I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!
This debut novel is a delight to read for it not only blends detective fiction with Lovecraftian horror, it also weaves a spell filled with the Blues scene and the Southern gothic genre. An intriguing tale from start to finish, it features a war veteran turned detective hired to find missing a blues man. It takes place in the Jim Crow south of 1951, these times being a horror unto themselves. Rich with atmosphere and mystery, the scenes the author depicts are something else entirely.
Nominated for the Bram Stoker Award for Superior Achievement in a First Novel Recent World War II veteran Bull Ingram is working as muscle when a Memphis DJ hires him to find Ramblin' John Hastur. The mysterious blues man's dark, driving music - broadcast at ever-shifting frequencies by a phantom radio station - is said to make living men insane and dead men rise. Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur's trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil.…
I’ve been reading and writing horror for more than forty years and am prolific in both aspects. Show me a book with a tentacle and I’ll show you my newest purchase.
Cool cover, right? What’s the book about? When it comes to this great author, it could be anything in the scary realm of horror. This book is amazing, with perfect doses of Lovecraftian horror, pulp fiction, and riveting characters. Still a favorite. Well-written and turns up not only the horror but well-defined characters, this author never misses the mark. A great book to introduce yourself to his work, too.
An author's murder during an H. P. Lovecraft fan convention reveals dark secrets beneath the printed page in this biting murder-mystery satire.
At the Summer Tentacular, murder is non-fiction.
For fans of legendary pulp author H. P. Lovecraft, there is nothing bigger than the annual Providence-based convention the Summer Tentacular. Horror writer Colleen Danzig doesn't know what to expect when she arrives, but is unsettled to find that among the hobnobbing between scholars and literary critics are a group of real freaks: book collectors looking for volumes bound in human skin, and true believers claiming the power to summon the…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This was the first book I ever read by HP Lovecraft and after reading it, I read everything else that I could find by such a talented writer. Lovecraft’s stories are dark, doom-ridden tales that are filled with cosmic horror, nightmarish landscapes, and indescribable monsters. But it’s not only the tales themselves that captivated me, it’s the style in which they were written. Lovecraft has such a beautiful literary style of writing that really made me feel what the characters felt and see what horrors they witnessed. His work definitely inspired me to pick up pen and paper and write stories of my own.
This extraordinary collection features 13 spine-tingling tales of delicious terror by the unquestioned master of the horror genre, as well as portions of stories he never fully completed. Discover how the mind of H.P. Lovecraft worked, and how much his early and late stories tell about this intriguing writer.
I’ve been a fan of Catherine McCarthy’s work for a few years now, but this was a high for me.
The voice of the main character seems almost instantly familiar. The mystery elements which unfold as you learn more about the strange goings on at the church, andthe waythe ending of the story is crafted are masterful.
Cults, cosmic horror, a fascinating artist protagonist with an intriguing back story. The prose in itself is just sumptuous, written in stunning detail and yet never relenting in terms of pace. I loved every page of this book.
When Robin Griffiths embarks upon the restoration of a stained-glass window in a thirteenth-century church, little does she comprehend the stakes involved. The more slivers of glass she pieces together, the more she realizes things are not what they appear to be in the seemingly cozy hamlet of Bilbury. Piece by piece, sliver by sliver, the window is revealed in all its glory. But will she survive with her sanity intact, or will reawakening the image in the window prove to be her undoing?
Despatches is narrated by a war correspondent covering the Gallipoli campaign of WWI and effortlessly fuses classic literature and Lovecraftian horror.
I loved the epistle format and the periodic language, and I found it hard not to consider the book in the same vein as the classic works of HG Wells or Jules Verne. Like all books in the genre I have enjoyed, Despatches questions war and the nature of those who wage it, and if, even in humankind’s darkest moments, there is always some sense of hope amongst the carnage.
Or perhaps the irony that, as humanity fights with itself, it fast becomes blind to more pressing, potent enemies waiting for the opportunity to usurp all. There is genuine excitement to the final act and the story’s conclusion is poignant and heartfelt, making for an exhilarating and satisfying read.
Daily Star war correspondent Cassius Smythe is off to the Dardanelles to report on the Allied campaign. That is, if only the War Office will let him tell the truth. But after months in the trenches at Anzac Cove, Smythe learns that it isn’t just the Ottoman who wish to claim back the land, and the truth is as slippery as a serpent . . .
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Caitlín R. Kiernan is one of the most prolific, versatile, inventive dark fantasy and horror writers living. Her unique transgressive perspective has won her multiple awards, and her repertoire of styles is as vast as her prose is dazzling. From cosmic horror thrillers to twisted romance, she deepens and enriches every genre she engages with. This collection is an excellent sample across her wide range—and a lure to hook you and draw you deeper into her work.
“Lyrically compelling tales that are nearly impossible to stop reading...fans of weird writers like Carmen Maria Machado, Jeff VanderMeer, and China Mieville will be glad to find this volume and thereby discover a writer who inspired them all.” —Booklist
Caitlín R. Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement…
I’m a member of the Horror Writers Association and have been a professional writer since 1997. I got into writing horror because I love reading horror and watching horror movies. Even as a kid, I watched horror movies on Saturday afternoons and read horror books late at night—under the covers, with a flashlight. I collected Universal monster models as a kid too and still have my collection and have even added to it. I love all things horror and believe I have a deep understanding of what scares people and how to scare them. I guarantee that the books on my list will scare you to the bone.
I was honored to have appeared alongside F. Paul Wilson at a book signing for Dark Delicacies, the premiere horror bookshop in Burbank, CA. He autographed a copy of The Barrens and Others for me. That night, I took it back to my hotel room and devoured it. Mr. Wilson may not be the household name of Stephen King or Clive Barker, but he is just as talented. What makes this collection even better is Wilson's introductions to the stories. This is a first-rate collection of first-rate tales, ranging from Lovecraftian to Western supernatural, with many mysterious combinations in between. Read this book, and you will be a F. Paul Wilson fan for life.
"F. Paul Wilson is among the finest storytellers of our time." (Rocky Mountain News)
In The Barren and Others, Wilson lets his fertile imagination run wild, traveling from the Old West of Doc Holliday to the Pine Barrens of present-day New jersey and encountering many strange, suspect, and supernatural happenings along the way. From urban mercenary Repairman Jack, to the obese and food-obsessed Topsy, Wilson's wild array of characters get caught up in adventures both fascinating and horrifying.
A first-rate collection of first-rate tales, ranging from Lovecraftian to Western supernatural, with many mysterious combination in between, The Barrens and Others…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
Sometimes I want a dense, fascinating world to unpack, and sometimes I want to open a book and have it punch me in the face with no-holds-barred action and adventure.
The main character of Let Sleeping Gods Lie is Porter Rockwell – a real person from the history of Utah Territory and the Old West. But this story takes place where, once again, legends of the area have come to life and evil has real, lethal fangs.
It’s like a spaghetti western meets Die Hard meets a D&D campaign – which pushes every single one of my buttons.
This one has a hero that refuses to be stopped, action that isn’t afraid of pushing expectations, and an unabashed love of over-the-top set pieces that made me giggle in delight.
Porter Rockwell, wanted for a murder he did not commit, is hiding out in Old California selling whiskey to thirsty forty-niners. When his friends dig up some monstrous bones and a peculiar book and offer to sell it for a helluva price, Porter can’t resist the mystery.
But when both his night bartender and the sellers are murdered at his saloon Porter has to find out what the mysterious artifacts are all about. With some Native American legends, Sasquatch, Lovecraftian horror, and murderous bandits thrown in, not even bullets and blades can stop Rockwell from leaving…
