Here are 27 books that Gilead fans have personally recommended if you like
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Mid-life for women is many things, including greatly underrepresented in the stories around us. I am forever in awe of the women around me as they continue to rise to each crazy occasion that life presents, managing and coping with wisdom, humor, and strength. This is why I am recommending these books about kickass middle-aged women. I wrote a novel inspired by some of my own challenges in mid-life. It was published by Atria Books, Simon & Schuster. I hope you love the recommendations as much as I do and that you’ll be inspired to check out my book as well.
I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.
Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.
This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
What does it mean to enslave another human being? Sometimes a novel is the only way for me to get at the emotional heart of a horrible truth. That’s why I loved this book–an imaginary region of Virginia before the Civil War introduced me to Henry Townsend, a freed Black man who owned an entire plantation of other Black men, women, and children.
I couldn’t stop thinking of Moses, Augustus, Celeste, and all of the people who fought their way through to, finally, emancipation. Some people compare Edward P. Jones’ work to Faulkner's in the way he creates a complete and completely convincing world.
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There are novels based on this book, which are also enthralling. Having been an academic all my life, I was immediately captured by Simard’s daring struggle to tell the truth that goes against the established scientific order. She took me on her own adventure to understand the sociality of trees. I read it during the COVID pandemic when pretty much the only beings I related to were trees in my nearby Botanic Garden.
There was an oak tree I talked to every day, and lying in its shelter, I was protected by it. Later, I came to love an Angophora costata, who loved me right back. Simard gave me insights into the possibility of such relationality and its vital importance to the world’s future.
NEW YORK TIMES BEST SELLER • From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest—a moving, deeply personal journey of discovery
“Finding the Mother Tree reminds us that the world is a web of stories, connecting us to one another. [The book] carries the stories of trees, fungi, soil and bears--and of a human being listening in on the conversation. The interplay of personal narrative, scientific insights and the amazing revelations about the life of the forest make a compelling story.”—Robin Wall…
I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.
Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.
The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.
Anderson profoundly changed the American short story, transforming it from light, popular entertainment into literature of the highest quality. His art belonged as much to an oral as a written tradition, and, as this collection shows, the best of his stories echo the language and the pace of a man talking to his friends. They explore with penetrating compassion the isolation of the individual and capture the emotional undercurrents hidden beneath ordinary events.
As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
Kent Haruf wrote Our Souls at Night as he was dying. What happens in it? Not a lot. It’s much easier to write stories in which things blow up, plot devices creak, and an ending ties everything up neatly. This quiet, elegiac novel is not that.
Addie and Louis, elderly neighbors, begin sleeping together because the nights are long and they are lonely. Her young grandson, Jamie, visits. Louis gives him a catcher’s mitt and brings home a shelter dog, Bonnie. Their grown children interfere. Complications ensue. And there are no quotation marks to indicate dialogue.
Yet, here I am telling you to go, now, find this book and read it today? Am I crazy? You decide (after you read the book).
P.S. Skip this film. Jane Fonda’s Stepford Wives’ perfection ruins a movie that needed its female beauty defined by wrinkles and gray hair, and an aging, infirm body.…
Addie Moore's husband died years ago, so did Louis Waters' wife, and, as neighbours in Holt, Colorado they have naturally long been aware of each other. With their children now far away both live alone in houses empty of family. The nights are terribly lonely, especially with no one to talk to. Then one evening Addie pays Louis an unexpected visit.
Their brave adventures-their pleasures and their difficulties-form the beating heart of Our Souls at Night. Kent Haruf's final novel is an…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
I’m the author of the Pulitzer Prize Finalist novel, The Bright Forever, among other books, and I teach in the MFA in Creative Writing program at Ohio State University. I was born in southeastern Illinois, where my father farmed eighty acres in Lawrence County’s Lukin Township. I’ve always been fascinated by the stories of ordinary people, particularly working-class folks in small towns and rural communities. I admire their dignity, their directness, and their big hearts. I’ve spent my life writing about them with help from writers like the ones whose books I’m recommending. I want to speak for those whose voices often get overlooked or silenced.
This short story collection was a very influential book for me because it gave me permission to write about the people I know best. Bobbie Ann Mason’s Western Kentucky characters live just beyond the river from my native Illinois. In fact, my family came from Kentucky by way of Ohio. The characters in Shiloh are just as complicated as characters from urban areas. This book taught me how to write about my own small-town and rural folks.
The stories in Bobbie Ann Mason's remarkable collection read like poetic transcriptions of day-to-day life. With her keen eye and ear for late twentieth-century popular culture, Mason can render a photograph of a brightly lit supermarket or a bit of wisdom from the Donahue show. This special edition of a beloved local author's work includes a new foreword by George Ella Lyon, Kentucky writer and friend of the author.
My faith is core to who I am. I love Jesus wholeheartedly and believe true fulfillment only comes through a relationship with Him. I believe we are all created on purpose for a purpose. I want every person I come in contact with to know that they are powerful, chosen, loved, and never alone. I also love creating and reading real and fictional stories that have a message. I believe that stories can seep through our layers and speak to the deepest parts of who we are. The books on my list are the ones that seeped deep down into my heart.
It is rare for a story to stay with me as long as this one has. The weaving together of grief and hope was both heartwrenching and heartwarming. We are created and called to love God and love others. That isn’t always easy or convenient. This story showed what loving your neighbor can look like and how it can change a life.
'A JOY FROM START TO FINISH' - Gavin Extence, author of THE UNIVERSE VERSUS ALEX WOODS
There is something about Ove.
At first sight, he is almost certainly the grumpiest man you will ever meet. He thinks himself surrounded by idiots - neighbours who can't reverse a trailer properly, joggers, shop assistants who talk in code, and the perpetrators of the vicious coup d'etat that ousted him as Chairman of the Residents' Association. He will persist in making his daily inspection rounds of the local streets.
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
Wow. The voice in this book takes my breath away. I’ve never read anything else quite like it.
There’s a plot full of adventure, tragedy, and healing, but mostly, there is Rueben Land and his sister Swede, two of the most compelling characters in literature. The story begins with a miracle when Rueben’s father commands his newly stillborn son to breathe.
Questions about miracles, hope, faith, and redemption pepper the story with no easy answers, again asking: What does it mean to be human? That’s a question all great literature grapples with.
When Israel Finch and Tommy Basca, the town bullies, break into the home of school caretaker Jeremiah Land, wielding a baseball bat and looking for trouble, they find more of it than even they expected. For seventeen-year-old Davey is sitting up in bed waiting for them with a Winchester rifle. His younger brother Reuben has seen their father perform miracles, but Jeremiah now seems as powerless to prevent Davey from being arrested for manslaughter, as he has always been to ease Reuben's daily spungy struggle to breathe. Nor does brave and brilliant nine-year-old Swede, obsessed as she is with the…
