As an educator, I’ve experienced the power of true stories to engage readers, widen their world, spur thinking, and support content areas. I’ve learned plenty from these books, too! As an author, I’m fascinated with many aspects of the American Revolutionthat I never learned about as a student. Researching this time period has revealed much more than men at war. The revolution affected every aspect of life—a “world turned upside-down.” Today, we’re fortunate to have a range of stories that help kids understand that history is about people much like them facing the challenges of their time and place.
We all know about the Declaration of Independence and recognize at least a few of the dozens of signatures of the men who signed it. But who knew about the single female name that appears on the document?
Here’s the story of Mary Katharine Goddard, a businesswoman and newspaper publisher, who dared to break the norms of society. When the call went out for a printer to publish the treasonous Declaration, she rose to the task and went so far as to put her name on it! This story offers a fascinating peek into the life of a revolutionary woman.
A rousing picture book biography of the only woman whose name is printed on the Declaration of Independence.
Born in 1738, Mary Katharine Goddard came of age in colonial Connecticut as the burgeoning nation prepared for the American Revolution. As a businesswoman and a newspaper publisher, Goddard paved the way for influential Revolutionary media. Her remarkable accomplishments as a woman defied societal norms and set the stage for a free and open press. When the Continental Congress decreed that the Declaration of Independence be widely distributed, one person rose to the occasion and printed the document-boldly inserting her name at…
I’m a Black man born in Jim Crow America to domestic servants so challenged by their circumstances that they had to place me in a kind of orphanage because they weren’t given permission to raise me in their employer’s home. I’ve known poverty, violence, racism, and law enforcement changing the rules to single me out. But I have also known the rarified success of Wall Street, my own thriving law practice, entertainment industry deals, and, of course, the privilege of a lifetime working side-by-side with Dr. Martin Luther King Jr. Therefore, I understand both the promise of the American Dream and the cruelty with which it’s mostly (and purposely) withheld from her citizens of color.
There is something in the structure of this true story that aligns with my fundamental understanding of life as a Black American man.
Education saved me, plain and simple. Education is the answer out of the ghetto, out of street life, out of poverty. Two Black boys named Wes Moore grow up on the same streets, get into the same kind of trouble early, and start a friendship as adults – one is a governor-elect of his home state, the other serving life without parole.
Their names appeared in the newspaper on the same day: for one, the announcement of a Rhodes Scholarship win; for the other, a manhunt in a botched robbery. Little difference between the men, but a lot in terms of where they put their focus.
NEW YORK TIMES BESTSELLER • The “compassionate” (People), “startling” (Baltimore Sun), “moving” (Chicago Tribune) true story of two kids with the same name from the city: One went on to be a Rhodes Scholar, decorated combat veteran, White House Fellow, and business leader. The other is serving a life sentence in prison.
In development as a feature film executive produced by Stephen Curry, who selected the book as his “Underrated” Book Club Pick with Literati
The chilling truth is that his story could have been mine. The tragedy is that my story could have been his.
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
Sometimes you don’t need glossy colour photographs of plants to be transported to green pastures. Ruth Kassinger charts her journey from complete plant novice to houseplant addict enchantingly with stories of visits to nurseries across the US as she learns about the plants she longs for and how they are grown. Before long, her conservatory fills with treasures, each with a story to tell. You come away inspired and encouraged to follow in her footsteps to create your own green patchwork of plants even if you live in the smallest apartment in the most inhospitable climate.
Paradise Under Glass is a witty and absorbing memoir about one woman's unlikely desire to build, stock, and tend a small conservatory in her suburban Maryland home. Ruth Kassinger's wonderful story of the unique way she chose to cope with the profound changes in her life-a book that will delight readers of Eat, Pray, Love and I Feel Bad About My Neck-is interwoven with the fascinating history of conservatories from the Renaissance orangeries to the glass palaces of Kew.
I read at least 100 books each year, mostly novels, and before I became a published author in 2019, used to send a list of my favorite 30 to hundreds of friends, friends of friends, and family. I began hosting New Books in Literature, a podcast channel on the New Books Network, in 2018, and have interviewed over 180 authors so far. It was tough to choose just 5 top books, but in looking over all those interviews, I remembered how much I loved reading these books, all set in the United States long before the 21st century.
Sarah Kennecott is a brilliant young doctor who cares deeply about justice, but she’s not like other people; she doesn’t like noises and smells, she doesn’t understand chit chat, and she cannot interpret inflection or nuance.
It’s 1909, and the city of Baltimore is filled with gilded mansions and a seedy corrupt, underworld. Sarah struggles to be accepted as a doctor. After getting fired for looking too closely into the killing of a showgirl, she refuses to back down from the investigation and joins forces with a street-smart private detective who can access saloons, brothels, and burlesque theaters where Sarah isn’t allowed.
Together, they unravel a few secrets that could cost them their lives.
Loved a protagonist who is both a doctor and on the autism scale – we don’t see that many differently-abled protagonists in historical fiction, especially not in mysteries. Refreshing!
Baltimore, 1909. Sarah Kennecott is a brilliant young doctor who cares deeply about justice for murder victims. She also has a habit of displeasing powerful men and getting into trouble. After getting fired for looking too closely into the killing of a showgirl, she refuses to back down from the investigation.
Sarah forms a promising partnership with Jack Harden, a street-smart private detective struggling with terrible memories. They have much in common: Both defiant. Both independent. Both regarded as a bit unusual. Sarah gathers evidence in gilded mansions and fancy ballrooms. Jack follows leads into…
I’ve been putting my passport to good use for the last thirty years or so. Few things make me happier than showing up in an unfamiliar place – whether a village in Ecuador, a town in Ireland, or a city in Ghana – and trying to become familiar with the people, the customs, the food, all of it. But I suppose what I love most is a good story. During those three decades, I’ve also become a Professor of English at Arizona State University, where my research has increasingly focused on how artists and ideas move across geographical and cultural boundaries. In my latest book, License to Travel, these various interests come together.
This book moves me whenever I open it, no matter the chapter, no matter the page.
It presents the harrowing tale of Douglass’s flight from slavery as a young man with a degree of urgency and detail that is not found in his other writings.
But it is the account of his travels through Europe and North Africa as a man of almost seventy, finally free to pursue his lifelong wanderlust, that is perhaps most poignant: “I had strange dreams of travel even in my boyhood days,” he writes. “I thought I should some day see many of the famous places of which I heard men speak, and of which I read even while a slave.”
In between Paris and the pyramids, Douglass repeatedly compares what he sees in the Old World with what he knows so well, and often so painfully, of American ideals, values, and aspirations.
This richly illustrated edition of this classic American autobiography sheds new light on Douglass's famous text for a new generation of readers.
Famous orator and former slave Frederick Douglass published his third and last autobiography, Life and Times of Frederick Douglass, in 1881. No longer in danger as an escaped slave, it goes into greater detail and encompasses Douglass's entire life, from his early years living with his grandmother in Maryland to the events during and after the Civil War, including his meetings with presidents and dignitaries and his deep involvement with the burgeoning suffragist movement. His account reveals what…
This book has a few quirky characters that are flat-out hilarious and kept surprising me as I turned the pages.
Bottom line it’s a book about a man who thinks he was made for a clearance sale—where everything nobody wanted to buy ends up. But he’s also the most valuable person, in a way he doesn’t see, in every room he walks into, every person he follows, haunts, and helps.
I liked the book because it was funny as well as a worthwhile reminder that truth and grace are meant to be partnered. Sometimes grace opens the door for truth and sometimes grace opens the door for truth. This book made me laugh a lot, and pray more for a few quirky people I know and don’t appreciate like I should.
A NEW YORK TIMES NOTABLE BOOK •NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author tells the story of a lovable loser who's trying to get his life in order.
Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.
But for eleven years now, he's been working steadily for Rent-a-Back, renting his…
I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
What does it mean to be free—and how can you prove that you are? Millward’s utterly engrossing book demonstrates how significant Black women’s reproductive sexuality was to their pursuit of freedom. Following the formal end of US participation in the international slave trade in 1808, white enslavers placed unprecedented demands on enslaved Black women to bear more children. Because the laws defined the child according to the mother’s free or unfree status, enslaved women literally birthed the property of white enslavers. But what if a currently enslaved person proved that the womb from which they entered the world belonged to a free person? Millward shows how Black women and their descendants paved their own pathways to freedom.
Finding Charity's Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre.
Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In the space of two years, D. Watkins published two stunning books about Baltimore. The second, The Cook Up: A Crack Rock Memoir, is sharp and smart, but if I had to only choose one, it would be The Beast Side. In this slim volume of essays, Watkins invites us to explore the two worlds he lives within and between. He grew up on the tough east side, known locally as the beast side, and sold drugs, but also went to college and now teaches creative writing.
While there are many books by Black authors that use stories of poverty and despair to titillate or move white audiences to pity, Watkins does none of that. He speaks first to Black audiences, especially those who maybe don’t love to read, because literacy, he says, is a step towards liberation. The Beast Sidemay be the best way to see…
A New York Times Best Seller! Baltimore, one of our country's quintessential urban war zones, is brought powerfully to life by literary talent, D. Watkins
To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order.
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
