The most recommended books about colonial India

This is a crime novel set in 1919 Calcutta. We follow Captain Sam Wyndham, who is a former Scotland Yard detective seeking a fresh start after the emotional wounds following WWI and the death of his wife.

When a senior official is murdered, he doesn't hold back during his search from British mansions to seedy opium dens with his new sidekick, Sergeant Banerjee. Rising tensions, the clash of societies, the heat, dirt, and crowding all contribute to bringing this colorful period to life.

This is the debut novel and the first in a remarkably well-told series so interesting I found it impossible to put down. 

I thought I had read enough about Queen Victoria to last a lifetime, but I was wrong! This amazing book offers a new perspective on Queen Victoria as “an Indian Maharani” as well as  “British monarch,”  and explores not just what India meant to the queen, but what the queen meant to Indians.

It is all too easy to forget that when Britain went to war in 1939, it did so as the world’s largest imperial power. Khan’s book is a rich social history of India at war, telling us the stories of not only the soldiers, but the business owners, the peasants, the refugees, and the political activists whose lives were shaped by war in the Indian subcontinent. The flawed political settlement that brought independence and partition to India and Pakistan was born out of the Raj’s experience of war, and this book gives voice to those who experienced this most turbulent time in the region’s recent history.

What if you wanted to practice law in India in 1922?

Women weren't allowed in court, but Perveen Mistry becomes a solicitor instead, working behind the scenes on wills and estate files. Perveen's gender becomes an asset when she can speak to women in purdah, a practice where women seclude themselves from men in some Muslim or Hindu communities.

I liked the first book, The Widows of Malabar Hill, but truly enjoyed The Satapur Moonstone, where Perveen heads out to the Sahyadri mountains to help a royal family after the maharaja has died and the crown prince is too young to rule.

In addition to the mystery, and learning about the history of India, I could hear the buzz of mosquitoes, the tree frogs peeping, and the hooting of owls, as well as imagine the tigers and leopards in the jungle.

This is a polemic and pretends to be none other but it serves as an antidote to the apologists of Empire. Why is it needed? You can’t read the Ibis trilogy and not understand the exploitation of the East India Company. The first war of independence (1857) failed and was brutally put down. There were attempts at reform and not all legacies of the Raj are regrettable, my Victorian maverick works on the Great Trigonometrical Survey of India. But the tendency in the UK is to highlight the positives and ignore the racism, the famines, the massacres, and the horrors of the manner in which we left India. Once readers know the consequences of the Raj, they will understand the origins of South Asian immigration to the UK and will get a glimpse of how others see us, warts and all. 

Set in 1940s India in the lead up to Independence, the backdrop is the rarely written about North-East India. The protagonists; Layla, (well-educated and independently-minded) and Manik (a free-thinker with a sense of adventure) are an unusual couple for the core romance but his work takes them to the remote tea plantations of Assam. I have written about the tea gardens in my India Tea Series, but largely from a British and Anglo-Indian point of view. Patel’s vivid depiction of this way of life is informed by her own upbringing, as the daughter of tea planters. It’s rich in detail with wonderful descriptions of Assam and keen observations of the British managers and Indian workers. As it builds towards Partition, the drama and tension are brilliantly evoked through Layla’s eyes.

I have been fascinated with selfhood, the cultivation of ‘subjects of development’ as either targets, or ‘trustees’ of aid, since my PhD.

Anand Pandian’s Crooked Stalks offers a nuanced, careful, and ultimately beautiful account of how moral selves are cultivated among the Kallar caste near Madurai in Tamil Nadu, India.

Development looms large among the Kallar, what Pandian describes as a ‘moral horizon’ that is an impetus to transform people’s lives and the material environment.

In presenting an impressive breadth of historical material alongside ethnographic description he shows the remnants of colonial rule in contemporary virtues, contributing to understanding the ‘postcolonial self’. 

This book made me laugh so many times. Hilarious!

The duo comprises a war-weary Englishman, Sam Wyndham, and Surendranath “Surrender-not” Bannerji, a small, brilliant Indian lawyer turned policeman from a very well-placed family.

Each mystery details events from the times, cryptic clues, and a wily foe. I enjoy the banter between the two, an Indian who sees the best in the Raj, and an Englishman who unflinchingly acknowledges the truth of colonialism, while fighting his own addiction.

William Dalrymple and Anita Anand’s Empire podcast series has been transformative in the understanding it has generated and the audiences it has reached in the last year (1 million plus in January 2023 alone).

The Anarchy is one of the core books of Dalrymple’s extraordinary research and scholarship which has changed our understanding of the generation and development of the British Raj in India and which brings into view more clearly and accurately than ever before, the toxic legacy of the East India Company and its company state apparatus.

Yet unlike some other authors, Dalrymple is content to let the facts speak for themselves and does not idealise the world of the Mughals and native princes. In an era of propaganda and revisionism, The Anarchy utilises the empirical data of the Enlightenment at magnificent scale to expose some of the savagery—on all sides—of the Enlightenment era. 

Another dual view of India, but this one is fiction and written by one author, novelist Ruth Prawer Jhabvala. It’s the story of two women at widely different times: Olivia of the British colonial period in the 1920s who, feeling suppressed by conventions of the time, becomes involved with an Indian prince, causing a great scandal, and her step-granddaughter who fifty years later tries to dig up Olivia’s story. Keyline in the novel; “India always changes people and I have been no exception.”