Susan Ryeland, former publisher (and hero with
Atticus Pund in The Magpie Murders), runs a small hotel with her boyfriend in
Greece. When a couple visit and describe a murder in their daughter’s wedding hotel,
and on the same day—Ryeland’s intrigued.
Susans’s
former client and the writer/creator of the Atticus Pund series knew the victim
and writes a book about the murder (Atticus Pund Takes the Cake). It convinced
the couple’s daughter that the man convicted is innocent. Now she’s missing. Ryeland
leaves Greece to investigate.
Horowitz is a mastermind of mystery, famously so. And this book is as full of
the twists, turns, and clues as The Magpie Murders which I loved. The
complexity and the characters are re-delivered. Fantastically!!
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
The frame-tale—also known as a “story within a story”—is one of my favorite fictional devices, and Margaret Atwood’s deft handling of three separate storylines makes this book a truly astonishing read.
Though her characters are fictional, their story is set against a backdrop of major Canadian historical events of the 1930s and 1940s. The exterior tale carries Iris Chase, an unhappily married upper-class woman, from childhood to death, while the real author of the interior story—a novel about a pair of illicit lovers that contains an embedded science fiction tale (the eponymous Blind Assassin)—is one of the story’s biggest mysteries.
This novel is ambitious, engaging, and wholly surprising.
By the author of The Handmaid's Tale and Alias Grace
Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following.…
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
What I loved most about this was the story within the story. A famous author is travelling back from a convention in Brazil when his plane goes down. The only other survivor is a young boy, not quite in his teens. In order to reach safety, they must battle not only Colombian drug runners and other nefarious characters, but the jungle itself.
"This is one of the best stories I've had the pleasure of reading in a long time. I highly recommend it."—Vigilant Reader Book Reviews
A plane crashes in South America, leaving only two survivors.
Reclusive author Jonas Drake stumbles from the fiery wreckage of the crashed 747 and meets Jeremy, a young boy struggling to come to grips with the loss of his mother. Hunted by F.A.R.C. insurgents chasing them for ransom, the pair flee into the rainforest with no plan and almost no hope.
Desperate to distract Jeremy from the nightmares surrounding them, Jonas tells him stories from his…
This
book is a collection of Arabian folk tales, stories that have been told for
centuries. It hooked me from the start.
It’s told as a story within a story,
and it starts out as the doomed Scheherazade’s ruse to keep a ruthless tyrant
from marrying and then killing the women of his kingdom (including her). Every
night she builds on the previous night’s story by spinning a different tale of
intrigue and excitement, of men and women, children and adults, beggars and
royalty, and as the king is drawn into her world, so are we.
Scheherazade
is witty and wise, and her stories feature characters, especially women, who are
equally cunning and clever, touching on subjects that range from misogyny to
love to revenge. This is a must-read.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I’ve always loved history, but there’s something extra-special about a novel that shows history and how that history is still relevant today. Dual timeline novels tell an historical event through the eyes of a character living it and through the story of a present-day character connected to that history. I'm the author of two published dual timeline novels. One of my greatest passions is to learn about the history of a place I'm visiting so that I can practically see the history all around me. I currently live near Seattle with my husband and two sons and, when I’m not writing, can be found outside walking or boating the Salish Sea.
I love a good mystery and a good story within a story. This book has both. Estranged sisters, Meredith and Nina, have never been close with their mother, Anya, until they finally have a chance to understand what made her so icy. As a deathbed promise to her husband, Anya agrees to tell their daughters her story, but it is so difficult for her that she must tell it little by little and as a fairy tale. From frozen, war-torn Leningrad to modern-day Alaska, the story changes this family forever.
For anyone who has secrets, or has someone in their life they just can’t understand, this powerful book helps you see that there is a way through. It also reminds us that everyone has a story that can thaw the hardest of hearts.
From the New York Times number one bestselling author of The Nightingale and The Four Winds, comes Kristin Hannah's haunting, heartbreakingly beautiful novel that illuminates the intricate mother-daughter bond and explores the enduring links between past and present.
Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and travelled the world to become a famous photo journalist. But when their beloved father falls ill, these two estranged women will find themselves together again, standing alongside their cold, disapproving mother,…
With nearly a thousand novels under my belt (or time-worn Kindle, more accurately), I was itching to make my own mark in the world of literature as I entered my teenage years. Having all but one of the books I read be, puzzlingly, written by those definitively into their adulthood only strengthened that desire. Over 850 pages of my own story, drawing from all that I’d read and heard, finally satisfied it three years later — and placed me in a position to share with other readers my age, one teen to another, those tales that most influenced and inspired me.
Most novels, fantasy or otherwise, use portals to travel between worlds—but why stop there? Story Thieves certainly doesn’t! It takes the whole concept of fictional worlds and brings it one step further—characters can physically step in and out of books, and even influence their contents.
Sounds interesting? I certainly found it to be, and read through each novel in this series within days of its release, not to mention several times later throughout the years. Should you be looking for a bit of fresh air in your library, this is certainly one choice worth considering.
A hilarious, action-packed series launches with a story-within-a-story, from the bestselling author of the Half Upon a Time trilogy.
Life is boring when you live in the real world, instead of starring in your own book series. Owen knows that better than anyone, what with the real world’s homework and chores.
But everything changes the day Owen sees the impossible happen—his classmate Bethany climb out of a book in the library. It turns out Bethany’s half-fictional and has been searching every book she can find for her missing father, a fictional character.
My first job upon graduating from college was working for an invention-marketing firm. This wasn’t my intention; armed with a degree in journalism, I was ready to take on the world. Unfortunately, the country was enduring a recession, and after six months of unemployment, I was happy to be offered a copywriting position. So often during the two years I spent there, I would think to myself, “This could make such a great novel.” It took me a while—and with more than a few rejections along the way—but inspired by the writers and books I’ve included in my collection, I finally got around to penning my own tale.
Lawrence Block has written, I don’t know, 33,000 books? That’s inspiration alone. But in Keller, the mononymous title character of Hit Man and star of numerous short stories, he compels readers to root for someone who’s not exactly committing good deeds. I find that intriguing, and Chapel Fox, the antihero of my story within a story, travels down a similar road. You’ll find yourself cheering him on. You shouldn’t.
Keller is an ordinary man - who kills people for a living. But then a hit goes wrong, and more than one life is at stake... 'Absolutely riveting ... Block is terrific' Washington Post
Keller is an assassin - he is paid by the job and works for a mysterious man who nominates hits and passes on commissions from elsewhere. Keller goes in, does the job, gets out: usually at a few hours' notice. Often Keller's work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and…
I was born and raised in a small town in Texas, where I worked on offshore oil rigs as a bartender, a landscaper at a trailer park, and a social worker before attending medical school. I’ve worked as a trauma and burn surgeon for nineteen years. Living an exciting life has made me a better writer (like Hemingway said, “To write about life, first you must live it”), but it has little to do with my passion for mystery/suspense. I read this genre for the best reason, presumably the same as yours: I’m just a huge fan. I hope you enjoy these books as much as I did!
First, I love the ol’ book-within-a-book mystery trope, and this is probably the finest example I’ve encountered. Again, an editor reads her dead author’s book for clues, and I got to experience that in real-time with her. Second, the central clue around which the story revolves—the dead author’s note explaining why he ostensibly committed suicide—and its role in resolving the mystery was one of the most original formulations I can remember in recent years. It was nicely done. Finally, the story within the story hearkens back to the Golden Age of detective fiction, an era for which I have a soft spot (as a glance at the amount of Agatha Christie on my bookshelves will attest).
Since finishing it, I’ve recommended this book to a half-dozen people and have yet to have somebody tell me later that they weren’t happy with the…
'Want to read a great whodunnit? Anthony Horowitz has one for you: MAGPIE MURDERS. It's as good as an Agatha Christie. Better, in some ways. Cleverer.' Stephen King
'The finest crime novel of the year' Daily Mail
*****
Seven for a mystery that needs to be solved . . . Editor Susan Ryland has worked with bestselling crime writer Alan Conway for years. Readers love his detective, Atticus Pund, a celebrated solver of crimes in the sleepy English villages of the 1950s. But Conway's latest tale of murder at Pye Hall is not quite what it seems. Yes, there are…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
The only male author on this list, Coleman Dowell’s Southern Gothic tale is included because it contains some of the most nuanced writing of female characters I’ve ever encountered. Too Much Flesh tells the narrative of a well-endowed farmer named Jim, his petite wife Effie, and a young man, Jabez, whose mutual obsession with Jim leads to, well, something of a frenetic climax. A story within a story, the tale is told to us by a “spinster schoolteacher” (the book was published in 1977), Miss Ethel, who channels her sexual repression into this story of the farmer.
Neither Miss Ethel nor Jim’s wife, Effie, come across as one-dimensional—they feel and act like real people on the page. Dowell himself was gay and deftly handles this queer narrative in a way that is somehow both quiet and stunning, and makes an interesting case study for the time period and genre. And…
Coleman Dowell's "Southern Gothic" is a novel about sexual repression. Miss Ethel, a spinster school teacher, decides to write what she calls a "perverse tale" about one of her former students, a Kentucky farmer named Jim Cummins. Endowing him with unnaturally large genitals, she spins a tawdry tale of his frustrated relationship with his petite wife. Expressing all the bitterness of "an old woman's revenge," Miss Ethel's tale is nonetheless a sensitive depiction of rural life in the early years of World War II.Dowell's masterful use of the tale-within-a-tale to explore psychological states makes "Too Much Flesh and Jabez" a…
