I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I thought this book was such a heartfelt and tragic story. It’s about a family struggling with their past as the city of Delhi gets taken over by the British as it becomes their new capital. The author paints these beautiful scenes of Delhi, like the traditional pigeon flying and the bustling Chandni Chowk market.
I could really feel his love for the city in those descriptions. To me, the story felt like a lament for the old Delhi that was lost to the British, and you can sense how hard it was for the author to accept that. In the introduction, he talks about how he left India and was never allowed to return, so this goodbye isn’t just part of the story; it’s personal.
Set in nineteenth-century India between two revolutionary moments of change, Twilight in Delhi brings history alive, depicting most movingly the loss of an entire culture and way of life. As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons' wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First…
I am the author of the cozy mystery series Samantha Davies Mysteries. Before beginning to write my series, I read hundreds of cozies and loved each one, especially those featuring a small-town setting, an amateur sleuth, and a dog. Since I live in a small upstate New York town, am married to a retired state trooper, and am the mom to a lovable dachshund, what better than to feature all this in a cozy mystery series. So, the Samantha Davies Mystery series was born.
I loved this book for its strong characters, especially the quirky Nicoletta Gavelli and her sharp tongue. I love the hometown atmosphere, which is such a part of cozy mysteries.
Another favorite in the book is Sally Muccio, the amateur sleuth who solves the murder. She has the support of a loving family, especially her husband.
When I want a gripping
read on the lighter side, Sujata Massey is my favorite writer. She has a very
impressive list of mysteries.
Her latest series is my top favorite, following
lawyer and detective Perveen Mistry through a series of murders in 1920s
Bombay. Because I’m a historian, I’m picky about historical fiction. Massey has
researched and read widely. Her work presents a reliable picture of the British
Raj in India with rising anti-colonial nationalism.
Perveen Mistry is a bold
feminist, the first woman lawyer in Bombay. In this latest novel, Perveen
tracks down the murderer after a woman student is killed when Prince Edward
visits Bombay.
It’s beautifully written, rich in cultural and social detail—not
least of gender and race relations--and a terrific story. It is highly recommended!
Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.
November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Kolkata, or Calcutta as the city was known back then, in 1995 and fell in love with its spirit, culture, architecture, politics, and decrepitude. I have been back regularly reporting on the city’s cultural life for media like CNN and Nikkei Asia. In 2019, I was selected as artist-in-residence for the Indo-European Art Residency by the Goethe Institute and spent 10 weeks writing a crime fiction set in the Bengali capital. Kolkata is, hands down, my favorite city in the world – despite its poverty, systemic injustice, and political cruelty, there is an energy in the place that is hard to beat.
Another nonfiction similar in scope and outlook to Kushanava Choudhury’s The Epic City, this title dispenses with the personal narrative and offers a highly structured rundown of the main attractions/points of history/social and cultural issues, etc of the Bengali capital. Not quite a guidebook, Calcutta offers short texts on particular aspects of life in the city, then and now. Well written, the book suffers from the same issue as all other recent books on Kolkata – the British get away with way too much and the post-independence period is seen through the eyes of Calcutta’s privileged elite. That said, this title does well at dissecting cultural currents, and the section on artistic Kolkata is especially rewarding. A great, practical introduction for the first-time visitor.
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. Itis rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere whilesimultaneously having a good chuckle.
It would be impossible to create a list of morbidly whimsical books without including Edward Gorey, the uncontested master in this realm. While virtually any of Gorey’s books could be added to this list, his Amphigorey treasuries are the most efficient way for new readers tobrowse through his books. Since I must make a choice, however, I am selecting Amphigorey Too since this was the volume that introduced me to Gorey’s work when I was seventeen. Furthermore, it also contains a couple of my favourite Gorey tales: The Beastly Babyand The Inanimate Tragedy.
This follow-up to the darkly humorous Amphigorey is wittier, more macabre, and more wondrous than ever. Master illustrator and iconic gothic storyteller Edward Gorey gives his fans 20 more nonsensically and mind-bending tales that draw fans and unsuspecting newcomers into a world only he can create. Gorey’s pen-and-ink drawings spur the imagination and satisfy fans of art and the good storytelling.
Some of the 20 stories in this collection include: “The Beastly Baby” “The Pious Infant” “The Evil Garden” “The Inanimate Tragedy” “The Osbick Bird” “The Deranged Cousins” “The Abandoned Sock” “Story for Sara” “A Limerick”
I’m a world historian with a special interest in religion. In particular, I’m excited by the possibility that traditional religious ideas and practices can be useful in our modern, often secular, society and in our individual lives. So often, I read books about religion that make their subject accessible to readers today, but at the cost of turning religion into a modern thing and removing its transformative potential as an alternative way to think about life. I keep these five books close by on my shelves because their creators use sympathy, grace, and sharp analysis to make religion accessible even while also keeping it true to itself.
Today, so many works on Indigenous history celebrate their subjects as heroes who appeal to our modern sensibilities, but Jackson lets the Mizo people of over a hundred years ago be themselves—not as ciphers for theory, but as actual humans with their own outlooks.
This is the first book that made an Indigenous worldview come alive for me... and still be Indigenous. I found myself fully immersed in a truly human world that makes sense on its own terms, thanks to the author’s careful research, engaging humour, and inspired and sympathetic interpretations. Discovery offered me an opportunity to confront my own assumptions.
High in the eastern Himalayan foothills, people had a unique vantage point on the British Empire. The Mizo Discovery of the British Raj presents a history of Mizoram in Northeast India told from historical Indigenous perspectives of encounters with empire from the 1890s to the 1920s. Based on a wide range of research and enriched by sources newly digitised by the author through the British Library's Endangered Archives Programme, Kyle Jackson sheds new light on the complex and violent processes of how and why diverse populations of highland clans in the Indo-Burmese borderlands came to redefine themselves as Christian Mizos.…
My father hails from India, where my first book became a national bestseller when I was 17. My co-author Thomas Locke has written over a dozen thrillers and even more adventure novels. We are both fascinated by India as a land of endless contrasts. From its cuisine and customs to the diverse people and landscape, India can be overwhelming, but never boring. The ancient backdrop of beautiful buildings and interwoven histories whisper secrets and beckon for adventure. Both of us have visited over 40 countries and enjoy reading and writing about multicultural characters. Especially when they want to conquer or save the world!
I love a Sherlock and Watson kind of relationship, and this one fit the early days of the British Raj perfectly. Two Brits in the employ of the East India Trading company who could not be more different. Avery is very much part of the system and eager to please. His mysterious guide, Jeremiah Blake, is critical of the Company and gets on far better with the wide cast of locals. I soaked up the historical setting, and the growing intrigue tided me over to the last third, which delivers everything you’d want in a historical thriller.
Set in the untamed wilds of nineteenth-century colonial India, this dazzling historical thriller introduces Blake and Avery—an unforgettable investigative pair.
India, 1837: William Avery is a young soldier with few prospects except rotting away in campaigns in India; Jeremiah Blake is a secret political agent gone native, a genius at languages and disguises, disenchanted with the whole ethos of British rule, but who cannot resist the challenge of an unresolved mystery. What starts as a wild goose chase for this unlikely pair—trying to track down a missing writer who lifts the lid on Calcutta society—becomes very much more sinister as…
About thirty years ago, I spent three months on an Indo-American Fellowship in Varanasi taking notes on daily life in this holy city where my novel Sister India is set. That winter felt like a separate life within my life, a bonus. Because all there was so new to me, and it was unmediated by cars, television, or computers, I felt while I was there so much more in touch with the physical world, what in any given moment I could see, hear, smell…. It was the way I had felt as a child, knowing close-up particular trees and shrubs, the pattern of cracks in a sidewalk.
Another dual view of India, but this one is fiction and written by one author, novelist Ruth Prawer Jhabvala. It’s the story of two women at widely different times: Olivia of the British colonial period in the 1920s who, feeling suppressed by conventions of the time, becomes involved with an Indian prince, causing a great scandal, and her step-granddaughter who fifty years later tries to dig up Olivia’s story. Keyline in the novel; “India always changes people and I have been no exception.”
The beautiful, spoiled and bored Olivia, married to a civil servant, outrages society in the tiny, suffocating town of Satipur by eloping with an Indian prince. Fifty years later, her step-granddaughter goes back to the heat, the dust and the squalor of the bazaars to solve the enigma of Olivia's scandal. 'A superb book. A complex story line, handled with dazzling assurance ...moving and profound. Ruth Prawer Jhabvala has not only written a love story, she has also exposed the soul and nerve ends of a fascinating and compelling country. This is a book of cool, controlled brilliance. It is…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This book really brought it home to me how classics (that is, the study of ancient Greece and Rome) was implicated in the politics of the past, and specifically in the ideology of the British Empire. It has been quite influential within the discipline of classics, and there is now a whole subfield that considers the political uses of classics.
This extraordinary book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. It examines some of the great figures of the colonial period such as Gandhi, Nehru, Macaulay, Jowett, and William Jones, and covers a range of different disciplines as it sweeps from the eighteenth century to the end of the British Raj in the twentieth.
Using a variety of materials, including archival documents and familiar texts, Vasunia shows how classical culture pervaded the thoughts and minds of the British colonizers. His book highlights the many Indian receptions of Greco-Roman antiquity and…
