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I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Langan’s novel is gripping from the start, and weaves a beautifully tangled web of stories-within-stories.
But it’s in the novel’s conclusion, where the whole universe breaks open, that it becomes truly jaw-dropping. After I finished reading it, I was thinking not only about the book I had just read – but about what it implied about the universe, and my place in it.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Caitlín R. Kiernan is one of the most prolific, versatile, inventive dark fantasy and horror writers living. Her unique transgressive perspective has won her multiple awards, and her repertoire of styles is as vast as her prose is dazzling. From cosmic horror thrillers to twisted romance, she deepens and enriches every genre she engages with. This collection is an excellent sample across her wide range—and a lure to hook you and draw you deeper into her work.
“Lyrically compelling tales that are nearly impossible to stop reading...fans of weird writers like Carmen Maria Machado, Jeff VanderMeer, and China Mieville will be glad to find this volume and thereby discover a writer who inspired them all.” —Booklist
Caitlín R. Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Laird Barron may be the Robert E. Howard of modern horror and weird fiction—or its Dashiell Hammett. So hard-boiled you could break rocks with it, his prose is ferociously energetic, brutally unsettling, and consummately capable of crafting its own phantasmagoric world. If Melville was resurrected and took to writing plots for Quentin Tarantino, the result might be Laird Barron. The Imago Sequence is among his best collections, but almost any of them is equally strong.
To the long tradition of eldritch horror pioneered and refined by writers such as H.P. Lovecraft, Peter Straub, and Thomas Ligotti comes Laird Barron, an author whose literary voice invokes the grotesque, the devilish, and the perverse with rare intensity and astonishing craftsmanship.
Collected here for the first time are nine terrifying tales of cosmic horror, including the World Fantasy Award-nominated novella "The Imago Sequence," the International Horror Guild Award-nominated "Proboscis," and the never-before-published "Procession of the Black Sloth." Together, these stories, each a masterstroke of craft and imaginative irony, form a shocking cycle of distorted evolution, encroaching chaos, and…
We've been writing together for over ten years now. A theme that we’ve come back to lots of times is the horrible workplace with its bosses from hell. Feedback from readers tells us that the ways in which we’re made miserable at work are universal and it can be fun to examine them in fiction. We doubled down on the theme in the Oddjobs series of books. We both love to read and write horror, and we spend time with lots of horror authors, so this list came together very easily.
Possibly the most perfect fusion of horror and the workplace, the Laundry Files books show us a bureaucratic British intelligence service where even reading a training manual wrong will result in your brains leaking out of your ears. A fusion of Cold War spy novels and Cthulhu-ish horror, The Atrocity Archive introduces us to put-upon spy/clerk Bob Howard. It’s uncertain whether endless form filling, petty managers, or horrors from the dark side of the moon are most likely to drive him mad.
'Brilliantly disturbing and funny at the same time' Ben Aaronovitch on the Laundry Files
'Tremendously good, geeky fun' Telegraph on the Laundry Files
NEVER VOLUNTEER FOR ACTIVE DUTY . . .
Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob's under a desk restoring lost data. His world was dull and safe - but then he went and got Noticed.
Now, Bob is up to his neck in spycraft, parallel universes, dimension-hopping terrorists, monstrous elder gods and the end of the world. Only one thing is certain: it…
My fascination with intelligence studies is tied to my previous experience as a practitioner. While serving as a military officer and CIA officer, I became curious about how two organizations with a shared history could be so different. Exploring the “why” of the CIA/DoD differences led me to the broader interplay of organizational cultures, individuals, and missions in influencing the evolution of intelligence, its purpose, and its role. These five books will provide the reader a broader appreciation of how intelligence was used to help policymakers understand reality and how intelligence organizations have been used to try to change reality. You will not merely learn something about intelligence but will be entertained and engaged while doing so.
I am fascinated by how different countries approach intelligence, both from how they organize intelligence activities and how intelligence informs policymaking. These various approaches highlight there is not a common approach to intelligence and help explain why simple definitions of intelligence are insufficient at capturing various intelligence activities and organizations. The Black Door looks at how British Prime Ministers have used intelligence and their relationships with intelligence organizations over the past century. A well-written account by two thoughtful and prolific scholars, the reader will appreciate how British Prime Ministers have used intelligence to not only understand the world but to also act.
The Black Door explores the evolving relationship between successive British prime ministers and the intelligence agencies, from Asquith's Secret Service Bureau to Cameron's National Security Council.
Intelligence can do a prime minister's dirty work. For more than a century, secret wars have been waged directly from Number 10. They have staved off conflict, defeats and British decline through fancy footwork, often deceiving friend and foe alike. Yet as the birth of the modern British secret service in 1909, prime ministers were strangers to the secret world - sometimes with disastrous consequences. During the Second World War, Winston Churchill oversaw a…
I have been writing about Russia for the past 20 years for all the UK national newspapers, The Spectator and contributed to several TV documentaries. I am fascinated by Russia which is a unique country and has been a major influence on the world for the past 100 years. Based on new documents, my book Londongrad - From Russia with Cash revealed how Russian Oligarchs made their wealth, moved it out of Russia,hid their fortunes and then parked and spent it in London. My new book - Agents of Influence - provides an insight into how the KGB influenced the West based on new archives.
The author is the BBC's Security and Defence Correspondent and his range of contacts enriches this book.
It is full of anecdotes about the secret world and Russia looms large in his narrative.
He explores the psychology and motivation of why British and Russian intelligence officers spied for the enemy during the Cold War and there is an excellent chapter on how the UK security services produced some inaccurate intelligence about weapons of mass destruction in the run-up to the Iraq war.
The secret history of MI6 - from the Cold War to the present day.
The British Secret Service has been cloaked in secrecy and shrouded in myth since it was created a hundred years ago. Our understanding of what it is to be a spy has been largely defined by the fictional worlds of James Bond and John le Carre. THE ART OF BETRAYAL provides a unique and unprecedented insight into this secret world and the reality that lies behind the fiction. It tells the story of how the secret service has changed since the end of World War II…
I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
This is the first book in a nine-book series, and once again, these are books I read and read again and always find something new to enjoy.
Set towards the end of the Cold War, the books make me laugh as well as think. In planning the series, Deighton said he wanted to write about Samson’s marriage and how the relationship is impacted by the work. I found this a compelling idea and it’s something I’ve done in my new book. I’m not sure that Len Deighton was a spy himself, but he certainly knew a few.
'Masterly ... dazzlingly intelligent and subtle' Sunday Times
'Deighton's best novel to date - sharp, witty and sour, like Raymond Chandler adapted to British gloom and the multiple betrayals of the spy' Observer
Embattled agent Bernard Samson is used to being passed over for promotion as his younger, more ambitious colleagues - including his own wife Fiona - rise up the ranks of MI6. When a valued agent in East Berlin warns the British of a mole at the heart of the Service, Samson must return to the field and the city he loves to uncover the traitor's identity. This…
I've always loved spy stories. The best offer complex characters, exotic locales, suspense, and stakes higher than any detective story. I got to know quite a few CIA types during my foreign service career. Some became good friends. I never asked them about their work, but once or twice passed a tidbit their way. Once, the local KGB got the notion I was with the CIA or was somehow prone to persuasion. They were all over me for weeks, making me extremely uncomfortable. The station chief held my hand throughout. So, while I can’t claim a lot of personal knowledge, I’ve had a touch. Here’s my list of favorite spy stories.
I have to mention either John Le Carre or Ian Fleming. I’ll go for guilty pleasure over great mastery. I haven’t read this since I was a kid. But I loved it back then. The Bond of the books is more realistic and complex than the cartoon character of the movies but, don’t worry, this isn’t a tale of gritty realism. A lot of fun and a great way to dispose of a few hours of excess reality.
Historian Dr. Helen Fry has written numerous books on the Second World War with particular reference to the 10,000 Germans who fought for Britain, and also British intelligence, espionage and WWII. She is the author of the bestselling book The Walls have Ears: The Greatest Intelligence Operation of WWII which was one of the Daily Mail’s top 8 Books of the Year for War. She has written over 25 books – including The London Cage about London’s secret WWII Interrogation Centre. Her latest book is MI9: The British Secret Service for Escape & Evasion in WWII – the first history of MI9 for 40 years. Helen has appeared in numerous TV documentaries, including David Jason’s Secret Service, Spying on Hitler’s Army, and Home Front Heroes on BBC1. Helen is an ambassador for the Museum of Military Intelligence, and President of the Friends of the National Archives.
The official history of MI5 similarly provides the first authorised account of another secret organisation. The book provides a far-reaching account of clandestine activities since its nascent beginnings as part of the Secret Service Bureau in 1909, and across a period of 100 years. It offers a rare insight into some of the eyebrow-raising operations in counter-espionage, as well as an administrative overview, for an intelligence agency that is responsible for Britain’s security at home. It gives the first inside account from it archives, from Bolshevik threats and Communist subversive activities in the 1920s in Britain to Hitler’s spies in the 1930s, to the Double-Cross deception and agents of World War Two. It goes beyond the Second World War to name some of the traitors and spies of the Cold War. There is a clear understanding publicly for the first time of the sheer scale of surveillance of enemies or…
For over 100 years, the agents of MI5 have defended Britain against enemy subversion. Their work has remained shrouded in secrecy—until now. This first-ever authorized account reveals the British Security Service as never before: its inner workings, its clandestine operations, its failures and its triumphs.
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