Here are 83 books that Into The Hidden Valley fans have personally recommended if you like
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I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
I am always looking out for talented young writers and this debut really struck me for its narrator’s very distinctive voice, both stylish and sad. An Indian Catcher in the Ryebut with a protagonist more hampered by family and circumstances, capable of greater angst, and looking for authenticity in the strangest and loneliest of places.
"And then finally I felt sadness, aided perhaps by those futile notes, by the dust that keeps thickening, by the untouchable past, the inevitable future, and by everything else that pushes us around."
Ib lives with his schizophrenic father and his "nice" mother negotiating life, not knowing what to do, steered by uncaring winds and pushy people. From his slimy, unmiraculous birth to the tragic death of a loved one, Ib wanders the city, from one thing to another, confused, lost, and alone, all the while reflecting on his predicament. He is searching for something - what he does not…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
Crimes again women are discussedad nauseam in the media but this was the first time I read a novel that made the subject painfully uncomfortable for me by telling the story not in the voice of the victim but through the reflections of a witness who probes everyone’s culpability, including her own. This powerful debut shines a very revealing light on what it means to be a comfortably middle-class Indian.
‘In Mukta Sathe we have a new voice that displays a deep understanding of both the old and the young, of their complex relationships, and of how crime and punishment play out under our flawed judicial system. A Patchwork Family is a novel that I found difficult to put down.’ —Shanta Gokhale, author, columnist and translator
Young and idealistic, Janaki is eager to serve the cause of justice as a lawyer. Her only confidant is Ajoba, an elderly friend of her grandfather’s, who supported her throughout her childhood. They are unrelated by blood or marriage ties, but they have both…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
This is a marvellous novel about an area in the foothills of the eastern Himalayas that is not far from where I grew up. It’s a story about people and nature, how the relationship is at once very elemental for those who live off the land, as well as very convoluted and destructive because it’s driven by greed, politics, and fear. The narrator is a visitor to the region, looking to solve a mystery from his past, and this device of the curious outsider looking in works really well to make the whole place come to life.
Description Shaken by the news of his mother’s death, a man leaves his job in Delhi and returns to Assam. Twenty-five years ago, his father, a forest officer here, was found shot dead in his jeep. With the passing of his mother, the man learns new and startling details of his father’s life, and trying to reclaim an entire life suddenly made unfamiliar, he starts digging into events from far back in time, visiting places where his father had served, in the foothills of the eastern Himalayas. But the forests he had once roamed as a boy with his father…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
This slim novel I read in one sitting not because, in the way of conventional thrillers, one hopes for a decent resolution, but because the story is so devastating. Its very hopelessness somehow pulls one in. Pandey has written a very gentle account of the very brutal forces ranged against one couple who have committed what can be a crime in modern India – marrying outside one’s caste and religion.
This is like Kafka in Deoria. Or Camus in the cow belt. But more accurate to say that Legal Fiction is an urgent, literary report about how truth goes missing in our land. I read it with a racing heart.
-- Amitava Kumar, author of The Lovers
Chandan Pandey goes looking for the story that lurks just out of sight, getting under the skin of news headlines and extracting a story that is as compelling as it is devastating.
-- Annie Zaidi, author of Prelude to a Riot
Chandan Pandey has written a brilliant, gripping political novel. Legal Fiction is…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I immediately connected with the very human and universal desire for a better life elsewhere, set against the idyllic Bengal countryside. I loved the writing style, which perfectly captured the wonder and excitement of a young boy coming of age while on such an adventure.
The poignant moments of familial love and quiet, pensive descriptions of a time gone by made for a calming, enjoyable read. The title translates to “Song of the Road” in Bengali, and I found that title to be very fitting.
Pather Panchali, translated as Song of the Road is a novel written by Bibhutibhushan Bandyopadhyay and was later adapted into a film of the same name by Satyajit Ray. Pather Panchali deals with the life of the Roy family, both in their ancestral village in rural Bengal and later when they move to Varanasi in search of a better life, as well as the anguish and loss they face during their travels. It first appeared as a serial in a Calcutta periodical in 1928 and was published as a book the next year; it was the first published novel written…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I have not come across many books about Indian women in power, but this book is an amazing exploration of how feminine strength can hold up against a deeply patriarchal society and time period.
The story sucked me in as the main character, a young princess coming of age, gets caught up in romance and subterfuge; by the end, the story takes a sad and heartbreaking turn as India’s rich history of its many kingdoms falls to the British Raj.
Born to the Royal House of Balmer, Jaya Singh experiences the influences of Western culture as a selfless wife, strong leader, and courageous individual in a national struggle.
Jaya Singh is the intelligent, beautiful, and compassionate daughter of the Maharajah and Maharani of Balmer. Raised in the thousand-year-old tradition of purdah, a strict regime of seclusion, silence, and submission, Jaya is ill-prepared to assume the role of Regent Maharani of Sirpur upon the death of her decadent, Westernized husband. But Jaya bravely fulfills her duty and soon finds herself thrust into the center of a roiling political battle in which…
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoir—another record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kaye’s childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds.
The Sun in the Morning is the first volume of autobiography by the beloved British author M. M. Kaye. It traces the author's early life in India and later adolescence in England. As The Guardian wrote, "No romance in the novels of M.M. Kaye... could equal her love for India."
" … [Kaye's] kaleidoscopic story of a long-lost innocence just before and after World War I helps to explain Kaye's idealization of the British Raj and her love for Kipling's verse." - Publishers Weekly
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
Another 13-year-old boy protagonist, Kimball O’Hara. No relation.
I read parts of Kim to Lucian in the studio, he liked the epigraph at the beginning of chapter five: the prodigal son does not stay comfortably in his father’s forgiving embrace, but returns ‘to the styes afresh.’
Kim is a magnificent adventure: the orphan boy who belongs but does not belong to two nations, and a description of the peoples, the ways, the mountains, and the plains of India.
A vicarious journey around a world of the past, and a particularly male world, which Kipling takes us to.
Kimball O’Hara grows up an orphan in the walled city of Lahore, India. Deeply devoted to an old Tibetan lama but involved in a secret mission for the British, Kim struggles to weave the strands of his life into a single pattern. Kim and the holy man roam about India. Kim’s intimate knowledge of India makes him a valuable asset to the English Secret Service, in which he wins renown while still a boy.
Charged with action and suspense, yet profoundly spiritual, Kim vividly expresses the sounds and smells, colors and characters, opulence and squalor of complex, contradictory India under…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
People share a complex core of humanity that transcends cultural differences. Rather than being incomprehensibly strange, the passions that move people in "exotic" societies are all too familiar. Compendia of homicide cases in tribal societies that are in many ways different from the one we inhabit support this claim, and my 5th pick is a particularly readable example. Anthropologist Verrier Elwin amassed court records on 107 homicides among the "Bison-Horn Maria" of central India in the first half of the 20th century. The Maria then lived as slash-and-burn horticulturalists and part-time hunter-gatherers, and were, like other "tribals," left to their own devices by the British Raj unless a violent death provoked state intervention. The killings described here are tragic, and the protagonists, though sparsely introduced, fully human.
After providing a brief sketch of Maria life and custom, Elwin goes on to examine the records of one hundred cases of murder and fifty cases of suicide, and finally makes valuable suggestions for improving the treatment of aboriginal in jail. The commonest motives for crime among the Bison-horn Maria were found to be sexual jealousy and resentment or shame caused by public rebuke; fatigue and the use of alcohol were also found to be factors.
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
What if you wanted to practice law in India in 1922?
Women weren't allowed in court, but Perveen Mistry becomes a solicitor instead, working behind the scenes on wills and estate files. Perveen's gender becomes an asset when she can speak to women in purdah, a practice where women seclude themselves from men in some Muslim or Hindu communities.
I liked the first book, The Widows of Malabar Hill, but truly enjoyed The Satapur Moonstone, where Perveen heads out to the Sahyadri mountains to help a royal family after the maharaja has died and the crown prince is too young to rule.
In addition to the mystery, and learning about the history of India, I could hear the buzz of mosquitoes, the tree frogs peeping, and the hooting of owls, as well as imagine the tigers and leopards in the jungle.
'Vivid and clever...love her to bits.' Kerry Greenwood, bestselling author of the Miss Phryne Fisher series
The delightfully clever Perveen Mistry, Bombay's first female lawyer, returns in an adventure of treacherous intrigues and suspicious deaths.
India, 1922: It is rainy season in the lush, remote Sahyadri Mountains southeast of Bombay, where the kingdom of Satapur is tucked away. A curse has fallen upon Satapur's royal family, whose maharaja and his teenage son are both dead. The kingdom is now ruled by an agent of the British Raj on behalf of Satapur's two maharanis, the dowager queen and the maharaja's widow.…
