When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
This is the OG of utopias—written in 1516 about people living on a distant island. Later writers made up utopias set in the future, but More’s island is still fun to read about. A place where there is no private property, no one desires wealth, all citizens are equal, and all religions are tolerated—though there is no privacy (or premarital sex) either. Nobody knows whether More meant it as satire or longing, or even if we should translate u-topia as “no-place” or “good-place.”
First published in Latin in 1516, Utopia was the work of Sir Thomas More (1477–1535), the brilliant humanist, scholar, and churchman executed by Henry VIII for his refusal to accept the king as the supreme head of the Church of England. In this work, which gave its name to the whole genre of books and movements hypothesizing an ideal society, More envisioned a patriarchal island kingdom that practiced religious tolerance, in which everybody worked, no one has more than his fellows, all goods were community-owned, and violence, bloodshed, and vice nonexistent. Based to some extent on the writings of Plato…
At one point in my life, I took Ph.D. classes in the morning, taught philosophy in the afternoon, and tended bar at night. I was always working, and money was tight. Then, one day at a faculty meeting, my colleagues and I discussed developing an appealing new course. I suggested one on the philosophy of work and ended up teaching it and writing my dissertation on work and moral values. I loved teaching the class to the part-time students. They came to class straight from work and shared their experiences. Those students taught me more about work than any book in the library. Years later, I wrote The Working Life.
This is a wise and witty philosophical reflection on the meaning of games and life. Suits asks: If we didn’t ever have to work again, would we have to replace work with things like the housebuilding game or the lawyer game? If so, would the game about work satisfy the need to work?
In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," said the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Through the jocular voice of Aesop's Grasshopper, a "shiftless but thoughtful practitioner of applied entomology," Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal…
Born of refugee parents, I grew up stateless in occupied, cold war-era Berlin, Germany. It is perhaps not surprising that the how and why of war, and the economic deprivation and poverty it produces, came to be my professional interest. I earned a doctoral degree in economics from the University of Notre Dame (USA) and became a professor of economics with specialties in development economics and the economics of conflict, war, and peace. I like “grazing” along disciplinary boundaries and have written on economic aspects of military history, the economics of the firearms market, the impact of war on nature, and the economics of genocides and other mass atrocities.
In his heyday, Kenneth Boulding was among America’s leading intellectuals across the natural and social sciences. A cofounder of the fields of ecological economics and of peace economics, he also wrote poetry.
Well-known books of his include The Image and Conflict and Defense, but I like the little Stable Peace the best. Just 143 pages long, it takes peace seriously, not as a utopian ideal but as a practical policy option. Boulding asks: as a scientific matter, what might it take to reach stable peace?
If nothing else, you will enjoy both the power of his concepts and of his writing. If phrases like “policy is social agriculture” don’t stop and engage you, what will?
The human race has often put a high value on struggle, strife, turmoil, and excitement. Peace has been regarded as a utopian, unattainable, perhaps dull ideal or as some random element over which we have no control. However, the desperate necessities of the nuclear age have forced us to take peace seriously as an object of both personal and national policy. Stable Peace attempts to answer the question, If we had a policy for peace, what would it look like?
A policy for peace aims to speed up the historically slow, painful, but persistent transition from a state of continual…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This novel tells the story of one person, Astrid, who grows up in a dysfunctional failed utopian commune in British Columbia, Canada.
The story of Astrid is told from multiple points of view. Each character paints a different picture of this child-who-becomes-a-woman, at different stages in her life. But what I like most about this book is its exploration of the aftermath of growing up in a failed utopian commune.
How does a person carry this ejected-from-Eden baggage with them over a lifespan? Is it possible to overcome it and fit into “normal” society again? The answers to these questions might surprise you.
I am a product of Sputnik and the threat of nuclear war. Both turned me into a long-time reader of science fiction and a perpetual student in trying to understand how the world works and why? If we have free will, why do so many things seem to be predetermined? If we are rational beings, why do so many of our choices seem so absurd? And if a new world is possible, why can’t we bring it into existence? I was a professor of politics for 30 years (and I was respected! See “Soylent Green.”) and most of my research and writing try to answer these questions.
Callenbach’s tale of ecological secession by Washington, Oregon, and Northern California remains an inspiration to those who believe another world is possible.
Callenbach imagined cheap solar electricity and newspapers being delivered through what was, essentially, street corner fax machines. Right on the first, wrong on the second. Unfortunately, Callenbach’s novel is sexist and even a little racist in places, and its utopian vision is unlikely to ever materialize.
Twenty years have passed since Northern California, Oregon, and Washington seceded from the United States to create a new nation, Ecotopia. Rumors abound of barbaric war games, tree worship, revolutionary politics, sexual extravagance. Now, this mysterious country admits its first American visitor: investigative reporter Will Weston, whose dispatches alternate between shock and admiration. But Ecotopia gradually unravels everything Weston knows to be true about government and human nature itself, forcing him to choose between two competing views of civilization.Since it was first published in 1975, Ecotopia has inspired readers throughout the world with its vision of an ecologically and socially…
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
This is my favourite Dr. Seuss book (sorry, Horton!). Our hero is… um, maybea bear? Anyway, he’s carefree, young, and lives in the Valley of Vung. Pretty idyllic, yes? Until it’s not. Poor guy gets attacked by creatures determined to bite off his body parts. Fortunately, a chap in a one-wheeler-wubble shows up (I love it when that happens) and offers to take him to Solla Sollew, “Where they never have problems, at least very few.” What follows is a hero’s journey crammed with no end of near-death experiences culminating in him finally reaching utopia to discover…he can’t get in. He’s been resilient all along, but it’s here he excels and decides to go home and face his problems head-on. Sure, he brings a club. But, well, different times…
As our hero struggles to reach the city of Solla Sollew, where they never have troubles, at least very few, we realise that it's better to face up to life's problems than to try to run away from them!
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and ranked among the UK's top ten favourite children's authors, Dr. Seuss is a global best-seller, with over 650 million books sold worldwide.…
As an avid explorer having thrice traveled around the world, living and working in over 40 countries, my inspirations as so originally science fiction have found grounding. I looked to level my imagination in the real world and filtered out the impossible from the unnecessary on a path to utopia. Sharing our ideas, exposing misgivings too, all contribute to a shared realization of human potential. This is much of the reason for who I am as a founder of business platforms I designed to achieve things that I envisage as helpful, necessary, and constructive contributions to our world. Those software endeavours underway in 2022, and a longtime coming still, are Horoscorpio and De Democracy.
For the vastly impossible feat of presenting a sequel to a thoroughly immersive narrative, this did impress. The lead out of the original gives the feeling of the impossible and so it was delivered. Brokering A.C. Clarke's range of brilliance plus getting into the popular references of my youth, in the cyberpunk, virtual reality, corporate elite defining drama, aren't we all familiar with dystopia by now? Where or when does the apocalypse become inevitable and what are you steering towards there or then? I was awe-inspired by this handling of ethical uses of hyper-tech which is one I left up to my reader's imagination by the end of my own series. Whether imagined VR can ever become a coded reality, or if it's only ever going to be imagination, this is the challenge of the Age of Aquarius.
Days after winning OASIS founder James Halliday's contest, Wade Watts makes a discovery that changes everything.
Hidden within Halliday's vaults, waiting for his heir to find it, lies a technological advancement that will once again change the world and make the OASIS a thousand times more wondrous - and addictive - than even Wade dreamed possible.
With it comes a new riddle, and a new quest: a last Easter egg from Halliday, hinting at a mysterious prize.
And an unexpected, impossibly powerful, and dangerous new rival awaits, one who'll kill millions to get what he wants.
I juggled being a mom with two kids and my career, as a teacher, so I had no time for myself. When I did get the chance to pick up a book, I craved stories that whisked me away from reality—books that were full of action and kept me turning the pages. Even though I enjoy other types of genres, my heart always goes back to dystopian books, which is why I eventually wrote my own series.
This book hooked me from the first page, and The Union has all the exciting elements I love in a book—fast-paced, danger, action, and romance.
I didn’t want to put the book down, so I stayed past my bedtime, especially since I wanted to know about the protagonist’s love interests. It was easy to get lost in the book. The author did an amazing job with the details of the characters and the world-building.
After global warming and a second civil war devastated the former United States, two different societies rose from the ashes – the Union, a towering high-tech utopia, hugging the perimeter of the continent, and the devastated, untamed midsection known as the Ruins.Seventeen-year-old Evan Taylor has an easy, privileged life in the Union. What she doesn’t have is any idea what to do with the rest of her life. She only knows she wants to do something meaningful, to make a difference in the lives of others.When she’s kidnapped and taken into the Ruins as a pawn in a dispute involving…
This dystopian novel has a unique premise – Berlin as a queer utopia, but this version of the city has an alternative history.
The story features fascinating characters such as Cissie, a straight married woman discovering the trans district, and William and Gareth, a young gay couple establishing their relationship.
At first, these individuals feel like archetypes, even though we fully connect with them emotionally. This is the beauty of the author’s structure. We understand what they represent in the context of this metropolis, until their voices are heard more and more.
And when the use of dialogue is expanded, what we understand of this Berlin, and the characters, changes.
In this stunning work of speculative urban fiction, Redfern Jon Barrett breaks down the binary between utopia and dystopia—presenting an ambitopian vision of the world’s first gay state.
A glittering gay metropolis of 24 million people, Berlin is a bustling world of pride parades, polyamorous trysts, and even an official gay language. Its distant radio broadcasts are a lifeline for teenagers William and Gareth, who flee toward sanctuary. But is there a place for them in the deeply divided city?
Meanwhile, young mother Cissie loves Berlin’s towering high rises and chaotic multiculturalism, yet she’s never left her heterosexual district—not until…
