100 books like Proud Pink Sky

Many of the plays written by Indigenous playwrights are usually dark and critical. This play is a little different. It’s an unabashed comedy celebrating the Indigenous sense of humour. Essentially, the play is about two German entrepreneurs who travel to a First Nations community planning to build the world’s largest Native theme park, called Ojibway world. The play deals with stereotypes and the global marketing of culture. 

In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.     

Although I write mostly history books and only non-fiction, I loved adventure stories as a child and these five have all stuck with me into adulthood. That must say something. The fast pace of this particular one, and its very realistic setting (1920s Berlin, peopled by some fairly tough characters), was highly unusual for children’s fiction when it was written more than 90 years ago. Because of this, I’m sure that even now most readers will have no difficulty imagining themselves filling Emil’s shoes and would want to join in with his adventures if they could. It’s properly engaging, a really great read. 

How would one navigate Berlin without an invaluable guidebook? There is just so much to see and learn that you require help - and here it is! There’s advice on planning your trip before setting off and then how to get around, where to eat, sleep, shop, and what to see. Discover how to use telephones and public transport and learn where all the best concert venues, theaters, clubs, and activities for children are located. It’s easy to use – having clearly drawn street finder maps, photographs on almost every page, color-coded chapters to each district of Berlin - with information on all the major places of interest with plenty of historical context.

Berlin was at the centre of Nazi Europe and is invariably at the heart of my novels, including Agent in Berlin. I’m fascinated by Berlin and I try to get beyond the obvious aspects of the city and give a sense of what life was like on a daily basis.  I have chosen this book by William Shirer, an American journalist based in the city from 1934 and who only left after Pearl Harbor. The book combines the sharp observations of a journalist with an eye for fascinating detail, such as the nuanced wording of the death notices of soldiers and the impact of rationing on the population.

Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.

A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone. 

Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.

This isn’t an easy read, but it’s an important one. A diary by an anonymous female journalist trapped in Berlin as bombs fall and the Red Army closes in, it describes in graphic detail her struggle for survival between April and June 1945. Berlin’s women had difficult choices to make in this period, and the author records unflinchingly her decision to choose the ‘protection’ of one Russian soldier over repeated rape by multiple others. It is one of the few books that tell us about war from the perspective of civilian women, immersing us in their world and recording the impact of political leaders’ delusions of grandeur and glory on individual lives. I didn’t find this an easy book to pick up, but found it even harder to put down.

Lawton and I both write novels about the post-WWII period and have had great conversations on author panels. The protagonist of Then We Take Berlin, Joe Wilderness, is something of a picaresque anti-hero. His mother died in a bomb attack, his abusive father basically abandoned him, so Joe survives as a petty thief, works the black market, and reads everything in his local library. Called up for National Service, his total lack of respect for rules lands him in military prison—and MI6 offers him a way out. So begins his career as a spy. Set in two timeframes, I particularly enjoyed Lawton’s portrayal of Wilderness’s chameleon-like powers of adaptation and his struggle to reconcile his private life, married to his boss’s daughter, and his undercover persona as a spy.

Berlin aches with absences as much as its brazen presence: the sense of lives lived, dreams realized and evils executed with an intensity so shocking that they rent the air and shook its fabric. In Mephisto, a vain and ruthless second-rate theatre actor becomes a national star by aligning himself with the Nazis. Haunting.

Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing.