Here are 100 books that The Fraud fans have personally recommended if you like
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.
Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
I've been an avid reader of murder mysteries since I was a kid when my grandmother gave me my first Agatha Christie novel for Christmas. What I love about Christie and the books I’ve picked here is that just when you think you have the whole thing figured out, the writers give you a big SMACK up side the head. So, whether the mysteries are cozies, courtroom dramas or femme noir, they all give you that moment toward the end where you cry out loud, “No way!” and then flip furiously back through the pages to see how you missed it.
This story has so many of my favorite things: cops, lawyers, murder, courtroom drama, and a sinister backstory that kept me unsettled and guessing throughout. Keera Duggan (former chess prodigy and district attorney) finds herself at her family’s firm defending the bad guys she used to convict. She views the world as one big chess match, which gives her the ability to see the whole board when she takes on her first murder case.
It’s a thinker, so no wading through pages of high-speed car chases and flying bullets—well, a couple of bullets. I enjoyed the way Dugoni moved his characters around, and kept me wondering how it would end.
And the end? It doesn't disappoint. I can’t wait for the next book.
A defense attorney is prepared to play. But is she a pawn in a master's deadly match? A twisting novel of suspense by New York Times bestselling author Robert Dugoni.
Keera Duggan was building a solid reputation as a Seattle prosecutor, until her romantic relationship with a senior colleague ended badly. For the competitive former chess prodigy, returning to her family's failing criminal defense law firm to work for her father is the best shot she has. With the right moves, she hopes to restore the family's reputation, her relationship with her father, and her career.
I love cities, and as a former Mayor, I understand their vibrant complexity. Like all of us, I am deeply worried about planetary breakdown, but unlike most, I’ve had the privilege of seeing firsthand the great work that leading mayors are undertaking globally to address the climate crisis. It's my belief that if more of us knew what is happening in some cities, and therefore what is possible in all, we would not only see that it is possible to avoid climate breakdown but fuelled by that hope, we would demand change from those we elect. You can hear more in the podcast I lead, Cities 1.5, or read more in my occasional newsletter on substack.
I absolutely loved this book. Michael Crummy is an incredibly clear writer and tells an incredibly clear and compelling story about life in a Newfoundland outport (Mockbeggar) in the 1800s, focusing on a sibling rivalry between merchants, the widow Caine, and her brother Abel Strapp.
Life there is hasty, brutish, and short. The descriptions of daily life, including violence, made everyone in our book club squirm. But what I liked most was that he takes the reader right to Mockbeggar (and its neighbour, Nonsuch) - within a page or two, you feel like you are inside a church in Mockbeggar. From that point on, you never leave the outport and its way of life.
An enthralling novel about the corruption of power and the power of corruption from one of our greatest writers, the award-winning, bestselling author of THE INNOCENTS (Extraordinary”—Wall Street Journal)
"A FLAWLESSLY CRAFTED NARRATIVE" —Wall Street Journal
"ONE OF OUR BEST WRITERS" —Booklist (Starred Review)
In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos.
As someone with ADHD, anxiety, and a brain prone to rumination, life can be turbulent. Fantasy has long been my preferred method of escapism, and when I discovered the cozy variety a few years ago, I was immediately enthralled. It gives me that warm-fuzzy feeling I so desire in troubling times, while still providing my dopamine-deficient brain the hits it needs to remain immersed. More than anything, I want to share with others the way that cozy fantasy makes me feel. Crafting such fiction is my purpose.
Within a few chapters, I knew I would love this book. I could smell the coffee, feel the flour on my hands, and taste the pastries each time someone bit into one. The low-stakes trials of opening a cafe were so wonderfully written that I momentarily dreamed of doing so (which, for the record, would be a terrible idea for my chaos-goblin brain).
Even years after reading this book, Thimble and his mannerisms live rent-free in my head, which speaks to the impact this story had on my psyche.
High fantasy, low stakes - with a double-shot of coffee.
After decades of adventuring, Viv the orc barbarian is finally hanging up her sword for good. Now she sets her sights on a new dream - for she plans to open the first coffee shop in the city of Thune. Even though no one there knows what coffee actually is.
If Viv wants to put the past behind her, she can't go it alone. And help might arrive from unexpected quarters. Yet old rivals and new stand in the way of success. And Thune's shady underbelly could make it all…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.
The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.
Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
True confession: I’m not a baker, but I love it when other people bake. It’s riveting to watch how they transform the humblest of ingredients into desserts that are beautiful and delicious. I get super excited to see this creative process unfold, which is why I adore The Great British Baking Show and other competitive reality baking programs. They inspired me to write Marvelous Jackson because my main character desperately wants to snag a coveted audition spot on The Marvelous Midwest Kids Baking Championship. He relishes the frenetic energy and noise of a kitchen packed with ambitious and talented people—just like I do!
Janowitz’s romp of a story centers on twelve-year-old Tristan, who loves reading cookbooks and making desserts. Life is sweet—until Tristan’s parents announce they’re leaving New York City and moving to the middle of nowhere. When he learns there are zero bakeries in his new town, Tristan pledges to bring back the famous Petersville chocolate cream doughnut, which sets him on an unexpected and entertaining adventure. He learns how to craft a business plan, buy ingredients in bulk, and manage demanding customers.
Spoiler alert number one: l like that even though Tristan nails the renowned doughnut, he puts his own delicious spin on things. Spoiler alert number two: this book will make you very hungry. Prepare accordingly.
Superfudge meets The Lemonade War in this funny, heartwarming book about change, adventure, family, and of course, doughnuts. Tristan isn't Gifted or Talented like his sister Jeanine, and he's always been okay with that because he can make a perfect chocolate chip cookie and he lives in the greatest city in the world. But his life takes a turn for the worse when his parents decide to move to middle-of-nowhere Petersville-a town with one street and no restaurants. It's like suddenly they're supposed to be this other family, one that can survive without bagels and movie theaters. His suspicions about…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
This is one of my all-time favorite books. It is so darkly funny and strange that I laugh and shiver right through it every time. It begins in the middle of a flood in a small English town, where ducks are swimming and quacking in the drawing room, and I am also a big duck fan. Strange deaths follow. You can’t beat that.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
