Here are 100 books that Maria Murder and Suicide fans have personally recommended if you like
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When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Florida-based historian David Courtwright is best known for his analyses of the history of drug addiction and the drug business in the United States, but this volume is a fact-filled page-turner on America's lethal violence problem. Courtwright describes a frontier culture in which a reputation for violent capability was an essential social asset and persuasively explicates its similarities with the situation that faces single young men in America's underserved inner cities to this day. The interdisciplinary scope of Courtwright's scholarship guarantees that any reader will learn a great deal from his book. I found it unputdownable.
This book offers a look at violence in America - why it is so prevalent, and what and who are responsible. David Cartwright takes the long view of his subject, developing the historical patterns of violence and disorder in this country. Where there is violent and disorderly behaviour, he shows, there are plenty of men, largely young and single. What began in the mining camp and bunkhouse has simply continued in the urban world of today, where many young, armed, intoxicated, honour-conscious bachelors have reverted to frontier conditions. "Violent Land" combines social science with a narrative that spans and reinterprets…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Rebecca and Russell Dobash had studied men's violence against their female partners for decades and were already heroes of the women's movement when they began interviewing incarcerated killers in Britain. Two fine books have resulted, one focused on men who killed women, the other on men who killed men. It is the former, especially the section on intimate partner homicide, that I find most captivating. The Dobashes skilfully blend national statistics with the self-serving testimony of their interviewees, who minimize their lethal acts as things that "happened" rather than things that they did, and apparently believe themselves to be the victims. These insights are essential.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man, and it is far rarer when a woman is killed by another woman. Unfortunately, this is not a very well understood phenomenon. Most books on the topic discuss serial killings, but those only make up 2% of sexual murder-a sensationalist subset of a subset. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women.
Dobash and Dobash, two seasoned researchers and longtime collaborators in the study of violence…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
It was Calvin Trillin's hilariously enthusiastic stories about the world's best restaurants (most of which seem to be situated in his hometown of Kansas City) that initially made me one of his many fans. Between 1967 and 1982, however, he also wrote a series of long articles for TheNew Yorkerentitled "U.S. Journal," in which he used singular events, often homicides, as the launchpads for tales rich in local history and lifeways. Sixteen of Trillin's best are assembled here. Has anyone written more penetratingly about how rivalries and resentments are embedded in social settings?
True stories of sudden death in the classic collection by a master of American journalism
“Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings…
I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
I loved this book because it was the basis of the incredible show, The Wire. Before starting the book, I always wondered if in-depth journalism could be written as a thrilling story, and Mr. Simon's incredible work proved it absolutely can be.
Despite it being over 700 pages, I couldn’t put it down. The reality David Simon showed in every word and every page, in all its flawed and uncomfortable humanity, was nothing short of mesmerizing. The details were so memorable that I felt like I was walking the same streets he described. This book inspired me a great deal.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
Another 13-year-old boy protagonist, Kimball O’Hara. No relation.
I read parts of Kim to Lucian in the studio, he liked the epigraph at the beginning of chapter five: the prodigal son does not stay comfortably in his father’s forgiving embrace, but returns ‘to the styes afresh.’
Kim is a magnificent adventure: the orphan boy who belongs but does not belong to two nations, and a description of the peoples, the ways, the mountains, and the plains of India.
A vicarious journey around a world of the past, and a particularly male world, which Kipling takes us to.
Kimball O’Hara grows up an orphan in the walled city of Lahore, India. Deeply devoted to an old Tibetan lama but involved in a secret mission for the British, Kim struggles to weave the strands of his life into a single pattern. Kim and the holy man roam about India. Kim’s intimate knowledge of India makes him a valuable asset to the English Secret Service, in which he wins renown while still a boy.
Charged with action and suspense, yet profoundly spiritual, Kim vividly expresses the sounds and smells, colors and characters, opulence and squalor of complex, contradictory India under…
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoir—another record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kaye’s childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds.
The Sun in the Morning is the first volume of autobiography by the beloved British author M. M. Kaye. It traces the author's early life in India and later adolescence in England. As The Guardian wrote, "No romance in the novels of M.M. Kaye... could equal her love for India."
" … [Kaye's] kaleidoscopic story of a long-lost innocence just before and after World War I helps to explain Kaye's idealization of the British Raj and her love for Kipling's verse." - Publishers Weekly
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
"India will sing like a bird out of its cage when she is free," says one of the characters in this wonderfully engaging book. Times of transition interest me and this book is set during the early part of Indian Independence, when everyone was trying to find a new identity and way of living, especially Victoria, one of the three main characters who is Eurasian, or as we would now say, mixed race. She is torn between the two sides of her heritage. Some of the language is shocking in our times but it is a fascinating story of people caught up in a country’s re-birth. It is also a tender love story. It’s a great way to get a feel of that period of upheaval.
Bhowani Junction is set in the wake of the partition of India, as the British prepare to withdraw from the newly independent country. Evoking the tensions and conflicts that accompanied the birth of modern India, the characters struggle to find their place in the new India that is emerging. In the last hectic days of the British Raj, Victoria has to choose between marrying a British Army officer or a Sikh, Ranjit, as she struggles to find her place in the new, independent India.
One of John Masters' seven novels which followed several generations of the Savage family serving in…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
I love how this short story collection traverses time but not location—the setting is the northeastern state of Meghalaya while the stories span 150 years. In these fifteen tales, folklore mixes with modern life and myth is steeped in the mundane. The result? The reader journeys through a rich smorgasbord of a multi-faceted Meghalaya and its people. Given the tendency to clump the seven northeastern states together, this book helps us view one of those states distinctively.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Kolkata, or Calcutta as the city was known back then, in 1995 and fell in love with its spirit, culture, architecture, politics, and decrepitude. I have been back regularly reporting on the city’s cultural life for media like CNN and Nikkei Asia. In 2019, I was selected as artist-in-residence for the Indo-European Art Residency by the Goethe Institute and spent 10 weeks writing a crime fiction set in the Bengali capital. Kolkata is, hands down, my favorite city in the world – despite its poverty, systemic injustice, and political cruelty, there is an energy in the place that is hard to beat.
A cracking, thorough portrait of contemporary Kolkata as the Bengali capital is now known, by an Indian author who grew up in New Jersey (very much the flipside to Calcutta) and who returns to the city of his ancestors to work for a newspaper. The book is well-written, crammed with interesting anecdotes and historic trivia. Past and present are held against the light and the results are often funny. It’s as good as a book by a privileged outsider who speaks the language is likely to be. Perhaps in another decade, a non-fiction chronicle will be written by a resident non-Brahmin writer. I have a feeling the city is waiting for it. In the meantime, Choudhury’s book serves as an excellent introduction to first-time visitors.
'Witty, polished, honest and insightful, The Epic City is likely to become for Calcutta what Suketu Mehta's classic Maximum City is for Mumbai' William Dalrymple, Observer
When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times.
After graduating from Princeton, he moved back to Calcutta, the city which his immigrant parents had abandoned. Taking a job at a newspaper, he found the streets of his childhood unchanged. Shouting hawkers still overran the footpaths, fish sellers squatted on bazaar floors; and politics still meant barricades and bus burnings.
The…
My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
An exciting, richly layered adventure story of the "long learning of love" set against the backdrop of the rule of the British Raj and the first rumblings of the 1857 Indian Mutiny. I lent the book to a friend and thought I'd lost it forever until I discovered it in her spare bedroom! Our narrator, Laura, has to watch as her cousin marries Charles, the man Laura loves, and is then forced to accompany the young couple on their honeymoon. Not something to be recommended! Their destination is the Kingdom of Oudh and the vast Zemindari estate of Charles's unknown brother, Oliver Erskine. I don't recommend Zemindar because it has won a host of prestigious prizes but because it is a great read.
An international bestseller and winner of the 1981 Georgette Heyer Historical Novel Prize, Zemindar is a magnificent, twisting love story, all unfolding against the tempestuous backdrop of the Indian Rebellion.
Englishwoman Laura Hewitt accompanies her newly engaged cousin to India, first to Calcutta and then to the fabled fiefdom of Oliver Erskine, Zemindar - or hereditary ruler - of a private kingdom with its own army. But India is on the verge of the Mutiny, which will sweep them all up in its chaos...
Praise for Zemindar:
'If you loved The Far Pavilions - and who didn't - this will…
