Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A bit of a curveball entry, but go with it. One of the subplots in Smith’s impressively sprawling historical novel involves do-gooder Baptists who really are doing good! They’re in Anglican England to agitate for the end of slavery in the British colonies—and they’re ahead of their time in other ways, too.
They help to platform the voices of freedmen and escaped slaves, acting as allies, essentially. It’s in the main character of Eliza that the larger novel takes up this search for a liberatory truth, nominally Christian but really entrusted to anyone who can see the suffering of others and refuse to look away.
From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed
It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.
Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
I loved the spare, reflective nature of this book, which is part anthropology, part history, and part life writing from an immensely talented writer.
It’s also a great read for anyone who loves a story-within-a-story, as it layers a lost Indigenous history with the efforts of an unorthodox pair of 19th-century researchers to record everything they could about the /Xam people before their language and culture were lost forever.
A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess.
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam.
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach…
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
I’ve reread this book almost as many times as Love in the Ruins. Although the book isn’t as well-known as some of the others I’m recommending, the title’s appropriate because reading these pages walloped my brain.
The novel within a novel written by a character who escapes from an asylum combines conspiracies, mind-control, flying sting rays, doppelgangers, and a delicious writing style. What keeps me engrossed is the love Spenser shows for his characters and his ability to craft a complex storyline from what is basically a fairy tale.
Harry Gainesborough wrote a children's story called Zod Wallop. And then his daughter died. Now Raymond Story, a patient at Harwood Psychiatric Hospital and Harry's biggest fan, has escaped--to find Harry in his remote cabin. Raymond is convinced that the people, creatures, and places of Zod Wallop are real. And as events transpire, Harry begins to wonder if Raymond is right.
I’m a former military intelligence officer who left the British Army to become a journalist, initially with the BBC, then with The Daily Telegraph and The Sunday Times, working as a war correspondent in the Balkans, Afghanistan, and Iraq, and breaking a number of key stories, including the infamous Downing St Memos which exposed the truth about the intelligence that led to the 2003 war in Iraq. I have written a number of books on intelligence, including the UK number one bestsellerStation Xand theNew York Times bestseller Killer Elite.
My selections are based on good writing and authenticity, even Fleming peppered his Bond books with elements of the real thing that no one but insiders would know, like ‘M’ writing his memos in green ink on blue notepaper. Alan Judd who served as a British army officer before joining MI6 has written a series of books about Charles Thoroughgood, a former army officer who like Judd himself ‒ his real name is Alan Petty ‒ then joined MI6. Every one of them is a gem, reeking of authenticity. A former colleague of Judd even told me that one of his books was based on a real case. He knew because he shared an office with the author at the time! Judd is by far the best of the current bunch!
Charles Thorougood is an agent of MI6 working in London during the Cold War, with a young Soviet assistant. Unexpectedly he learns of a strange legacy left to him by his estranged father, the implications of which are much darker than expected at first. The first novel in a spy trilogy.
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
This book holds a special place in my heart. I first read it in college, in a Russian Literature course where we analyzed the book’s characters and major themes. This experience trained me as both a writer and a reader.
This is a book concerned with Big Ideas: How can we reconcile the suffering of innocents with a benevolent God? How do we keep from falling into nihilism? These are the questions I come to literature for—questions that perhaps have no answers but whose contemplation is nevertheless worthwhile and transformative.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The award-winning translation of Fyodor Dostoevsky's classic novel of psychological realism.
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in…
My first job upon graduating from college was working for an invention-marketing firm. This wasn’t my intention; armed with a degree in journalism, I was ready to take on the world. Unfortunately, the country was enduring a recession, and after six months of unemployment, I was happy to be offered a copywriting position. So often during the two years I spent there, I would think to myself, “This could make such a great novel.” It took me a while—and with more than a few rejections along the way—but inspired by the writers and books I’ve included in my collection, I finally got around to penning my own tale.
Lawrence Block has written, I don’t know, 33,000 books? That’s inspiration alone. But in Keller, the mononymous title character of Hit Man and star of numerous short stories, he compels readers to root for someone who’s not exactly committing good deeds. I find that intriguing, and Chapel Fox, the antihero of my story within a story, travels down a similar road. You’ll find yourself cheering him on. You shouldn’t.
Keller is an ordinary man - who kills people for a living. But then a hit goes wrong, and more than one life is at stake... 'Absolutely riveting ... Block is terrific' Washington Post
Keller is an assassin - he is paid by the job and works for a mysterious man who nominates hits and passes on commissions from elsewhere. Keller goes in, does the job, gets out: usually at a few hours' notice. Often Keller's work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
The only male author on this list, Coleman Dowell’s Southern Gothic tale is included because it contains some of the most nuanced writing of female characters I’ve ever encountered. Too Much Flesh tells the narrative of a well-endowed farmer named Jim, his petite wife Effie, and a young man, Jabez, whose mutual obsession with Jim leads to, well, something of a frenetic climax. A story within a story, the tale is told to us by a “spinster schoolteacher” (the book was published in 1977), Miss Ethel, who channels her sexual repression into this story of the farmer.
Neither Miss Ethel nor Jim’s wife, Effie, come across as one-dimensional—they feel and act like real people on the page. Dowell himself was gay and deftly handles this queer narrative in a way that is somehow both quiet and stunning, and makes an interesting case study for the time period and genre. And…
Coleman Dowell's "Southern Gothic" is a novel about sexual repression. Miss Ethel, a spinster school teacher, decides to write what she calls a "perverse tale" about one of her former students, a Kentucky farmer named Jim Cummins. Endowing him with unnaturally large genitals, she spins a tawdry tale of his frustrated relationship with his petite wife. Expressing all the bitterness of "an old woman's revenge," Miss Ethel's tale is nonetheless a sensitive depiction of rural life in the early years of World War II.Dowell's masterful use of the tale-within-a-tale to explore psychological states makes "Too Much Flesh and Jabez" a…
With nearly a thousand novels under my belt (or time-worn Kindle, more accurately), I was itching to make my own mark in the world of literature as I entered my teenage years. Having all but one of the books I read be, puzzlingly, written by those definitively into their adulthood only strengthened that desire. Over 850 pages of my own story, drawing from all that I’d read and heard, finally satisfied it three years later — and placed me in a position to share with other readers my age, one teen to another, those tales that most influenced and inspired me.
Most novels, fantasy or otherwise, use portals to travel between worlds—but why stop there? Story Thieves certainly doesn’t! It takes the whole concept of fictional worlds and brings it one step further—characters can physically step in and out of books, and even influence their contents.
Sounds interesting? I certainly found it to be, and read through each novel in this series within days of its release, not to mention several times later throughout the years. Should you be looking for a bit of fresh air in your library, this is certainly one choice worth considering.
A hilarious, action-packed series launches with a story-within-a-story, from the bestselling author of the Half Upon a Time trilogy.
Life is boring when you live in the real world, instead of starring in your own book series. Owen knows that better than anyone, what with the real world’s homework and chores.
But everything changes the day Owen sees the impossible happen—his classmate Bethany climb out of a book in the library. It turns out Bethany’s half-fictional and has been searching every book she can find for her missing father, a fictional character.
I have been an avid sci-fi/fantasy lover and tabletop gamer my whole life. Many of my best memories involve me inventing stories explaining why my buddy’s armies and mine were duking it out on the battlefield or interpreting what the dice rolls really meant for my character. Today, I write for one of my favorite game universes, Kings of War. I have made a living out of stories by writing them or teaching about them. I love making my universes believable while still maintaining integrity to their original source material. I also love making flawed, relatable characters to give readers hope as they read about them overcoming those flaws.
The best way to start a list about books that are part of bigger universes is to start with a book about building universes! The ambiance of this book, the intrigue, and the worldbuilding! Oh my goodness, the worldbuilding! Tie-in novels often get a bad rap, so one can be forgiven for thinking that this book might not be great because it’s based on a video game. But the story of the D’ni civilization that literally crafts worlds with their words that they write in magical books speaks to my author’s soul.
Something that I feel is necessary for a universe to have weight is that there must be an appropriate cost for everything that happens, and every choice that the characters make must follow Newton’s Third Law of Motion (for every action, there is an equal and opposite reaction). This is reflected so beautifully in the way Atrus learns…
Based on the best-selling CD-ROM game, a fantasy novel fills out the lives of the game's characters, tracing the strange apprenticeship of Atrus to his father, Gehn, who wields the power to create worlds. Reprint.
