I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
Sometimes you don’t need glossy colour photographs of plants to be transported to green pastures. Ruth Kassinger charts her journey from complete plant novice to houseplant addict enchantingly with stories of visits to nurseries across the US as she learns about the plants she longs for and how they are grown. Before long, her conservatory fills with treasures, each with a story to tell. You come away inspired and encouraged to follow in her footsteps to create your own green patchwork of plants even if you live in the smallest apartment in the most inhospitable climate.
Paradise Under Glass is a witty and absorbing memoir about one woman's unlikely desire to build, stock, and tend a small conservatory in her suburban Maryland home. Ruth Kassinger's wonderful story of the unique way she chose to cope with the profound changes in her life-a book that will delight readers of Eat, Pray, Love and I Feel Bad About My Neck-is interwoven with the fascinating history of conservatories from the Renaissance orangeries to the glass palaces of Kew.
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of…
I wholeheartedly believe that embracing your geeky side is an important part of life and self-discovery. When romance novels incorporate nerdiness, it gives characters (and therefore readers) the ability to understand themselves and what they want on another level, and to gain the courage to pursue what they want. I know that my own forays into TTRPGs, LARPing, Ren Faires, and other such interests have helped shape me as a person. I’m more confident and embodied because I embrace my inner geek, and I want that for my characters and my readers, too. That’s why I want to read and write as many of these stories as possible!
I grew up going to Renaissance Faires, and there’s something so romantic and escapist about them. So when I came across this book (and the rest of the series), I knew I had to read it. I had already written my own Ren Faire romance, which made it even sweeter.
It was so immersive, and it expertly toed the line between swoon-worthy escapist romance and realistic story beats and characters. I especially loved the descriptions of the Ren Faire setting, and I still think about the hunky MMC! The rest of the series is fab as well, continuing the Ren Faire focus whilst exploring new stories and romances.
All's faire in love and war for two sworn enemies who indulge in a harmless flirtation in a laugh-out-loud rom-com from debut author Jen DeLuca.
Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him?
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Because the nineteenth-century sailing ship was such a male-dominated space, women were largely invisible in traditional histories of life at sea. Although Edith Ziegler’s book does not simply focus on the voyage itself (it includes analysis of female convicts’ lives before and after the journey as well), it does show how women combatted the “sexual opportunism and exploitation” that was endemic on convict transports. What’s great about this book is that even though many of its subjects were illiterate (and thus left precious few letters and diaries behind), Ziegler manages to unearth the women’s voices in authentic and moving ways.
In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.
Great Britain's forced transportation of convicts to colonial Australia is well known. Less widely known is Britain's earlier programme of sending convicts - including women - to North America. Many of these women were assigned as servants in Maryland. Titled using Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain,…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In the space of two years, D. Watkins published two stunning books about Baltimore. The second, The Cook Up: A Crack Rock Memoir, is sharp and smart, but if I had to only choose one, it would be The Beast Side. In this slim volume of essays, Watkins invites us to explore the two worlds he lives within and between. He grew up on the tough east side, known locally as the beast side, and sold drugs, but also went to college and now teaches creative writing.
While there are many books by Black authors that use stories of poverty and despair to titillate or move white audiences to pity, Watkins does none of that. He speaks first to Black audiences, especially those who maybe don’t love to read, because literacy, he says, is a step towards liberation. The Beast Sidemay be the best way to see…
A New York Times Best Seller! Baltimore, one of our country's quintessential urban war zones, is brought powerfully to life by literary talent, D. Watkins
To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order.
This book has a few quirky characters that are flat-out hilarious and kept surprising me as I turned the pages.
Bottom line it’s a book about a man who thinks he was made for a clearance sale—where everything nobody wanted to buy ends up. But he’s also the most valuable person, in a way he doesn’t see, in every room he walks into, every person he follows, haunts, and helps.
I liked the book because it was funny as well as a worthwhile reminder that truth and grace are meant to be partnered. Sometimes grace opens the door for truth and sometimes grace opens the door for truth. This book made me laugh a lot, and pray more for a few quirky people I know and don’t appreciate like I should.
A NEW YORK TIMES NOTABLE BOOK •NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author tells the story of a lovable loser who's trying to get his life in order.
Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.
But for eleven years now, he's been working steadily for Rent-a-Back, renting his…
As an educator, I’ve experienced the power of true stories to engage readers, widen their world, spur thinking, and support content areas. I’ve learned plenty from these books, too! As an author, I’m fascinated with many aspects of the American Revolutionthat I never learned about as a student. Researching this time period has revealed much more than men at war. The revolution affected every aspect of life—a “world turned upside-down.” Today, we’re fortunate to have a range of stories that help kids understand that history is about people much like them facing the challenges of their time and place.
We all know about the Declaration of Independence and recognize at least a few of the dozens of signatures of the men who signed it. But who knew about the single female name that appears on the document?
Here’s the story of Mary Katharine Goddard, a businesswoman and newspaper publisher, who dared to break the norms of society. When the call went out for a printer to publish the treasonous Declaration, she rose to the task and went so far as to put her name on it! This story offers a fascinating peek into the life of a revolutionary woman.
A rousing picture book biography of the only woman whose name is printed on the Declaration of Independence.
Born in 1738, Mary Katharine Goddard came of age in colonial Connecticut as the burgeoning nation prepared for the American Revolution. As a businesswoman and a newspaper publisher, Goddard paved the way for influential Revolutionary media. Her remarkable accomplishments as a woman defied societal norms and set the stage for a free and open press. When the Continental Congress decreed that the Declaration of Independence be widely distributed, one person rose to the occasion and printed the document-boldly inserting her name at…
I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
What does it mean to be free—and how can you prove that you are? Millward’s utterly engrossing book demonstrates how significant Black women’s reproductive sexuality was to their pursuit of freedom. Following the formal end of US participation in the international slave trade in 1808, white enslavers placed unprecedented demands on enslaved Black women to bear more children. Because the laws defined the child according to the mother’s free or unfree status, enslaved women literally birthed the property of white enslavers. But what if a currently enslaved person proved that the womb from which they entered the world belonged to a free person? Millward shows how Black women and their descendants paved their own pathways to freedom.
Finding Charity's Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre.
Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as…
I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
I loved this book because it was the basis of the incredible show, The Wire. Before starting the book, I always wondered if in-depth journalism could be written as a thrilling story, and Mr. Simon's incredible work proved it absolutely can be.
Despite it being over 700 pages, I couldn’t put it down. The reality David Simon showed in every word and every page, in all its flawed and uncomfortable humanity, was nothing short of mesmerizing. The details were so memorable that I felt like I was walking the same streets he described. This book inspired me a great deal.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
