Here are 100 books that The Known World fans have personally recommended if you like
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One of the things I love most about fiction is the way it allows you to “be” different people—to experience, think, feel, and behave from inside a particular temperament, worldview, or experience. My very favorite is adding the complexity of multiple perspectives to that magic trick so that you get to live inside two or more people who may be at complete odds with each other. Reading good fiction is an exercise in empathy, and reading good fiction from multiple viewpoints is empathy supercharged. I’ve loved that immersion since I was a little kid who believed there was nothing better than a novel.
This novel is an immersive read with heaps of empathy for all its characters but especially for the two sisters whose perspectives are at the center of the story: the twin who disappears to live a secret life, passing as white, and the twin left behind.
We don’t get the perspective of Stella, the vanished twin, until 14 years after her disappearance, 150 pages into the book. By then, I was fully absorbed in the grief and unanswered questions of the people she’d abandoned, eager to finally know where she’d been all this time and to understand her complex motivations and the emotional and mental toll of relinquishing—and hiding—her racial identity, her community, her sister, and her past. I picked this book up and didn’t put it down until it was done.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Although this book is less about slavery as it happened and more about what took place after the Civil War ended slavery in the United States, it is one of the best books I’ve ever seen that explains just how America still hasn’t recovered from its legacy.
This is one of those books where I kept underlining passages, such as one where the racist Southerner said that slavery was like an “apprenticeship” for “savage races” or how nostalgia for a romantic version of the Civil War poisoned our understanding of history. I want to read this book three more times so that I can fully absorb its wise lessons.
Winner of the Bancroft Prize Winner of the Gilder Lehrman Lincoln Prize Winner of the Merle Curti award Winner of the Frederick Douglass Prize
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.In 1865, confronted with a ravaged landscape and a torn America, the North and South began a slow and painful process of reconciliation. The…
Long before I fell in love with History as an academic subject, I fell in love with stories. And as the granddaughter of Caribbean immigrants, true stories of my grandparents’ early lives could transport me to another place as vividly as fiction. So although I have studied History to Master’s level, where I specialized in the legacy of slavery, it is always to fiction that I turn to breathe life into the past. My favourite books are those that are unsettling in the unfamiliarity of the world they create, and yet deeply moving because, at heart, the characters are motivated by timeless and human things like grief, ambition, or love.
This novel is about the experience of the Windrush generation – the Caribbean people who moved to Britain after the Second World War.
Andrea Levy so perfectly captures the experiences of these people that I feel like I can see my own grandparents on the page.
But what I love most about this book is that it sees itself as telling a part of British history – showing how the Caribbean and Britain were connected, but also exploring with equal empathy the experiences of white British characters during and after the War.
As someone mixed race, it is so rare to find books that speak to both sides of my heritage, and this is one of them.
Hortense shared Gilbert's dream of leaving Jamaica and coming to England to start a better life. But when she at last joins her husband, she is shocked by London's shabbiness and horrified at the way the English live. Even Gilbert is not the man she thought he was. Queenie's neighbours do not approve of her choice of tenants, and neither would her husband, were he there. Through the stories of these people, Small Island explores a point in England's past when the country began to change.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
Every now and then I come across a book that I wish I had written, and Quashie’s Black Aliveness is among them. One of the motivating premises of Afro-Nostalgia is the sense that so much of black life is narrated through a trauma, oppression, and death. Black Aliveness operates from a similar premise and is centrally concerned with the “quality of aliveness” in African American poetry and literature. Here is one of my favorite passages in the book: “As necessary as ‘Black Lives Matter’ has proven to be, so efficient and beautiful a truth-claim, its necessity disorients me…I want a black world where matter of mattering matters indisputably, where black mattering is beyond expression.”
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This…
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
The word, utopia, derives from the Greek terms ou “not” + topos “place”---“no place.” Yet, the idea of a perfect “place” or society is one that has captured the imagination of artists, writers, politicians, and governments for centuries. I really love the concept of “everyday utopias” because it focuses on small, local spaces of joy and pleasure that people create for themselves outside and beyond the boundaries of social norms and expectations. Inherent in the term “utopia” is the impossibility of the idea and yet, readers witness thriving communities that show the possibilities of alternative systems of governance, self-sufficiency, civility, and citizenship, as well as well-being and pleasure.
Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines utopian projects as seemingly diverse as a feminist bathhouse, state equality initiatives, community trading networks, and a democratic school where students and staff collaborate in governing. She draws from firsthand observations and interviews with participants to argue that utopian projects have the potential to revitalize progressive…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else. They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”
"Hands-down one of the most beautiful books of the year." -NPR
From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction-a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.
As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted-no matter how awkward the fit…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Before I read this book, I had no idea just how much slavery’s economic benefits to the North allowed so many individuals to look the other way. This was the first book that underlined for me why all Americans, Northerners, and Southerners, need to own and understand our history.
The chapter “Plunder for Pianos” on the ivory trade and piano keys forever changed my sense of how the Triangle Trade operated.
A startling and superbly researched book demythologizing the North’s role in American slavery
“The hardest question is what to do when human rights give way to profits. . . . Complicity is a story of the skeletons that remain in this nation’s closet.”—San Francisco Chronicle
The North’s profit from—indeed, dependence on—slavery has mostly been a shameful and well-kept secret . . . until now. Complicity reveals the cruel truth about the lucrative Triangle Trade of molasses, rum, and slaves that linked the North to the West Indies and Africa. It also discloses the reality of Northern empires built on tainted…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected.
I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.
I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
