountains of Madness clearly stands
out as his magnum opus. After a long,
suspenseful trip to Antarctic wastelands, we discover an origin story for much
of Lovecraft’s entire mythos, in the form of the “Elder Gods”, who despite their utter otherness still invoke
our sympathies.
The love and detail
which Lovecraft puts into describing these creatures and what they were
attempting to do is mesmerizing, and I’m surprised how often I’ve returned to
this singular piece. If you only
read one HPL story, this vision of alien gods and lost civilizations will stay
with you long after you've turned the last page.
At the Mountains of Madness is a science fiction-horror novella by American author H. P. Lovecraft.
An expedition to Antarctica goes horribly wrong as a group of explorers stumbles upon some mysterious ancient ruins, with devastating consequences. At the Mountains of Madness ranks among Lovecraft's most terrifying novellas, and is a firm favourite among fans of classic horror.
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Thomas Ligotti is one of the few writers whose work genuinely, profoundly scares me. His vision is underscored by an all-too-convincing commitment to pessimistic philosophy (which is accessibly detailed in his 2010 book The Conspiracy Against the Human Race). Songs of a Dead Dreameris haunted by the philosophical outlooks of E. M. Cioran, Arthur Schopenhauer, H. P. Lovecraft, and Edgar Allan Poe, but Ligotti’s fixation on marionettes, dolls, and the illusory nature of human agency is singular and distinctive. This is a masterpiece of existentially disturbing dark literature.
Thomas Ligotti's debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti crafted his own brand of existential horror, which shocks at the deepest levels. In decaying cities and lurid dreamscapes tormented by the lunatic pageantry of masks, puppets, and obscure ritual, Ligotti's works lay bare the sickening madness of the human condition.
From his dark imagination emerge stories like "The Frolic" and "The Last Feast of Harlequin," waking nightmares that…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Published by the makers of the Arkham Horror board and card games, the four novellas in this book follow characters from the game, giving them depth and background, bringing them to life.
This book is a perfect example of taking an existing license and transporting it to a new medium. The writing itself is modern and accessible while the stories take place in the prohibition era. What I enjoyed most is that these stories show Lovecraft created more monsters than just Cthulhu.
There is more danger in Lovecraftian fiction than one horrible, sleeping god.
The Ancient Ones are coming to consume our world, and only the bold investigators of Arkham Horror stand in their way, in this chilling collection of eldritch novellas.
Hour of the Huntress by Dave Gross - the mysterious disappearance of dilettante Jenny Barnes' beloved sister triggers a frantic search through Arkham's darkest shadows.
The Dirge of Reason by Graeme Davis - for federal agent Roland Banks, investigating a bizarre incident exposes him to the supernatural horrors of Arkham.
Ire of the Void by Richard Lee Byers - the astronomer and professor Norman Withers finds himself the subject of a strange…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
As a horror writer, I have a thick skin for horror writing. Charles Stross is one of the few authors whose darkest work still chills me when I read it. He’s also one of the most purely enjoyable self-confessed inheritors of Lovecraft’s mantle—teasing and subverting it constantly, while effortlessly tipping readers from chuckles to shivers. His humour only reinforces the horror. I rate The Fuller Memorandum highest in his Laundry Files series of sardonic occult espionage—rich in slightly reframed historical detail, compulsive as any thriller, quietly chilling in its implications.
Bob Howard is an IT specialist and field agent for the Laundry, the branch of Her Majesty's secret service that deals with occult threats.
Overworked and underpaid, Bob is used to his two jobs overflowing from a strict nine to five and, since his wife Mo has a very similar job description, he understands that work will sometimes follow her home, too. But when 'work' involves zombie assassins and minions of a mad god's cult, he realises things are spinning out of control.
When a top-secret dossier goes missing and his boss Angleton is implicated, Bob must contend with suspiciously…
