I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
I could not bear to put this book down. Each time I reached the end, I started again from the beginning. It lived on my bedside table for months. It was only after three readings that I could let it go.
Gregory Day had drawn me right into the places and times of early settler colonialism; his characters formed, against the odds, a way of life that was creative—poetic, musical, sensual, and, above all, ecological. They listened to the earth and found their place as part of it, belonging to it and belonging to the Earth.
When a troubled Sarah Hutchinson returns to Australia from boarding school in England and time spent in Europe, she is sent to live with her eccentric Uncle Ferny on the family property, Ngangahook. With the sound of the ocean surrounding everything they do on the farm, Sarah and her uncle form an inspired bond hosting visiting field naturalists and holding soirees in which Sarah performs on a piano whose sound she has altered with items and objects from the bush and shore.
As Sarah’s world is nourished by music and poetry, Ferny’s life is marked by Such is Life, a…
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
There are novels based on this book, which are also enthralling. Having been an academic all my life, I was immediately captured by Simard’s daring struggle to tell the truth that goes against the established scientific order. She took me on her own adventure to understand the sociality of trees. I read it during the COVID pandemic when pretty much the only beings I related to were trees in my nearby Botanic Garden.
There was an oak tree I talked to every day, and lying in its shelter, I was protected by it. Later, I came to love an Angophora costata, who loved me right back. Simard gave me insights into the possibility of such relationality and its vital importance to the world’s future.
NEW YORK TIMES BEST SELLER • From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest—a moving, deeply personal journey of discovery
“Finding the Mother Tree reminds us that the world is a web of stories, connecting us to one another. [The book] carries the stories of trees, fungi, soil and bears--and of a human being listening in on the conversation. The interplay of personal narrative, scientific insights and the amazing revelations about the life of the forest make a compelling story.”—Robin Wall…
I discovered Wohlleben’s book when I was writing about my own emergent relationship with trees. I was learning to think with quantum field theory and new materialism, and very conscious of the way some of my writing was sounding like I was teetering on the edge of madness.
Wohlleben offered me insights into my own relations with trees, and he enabled me to articulate not only my love of trees but the Earth’s dependence on them as they grow together in old-growth forests. At the same time, Wohlleben makes horribly clear the motivation of politicians globally to destroy old-growth forests out of their own ignorance and greed, intensified by the loggers who lie to them and hide the truth from them.
"Another love letter from Wohlleben to the green world... makes the case for how we should allow forests throughout the world to regrow and in the process help heal not only the climate but us, as well."-Lydia Millet, Oprah Daily
An illuminating manifesto on ancient forests: how they adapt to climate change by passing their wisdom through generations, and why our future lies in protecting them.
In his beloved book The Hidden Life of Trees, Peter Wohlleben revealed astonishing discoveries about the social networks of trees and how they communicate. Now, in The Power of Trees, he turns to their…
I come back to Karen Barad again and again for the theoretical clarity she offers. Her book is like the Holy Bible is to some Christians. I can dip into it again and again and discover new insights. Barad, too, has experienced resistance to her take on quantum physics. But I believe her writing to be essential to the development of a new ethics, that is vital if the Earth is to survive.
Her ethics is based on an understanding that we are not simply, or solely, the ego-driven and greedy individuals of neoliberalism. We are beings in relation with each other and in relation with the more-than-human world. Not just in relation with, but emergent with the world, in our intra-actions with it.
Meeting the Universe Halfway is an ambitious book with far-reaching implications for numerous fields in the natural sciences, social sciences, and humanities. In this volume, Karen Barad, theoretical physicist and feminist theorist, elaborates her theory of agential realism. Offering an account of the world as a whole rather than as composed of separate natural and social realms, agential realism is at once a new epistemology, ontology, and ethics. The starting point for Barad's analysis is the philosophical framework of quantum physicist Niels Bohr. Barad extends and partially revises Bohr's philosophical views in light of current scholarship in physics, science studies,…
Aelfraeda escapes from the confines of the Red City, fleeing from her brutal, despotic stepfather and his cruel sons. Aelfraeda is not entirely male or female, and neither is she separate from the places she travels through. She comes to recognize and value the life and power of different landscapes and the beings within them. She develops new ways of thinking about our place in the world and our relations to both human and other-than-human beings.
Through her ability to respond to others and listen to them, Aelfraeda eventually enables the Red City to become a place of healing and openness under her leadership as the elven matriarch. This exciting story deals with many of the world’s current concerns.
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
