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Shiloh and Other Stories.
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I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.
Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.
The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.
Anderson profoundly changed the American short story, transforming it from light, popular entertainment into literature of the highest quality. His art belonged as much to an oral as a written tradition, and, as this collection shows, the best of his stories echo the language and the pace of a man talking to his friends. They explore with penetrating compassion the isolation of the individual and capture the emotional undercurrents hidden beneath ordinary events.
As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
Kent Haruf wrote Our Souls at Night as he was dying. What happens in it? Not a lot. It’s much easier to write stories in which things blow up, plot devices creak, and an ending ties everything up neatly. This quiet, elegiac novel is not that.
Addie and Louis, elderly neighbors, begin sleeping together because the nights are long and they are lonely. Her young grandson, Jamie, visits. Louis gives him a catcher’s mitt and brings home a shelter dog, Bonnie. Their grown children interfere. Complications ensue. And there are no quotation marks to indicate dialogue.
Yet, here I am telling you to go, now, find this book and read it today? Am I crazy? You decide (after you read the book).
P.S. Skip this film. Jane Fonda’s Stepford Wives’ perfection ruins a movie that needed its female beauty defined by wrinkles and gray hair, and an aging, infirm body.…
Addie Moore's husband died years ago, so did Louis Waters' wife, and, as neighbours in Holt, Colorado they have naturally long been aware of each other. With their children now far away both live alone in houses empty of family. The nights are terribly lonely, especially with no one to talk to. Then one evening Addie pays Louis an unexpected visit.
Their brave adventures-their pleasures and their difficulties-form the beating heart of Our Souls at Night. Kent Haruf's final novel is an…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
Ghost stories were always a part of my childhood. I believe most people wonder about what comes ‘after’. I have tried to keep up with the latest information regarding the unusual. I was a paranormal searcher and spent much time in the woods and forests. I have seen a few unusual, unexplained things. Curiosity and the thirst for knowledge still burn inside me. I suppose the mundane and redundant characteristics of my job gave me a desire to keep my mind searching for answers to difficult questions.
Who doesn’t like a good treasure story? When you are an experienced metal detectorist, such as me, this book makes total sense. Much research is packed into the book which covers states: Illinois, Indiana, Ohio, and Kentucky. Even though only one of these legends came near my home, I enjoyed reading about the history and scanning the old maps. The book’s appearance reminds me of a personal journal written by an old explorer.
This will not provide a treasure map with an X mark on where to dig, but for me, it does incite an itch to dust off the old Gold Bug and take a backroads to drive looking for a promising site to explore and recede to an earlier time when grandma might have lost her broach in the chicken pen.
Treasure Leads in Illinois; Treasure Sites of Indiana; Treasure Locations of Ohio; Treasure Clues of Kentucky; General John H. Morgan's Great 1863 Raid
I am passionate about bringing back to life persons from the past who have been forgotten, misunderstood, or even deliberately mischaracterized. In order to get to the truth, there are a host of myths that must be shattered or discarded. Most of the histories that I have written have done precisely this–showing the fallacy of familiar myths and discovering the hidden truths about people and events that have been distorted, often by some of the most popular literature. In order to achieve these results, I have had to spend years in “boring” archives in order to reveal people and events that are never boring.
This book told me a lot about both its heroine, Henrietta Wood, and its author, Caleb McDaniel. From an obscure 19th-century newspaper article mentioning a court case in Ohio, McDaniel learned of a female slave from Kentucky who had been freed in Cincinnati, kidnapped, and illegally sold back into slavery, and who, after the Civil War, returned to successfully sue for damages the men who had kidnapped and re-enslaved her.
Both the heroine and the author are untiring in their efforts to get to the truth and to convey that truth to a wider audience. I was impressed with McDaniel’s willingness to share with his readers his doubts and fears about recovering this story, and equally impressed by his efforts, successful in the end, to match the determination of Henrietta Wood.
The unforgettable saga of one enslaved woman's fight for justice--and reparations
Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.
By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
I have long been interested in the history of US religion but a lot of religious history can be, well, boring. Harlow’s book is not. People interested in the Civil War often forget about the role religious belief played in the lives of 19th-century Americans, preferring to focus on military strategy or the politics of emancipation and Reconstruction. Harlow’s book foregrounds religion and shows how pro-slavery theology united Kentuckians even as they split over the war. And how that same theology helps explain why they turned their back on their wartime Unionism and embraced the Lost Cause version of events.
This book sheds new light on the role of religion in the nineteenth-century slavery debates. Luke E. Harlow argues that the ongoing conflict over the meaning of Christian 'orthodoxy' constrained the political and cultural horizons available for defenders and opponents of American slavery. The central locus of these debates was Kentucky, a border slave state with a long-standing antislavery presence. Although white Kentuckians famously cast themselves as moderates in the period and remained with the Union during the Civil War, their religious values showed no moderation on the slavery question. When the war ultimately brought emancipation, white Kentuckians found themselves…
As a lifelong Kentuckian with a lifelong fascination for history, true crime, biography, and the supernatural, once I started writing, I pursued these and related topics. The writer Charles Fort’s research methods interested me: he read old newspapers looking for forgotten stories. That seemed a good way to find little-known information. I am a lecturer in the English Department at Eastern Kentucky University and have spent two decades reading old newspapers issue by issue between classes and taking notes on possible stories. The books on my list also include much detail on entertaining obscurities, and I hope you enjoy them.
Dark Highwayis the best piece ever written on one of the state’s most fascinating murder cases.
In November 1936, Gen. Henry Denhardt, prominent politician and former lieutenant governor, was suspected of shooting his fiancée Verna Garr Taylor (“the prettiest woman in two counties”). DAngelo uses an impressive array of sources to recreate what almost certainly happened.
The case strikes me as especially enigmatic since an elderly woman claimed to be the only surviving person who knew the truth behind the murder but swore she would never reveal it. As I recall, she died just after the book was published in 2016, so if she had information of value it is lost forever.
On a cold November night in 1936, the body of beautiful businesswoman Verna Garr Taylor is found in a ditch along a lonely highway in rural Kentucky. Verna has been shot through the heart, and fiancé, former lieutenant governor and brigadier general Henry Denhardt insists she committed suicide.
But the clues left behind point to murder, and General Denhardt quickly becomes the target of investigators. The general's sensational murder trial draws reporters from all over the country to the small Kentucky community. The case is featured in the New York Times, the London Herald, Newsweek, Time, Life, and other national…
I have been a journalist for over a decade, most frequently writing on the subjects of spirits, cocktails, and drinking culture for such publications as the New York Times, Wall Street Journal, Esquire, Playboy, and VinePair. I have written 12 books—6 of them on booze—my latest of which is Dusty Booze: In Search of Vintage Spirits.
Booze books need not only to be filed all the way in the back of the bookstore in the “Food/Drink” section; the best deserve to be mainstream—and bestseller Pappyland proved that.
This is a dual memoir in some ways, following the rise, fall, and incredible rise again of the Van Winkle family and their grandfather Pappy’s vaunted and eponymous spirit, along with the story of Thompson reckoning with his own family lore and fatherhood.
“A warm and loving reflection that, like good bourbon, will stand the test of time.” —Eric Asimov, The New York Times
The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply.
Following his father’s death decades ago, Julian Van Winkle stepped in to try to save the bourbon business his grandfather had founded on the mission statement: “We…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
I grew up in a small town myself and have always loved books that create characters from the setting. I want to feel immersed and captivated by the place, as well as the people and stories within the pages. The setting of an eerie small town is one of my favorites, because of the feeling that anything magical or mysterious could happen there. My book Starling takes place in a strange small town where odd things are everyday occurrences. There are many books that use small towns as setting for a speculative story, but these are some of my favorites!
This book is small town Americana at its best—and at its strangest, and most magical. It reflects on the bittersweet moments after high school in a rural Kentucky town. When our main character starts seeing strange things that aren’t really there (or are they?) and she meets a mysterious boy, her entire future may change forever. It’s like a surrealist Friday Night Lights, full of heart and destiny and the paths not taken.
Natalie's last summer in her small Kentucky hometown is off to a magical start...until she starts seeing the "wrong things." They're just momentary glimpses at first - her front door is red instead of its usual green, there's a pre- school where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn't right. That's when she gets a visit from the kind but mysterious apparition she calls "Grandmother," who tells her: "You have three months to save him." The next night, under the stadium…
