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Shiloh and Other Stories.
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I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.
Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.
The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.
Anderson profoundly changed the American short story, transforming it from light, popular entertainment into literature of the highest quality. His art belonged as much to an oral as a written tradition, and, as this collection shows, the best of his stories echo the language and the pace of a man talking to his friends. They explore with penetrating compassion the isolation of the individual and capture the emotional undercurrents hidden beneath ordinary events.
As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
Kent Haruf wrote Our Souls at Night as he was dying. What happens in it? Not a lot. It’s much easier to write stories in which things blow up, plot devices creak, and an ending ties everything up neatly. This quiet, elegiac novel is not that.
Addie and Louis, elderly neighbors, begin sleeping together because the nights are long and they are lonely. Her young grandson, Jamie, visits. Louis gives him a catcher’s mitt and brings home a shelter dog, Bonnie. Their grown children interfere. Complications ensue. And there are no quotation marks to indicate dialogue.
Yet, here I am telling you to go, now, find this book and read it today? Am I crazy? You decide (after you read the book).
P.S. Skip this film. Jane Fonda’s Stepford Wives’ perfection ruins a movie that needed its female beauty defined by wrinkles and gray hair, and an aging, infirm body.…
Addie Moore's husband died years ago, so did Louis Waters' wife, and, as neighbours in Holt, Colorado they have naturally long been aware of each other. With their children now far away both live alone in houses empty of family. The nights are terribly lonely, especially with no one to talk to. Then one evening Addie pays Louis an unexpected visit.
Their brave adventures-their pleasures and their difficulties-form the beating heart of Our Souls at Night. Kent Haruf's final novel is an…
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
I loved this book the first time I read it, and rereading it for the second time, I encountered yet another layer of depth, wisdom, and insight. It is a gorgeous novel about spiritual and ethical living, reflected through the lens of an elderly preacher on the brink of death, recalling his life for his young son while sifting through an ongoing conflict with his best friend's son. I cannot recommend this one highly enough.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
Ghost stories were always a part of my childhood. I believe most people wonder about what comes ‘after’. I have tried to keep up with the latest information regarding the unusual. I was a paranormal searcher and spent much time in the woods and forests. I have seen a few unusual, unexplained things. Curiosity and the thirst for knowledge still burn inside me. I suppose the mundane and redundant characteristics of my job gave me a desire to keep my mind searching for answers to difficult questions.
Who doesn’t like a good treasure story? When you are an experienced metal detectorist, such as me, this book makes total sense. Much research is packed into the book which covers states: Illinois, Indiana, Ohio, and Kentucky. Even though only one of these legends came near my home, I enjoyed reading about the history and scanning the old maps. The book’s appearance reminds me of a personal journal written by an old explorer.
This will not provide a treasure map with an X mark on where to dig, but for me, it does incite an itch to dust off the old Gold Bug and take a backroads to drive looking for a promising site to explore and recede to an earlier time when grandma might have lost her broach in the chicken pen.
Treasure Leads in Illinois; Treasure Sites of Indiana; Treasure Locations of Ohio; Treasure Clues of Kentucky; General John H. Morgan's Great 1863 Raid
I am passionate about bringing back to life persons from the past who have been forgotten, misunderstood, or even deliberately mischaracterized. In order to get to the truth, there are a host of myths that must be shattered or discarded. Most of the histories that I have written have done precisely this–showing the fallacy of familiar myths and discovering the hidden truths about people and events that have been distorted, often by some of the most popular literature. In order to achieve these results, I have had to spend years in “boring” archives in order to reveal people and events that are never boring.
This book told me a lot about both its heroine, Henrietta Wood, and its author, Caleb McDaniel. From an obscure 19th-century newspaper article mentioning a court case in Ohio, McDaniel learned of a female slave from Kentucky who had been freed in Cincinnati, kidnapped, and illegally sold back into slavery, and who, after the Civil War, returned to successfully sue for damages the men who had kidnapped and re-enslaved her.
Both the heroine and the author are untiring in their efforts to get to the truth and to convey that truth to a wider audience. I was impressed with McDaniel’s willingness to share with his readers his doubts and fears about recovering this story, and equally impressed by his efforts, successful in the end, to match the determination of Henrietta Wood.
The unforgettable saga of one enslaved woman's fight for justice--and reparations
Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.
By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood…
I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
I have long been interested in the history of US religion but a lot of religious history can be, well, boring. Harlow’s book is not. People interested in the Civil War often forget about the role religious belief played in the lives of 19th-century Americans, preferring to focus on military strategy or the politics of emancipation and Reconstruction. Harlow’s book foregrounds religion and shows how pro-slavery theology united Kentuckians even as they split over the war. And how that same theology helps explain why they turned their back on their wartime Unionism and embraced the Lost Cause version of events.
This book sheds new light on the role of religion in the nineteenth-century slavery debates. Luke E. Harlow argues that the ongoing conflict over the meaning of Christian 'orthodoxy' constrained the political and cultural horizons available for defenders and opponents of American slavery. The central locus of these debates was Kentucky, a border slave state with a long-standing antislavery presence. Although white Kentuckians famously cast themselves as moderates in the period and remained with the Union during the Civil War, their religious values showed no moderation on the slavery question. When the war ultimately brought emancipation, white Kentuckians found themselves…
Schoolteacher turned writer. With the encouragement of my old college friend, the great Michael Crichton I began writing detective novels—paperback originals at first, then a hardback thriller called Target of Opportunity, which was a detective novel but included a long section of historical background about the Resistance in southern France. From there I moved to biographical fiction: novels about Thomas Jefferson, Andrew Jackson, Ulysses S. Grant. Then straight historical fiction, often with a Parisian background, because I’ve lived and worked in that marvelous city and can’t get enough of it.
The appealing heroine Diony Hall moves with her new husband into the Kentucky wilderness. A beautiful variation on the archetypal plot, “Someone Goes on a Journey,” written in gorgeous prose and featuring many perfectly rendered actual characters such as Thomas Jefferson and Daniel Boone. The story shows determined human nature struggling against hostile nature, the earliest of the great American themes.
Set at the time of the western migration from Piedmont Virginia to her native Kentucky, Ms. RobertsAIs novel recounts the heroism of the Kentucky pioneer. Roberts was that rare thing, a true artist...She was one of the indispensables.O-Robert Penn Warren. Southern Classics Series.
I like to go on trips, particularly overseas. This gives me the ability to write travel books—but moreover, I love adventure. I love to see the fantastic in the world in which we live. I’ve written other kinds of books that helped shape my writing style, including a kaiju novel series, which gives me a bit of a different approach than more encyclopedic travel writers. That’s what I try to bring to the table—the magic and esotericism in the world, presented like a pulpy Saturday matinee that you can enter yourself if you follow my travel tips.
Kentucky is not a place many consider to have an adventure. Think again once you know what strange beasts lurk in its mountainous realms! Alex Gayhart is, full disclosure, a frequent collaborator of mine as an illustrator. Part of the reason I like working with him is that he understands that real life influences the fantastic because it’s often more bizarre than you can imagine. As a native of the state, his menagerie of invented Kentucky creatures draws from cultural jokes and hilarious satire in a way that makes one see myth in the most mundane places.
Have you ever wondered what creatures dwell in the FAR OFF land of KENTUCKY? No? TOO BAD!I and several NOW DEAD ASSISTANTS have made a comprehensive study of the BEAUTIFUL BUTMOSTLY HORRIBLE wildlife of these GREEN MOUNTAINS! See the CHESSYCAT with its TEETH! See the HILLED WILLIAM (HILL BILLY) and its GOAT-LIKE COUNTENANCE! See the REDNECK and its....REDDENED NECK! ALL OF THESE ABOMINABLE MONSTROSITIES AND MORE AWAIT YOU IN - HIGH STRANGENESS IN THE MOUNTAINS!
I’m fascinated by singular women who have found ways to express themselves and to flourish in the face of doubt. My experience of moving country as a child, family breakdown, losing a parent as a teenager, and dropping out has left me intrigued by other women with the drive to survive on their own terms. Of course, the social constraints a woman must overcome will vary according to when she lived, but common characteristics will be bravery and obstinacy. I’ve now written three novels about women who have succeeded against the odds. I hope the books I’ve recommended captivate you as much as they do me.
American settler Cy Bellman leaves his daughter Bess to search for giant monsters in a Kentucky swamp.
It’s a brilliant story of a man’s obsession. But it’s Bess who fascinates. While others doubt Bellman’s sanity, Bess believes in him. Young and vulnerable, when danger strikes, she’s as fierce as the wilderness her father faces.
She’s left to grow up in the care of an indifferent aunt. When Bess is touched inappropriately by the librarian, the girl takes evasive action. When the yard hand almost rapes her, she fights back, then with a snap, regains her composure to deal with a shocking death.
Davies uses words economically and poetically: they leave me breathless. Though short, the book’s an epic.
Named a Best Book of the Year by The Sunday Times (UK) * The Guardian (UK) * The Washington Independent Review of Books * Sydney Morning Herald * The Los Angeles Public Library * The Irish Independent * Real Simple *
Finalist for the Rathbones Folio Prize
“Carys Davies is a deft, audacious visionary.” —Téa Obreht
When widowed mule breeder Cy Bellman reads in the newspaper that colossal ancient bones have been discovered in the salty Kentucky mud, he sets out from his small Pennsylvania farm to see for himself if the rumors are true: that the giant monsters are…
