Here are 100 books that A Woman in Berlin fans have personally recommended if you like
A Woman in Berlin.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
Grossman consciously attempted to write the War and Peace of the Second World War, and in this panoramic masterpiece, he pulled it off. Like War and Peace, the book focuses both on the travails of a single family and the broader sweep of history, as we witness events from the perspective of persecuted Jewish scientists, soldiers (both Soviet and German), partisans, peasants, and generals.
This is an intensely personal work – Grossman covered the battle of Stalingrad for the Soviet press and knew his subject matter firsthand. Writing it was also an extremely courageous act. The KGB confiscated the manuscript and Grossman never lived to see the book published.
Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
This book made me think differently about air war, arguably the defining element of 20th and 21st-century conflicts. Grayzel traces its evolution and experience for Britain from the first bombing raids of the First World War to the start of the blitz in the Second. Unlike most other studies, which focus on military strategy and state policy, she interweaves the stories and experiences of the civilians who were to be the targets of this new technology. The book reminds us (if we needed reminding) of the shock of air raids, and the way that these impacted every aspect of life.
Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
It is all too easy to forget that when Britain went to war in 1939, it did so as the world’s largest imperial power. Khan’s book is a rich social history of India at war, telling us the stories of not only the soldiers, but the business owners, the peasants, the refugees, and the political activists whose lives were shaped by war in the Indian subcontinent. The flawed political settlement that brought independence and partition to India and Pakistan was born out of the Raj’s experience of war, and this book gives voice to those who experienced this most turbulent time in the region’s recent history.
The Second World War was not fought by Britain alone. India produced the largest volunteer army in world history: over 2 million men. But, until now, there has never been a comprehensive account of India's turbulent home front and the nexus between warfare and India's society.
At the heart of The Raj at War are the many lives and voices of ordinary Indian people. From the first Indian to win the Victoria Cross in the war to the three soldiers imprisoned as 'traitors to the Raj' who returned to a hero's welcome, from the nurses in Indian General Hospitals to…
I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Allies’ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and I’ve also amassed a collection of maps and guidebooks from that period.
Antony Beevor is arguably our pre-eminent military historian and like another of his books, Stalingrad, this is the gripping story of one of the key battles of the Second World War, that of the Red Army capturing Berlin. Beevor manages to avoid excessive military detail but does include enough to provide a detailed account of Marshal Zhukov’s skilled capture of the Nazi capital. At the same time, the book provides an insight into the drama of Berlin in its last days under the Nazis and also describes the horrors which occurred as the Red Army wreaked its revenge once it had captured the city.
The Storming of Berlin had been the Red Army's dream of vengeance, ever since the German's invasion of Russia in the summer of 1941. Antony Beevor has reconstituted the experience of those millions caught up in the nightmare crescendo of the Third Reich's final defeat.
Andrew is a long-time WWII history buff and writer who looks for any excuse to do a deep dive into his favorite history topics. For his WWII horror novel One Last Gasp, he spent over a year researching the Battle of the Bulge, from first-hand accounts of front-line soldiers to official U.S. Army documents.
A bit dry and occasionally over-focused on rattling off official numbers and unit designations, The Fall Of Berlin is also a low-key horror novel. Surrounded on all sides by a massive Russian army hell-bent on revenge, the people of Berlin are caught between those invaders and their own leadership forcing them into a suicidal last stand. The scale of brutality is numbing; this is a battle fought without mercy by two adversaries locked in a death struggle.
"A tale drenched in drama and blood, heroism and cowardice, loyalty and betrayal."-Jonathan Yardley, The Washington Post
The Red Army had much to avenge when it finally reached the frontiers of the Third Reich in January 1945. Frenzied by their terrible experiences with Wehrmacht and SS brutality, they wreaked havoc-tanks crushing refugee columns, mass rape, pillage, and unimaginable destruction. Hundreds of thousands of women and children froze to death or were massacred; more than seven million fled westward from the fury of the Red Army. It was the most terrifying example of fire and sword ever known.
I'm a military historian and an author. To get inspiration for my writing, I spent 35 years in Special Forces (as a "Green Beret") and as a CIA officer in strange places working with interesting people. I first wrote non-fiction but I needed US Government approval for everything. So, following the saying “Fiction is the lie through which we tell the truth,” I tell my tales as “faction”—stories reflecting a reality most people don’t know or understand. I write about “Us Versus Them”—stories about teamwork—and the result is The Snake Eater Chronicles. I leave it to the reader to decide where fact ends and fiction begins.
Okay, I like almost
anything that is set in Berlin because I lived and “worked” there during the Cold War, but Canon really brings it in this tightly
woven story of Martin Keller, a hapless former convict who has been co-opted to work for the CIA in East Berlin.
From the first page,
paranoia sets in, as it must on anyone working against the Communist regime of
East Germany, when Keller embarks on his own agenda to save himself and, more
importantly, the family he loves.
Kanon re-creates the
tension of a divided Berlin while his well-drawn characters try to escape the
clutches of a morally corrupt government. Kanon is simply one of the best.
'A modern master at work' THE TIMES 'Heart-poundingly suspenseful' WASHINGTON POST 'Joseph Kanon owns this corner of the literary landscape' LEE CHILD
Berlin. 1963. The height of the Cold War and an early morning spy swap. On one side of the trade: Martin Keller, an American physicist who once made headlines, but who then disappeared into the English prison system. Keller's most critical possession: his American passport. Keller's most ardent desire: to see his ex-wife Sabine and their young son.
But Martin has questions: who asked for him? Who negotiated the deal? Just the KGB bringing home one of its…
At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?
Before ‘uplit’ was even invented, there was DBC Pierre. His fiction has been described as a ‘joyful celebration of the human spirit’ and that is none more evident than in his protagonist in Lights Out, Gabriele Brockwell, a twenty-something narcissistic pleasure seeker optimistically stumbling through life before ultimately finding his place in it. A book that leaves you with the thought that optimism is the key to turning bad luck into good.
Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided. Taking in London, Tokyo, Berlin and the Galapagos Islands, "Lights Out In Wonderland" documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
This author offers a well-crafted history of daily life inside the Reich, a fascinating exploration of the German capital as the Nazi movement brought its citizens to their knees. Extensively researched and documented, Moorhouse vividly portrays the daily oppression and challenges faced on all societal fronts. This well-crafted study enmeshes the reader in life under totalitarian rule.
In Berlin at War , acclaimed historian Roger Moorhouse provides a magnificent and detailed portrait of everyday life at the epicentre of the Third Reich. Berlin was the stage upon which the rise and fall of the Third Reich was most visibly played out. It was the backdrop for the most lavish Nazi ceremonies, the site of Albert Speer's grandiose plans for a new world metropolis," and the scene of the final climactic battle to defeat Nazism. Berlin was the place where Hitler's empire ultimately meet its end, but it suffered mightily through the war as well not only was…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
I greatly admire how this book subverts the traditional form of biography in a way that perfectly suits the subject.
Mildred Harnack, the author’s great-great-aunt, was an astoundingly brave young woman from Wisconsin who, starting in the early 1930s, had a central role in Berlin’s homegrown opposition to the Nazis and was eventually beheaded on orders from Hitler.
Drawing on diaries, letters, photographs, interviews, and declassified intelligence documents, Donner tells an extraordinarily intimate story that reads like a literary novel and has the pace of a thriller.
Born and raised in America, Mildred Harnack was twenty-six when she enrolled in a PhD programme in Germany and witnessed the meteoric rise of the Nazi party. In 1932, she began holding secret meetings in her apartment - a small band of political activists that by 1940 had grown into the largest underground resistance group in Berlin.
She recruited Germans into the resistance, helped Jews escape, plotted acts of sabotage and collaborated in writing leaflets that denounced Hitler and called for revolution. When the first shots of the Second World…
