Here are 100 books that Paradise Under Glass fans have personally recommended if you like
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I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
This book has been my indoor plant bible for over thirty years. John Brookes is best known for linking indoor living spaces with outdoor gardens but here he turned his masterly design eye on houseplants. Yes, all the necessary practical information on a wide range of houseplants is here. But what really separates this book from the rest—and makes it completely ageless—is the photography which was so ahead of its time, it looks as though it was published last year. Interior shots with plant placement ideas with enough inspiration for the most demanding Instagram generation. What more could one need?
Offers advice on decorating with plants, tells how to match plants with containers, and covers cut- and dried-flower arrangements, plant care, and room-by-room deoorating advice
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
It is rumoured that this book has, at times, been the world’s best-selling non-fiction book after The Bible—quite a claim. Indisputable is that this book and its many reprints and updates remain for several generations, the one essential read for houseplant help. It was written by a scientist who worked for one of the world’s leading houseplant liquid feed after a radio appearance led to the company receiving thousands of letters asking for houseplant advice. Hessayon’s simple formula of basic photographs and short text has been much copied but never bettered.
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
Sometimes you need to refer to the highest authority and in the case of plants, that means the Royal Horticultural Society. So when it comes to knowing which house plant is which, what conditions they like, and how to care for them, you can’t really do better than this book. With 175 different plant profiles, the one you picked up without a label at the supermarket is bound to be there, not to mention more exotic offerings that scream "I need special care."
Turn your indoors into a green oasis! Learn about 175 house plants and follow step-by-step projects to create an indoor garden.
A plant book perfect for people who live in apartments and enthusiastic gardeners who want to move their gardening expertise inside! Learn how to create an indoor garden that will improve your wellbeing, is good for the environment, and will bring tranquillity to your home.
The RHS Practical House Plant Book shows you how to create a green home - literally. Inside this plant guide you'll find:
- A "Designing with Houseplants" section that reveals key principles for choosing,…
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
The clue here to why this is a great book is one word in the subtitle: ‘style’. You may know how to look after your houseplants and be confident in their care but how do they look in your home? If you drool over Instagram shots of homes that seem to drip greenery from ceiling to floor, then this is the book for you. There is absolutely nothing minimalist about Hilton Carter’s love of houseplants. Every corner of his Baltimore home is packed with plants. Don’t even start to think about his watering routine—just enjoy his creativity and pinch some ideas for your own home however modest.
"Hilton Carter's love for plants is infectious... His lush and exuberant displays are inspiring reminders that plants can be so much more than neat little containers on a window sill." Grace Bonney, Founder and Editor-in-Chief, Design*Sponge
Take a tour through Hilton's own apartment and other lush spaces, filled with a huge array of thriving plants, and learn all you need to know to create your own urban jungle. As the owner of over 200 plants, Hilton feels strongly about the role of plants in one's home - not just for the beauty they add, but for health benefits as well:…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Because the nineteenth-century sailing ship was such a male-dominated space, women were largely invisible in traditional histories of life at sea. Although Edith Ziegler’s book does not simply focus on the voyage itself (it includes analysis of female convicts’ lives before and after the journey as well), it does show how women combatted the “sexual opportunism and exploitation” that was endemic on convict transports. What’s great about this book is that even though many of its subjects were illiterate (and thus left precious few letters and diaries behind), Ziegler manages to unearth the women’s voices in authentic and moving ways.
In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.
Great Britain's forced transportation of convicts to colonial Australia is well known. Less widely known is Britain's earlier programme of sending convicts - including women - to North America. Many of these women were assigned as servants in Maryland. Titled using Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain,…
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I rarely read a book twice. I read this one three times. The romance between Ramelle and Celeste always makes me swoon and reminds me of the kind of love I want in my life.
Brown is an outstanding story-teller, and I loved all of the Southern malpropisms, traditions, and memes scattered throughout the novel. I enjoyed the romance, the mystery, and the characterization of the South, this book pushed me to visit Savannah, where her words came to life.
Perched right on the Mason-Dixon line, tiny Runnymede, Maryland, is ripe with a history almost as colorful as the women who live there—from Celeste Chalfonte, headstrong and aristocratic, who murders for principle and steals her brother’s wife, to Fannie Jump Creighton, who runs a speakeasy right in her own home when hard times come knocking. Then of course, there’re Louise and Julia, the boldly eccentric Hunsenmeir sisters. Wheezie and Juts spend their whole lives in Runnymede, cheerfully quibbling about everything from men to child-rearing to how to drive a car. But they never let small-town life keep them from chasing…
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Goldstein’s and Weiner’s history of Jews of Baltimore is an unconventional account of this border city. Jews in Baltimore were definitely located in the middle between white Christians on the one hand and Blacks on the other. The book does not flinch from uncovering just what this middle ground meant, how the antisemitism that pervaded Baltimore propelled some Jews toward conservatism (including the support of slavery) and others toward progressivism (including abolition). At the same time, the book explores the rich diversity of Jewish religious life in the city that parallels Jewish participation in building important elements of Baltimore’s economy. I loved learning about a city that was new to me.
A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.
Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book Awards
In 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick's Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over…
