This book was published over fifteen years
ago, but a friend of mine told me I’d love it…and I did. It’s set in a blue-collar Brooklyn
neighborhood in 1947.
It’s the touching
story of two vivid characters. An
eleven-year-old Irish Catholic kid named Michael Devlin and a Rabbi from
Prague. A refugee named Judah Hirsch. The rabbi hires Michael to be a Shabbos
Goy. He shows up on Saturdays to turn on the lights and other things prohibited
by Jewish law on the Sabbath. They forge an unlikely friendship as Michael
learns about Prague and its destruction by the Nazis and the rabbi learns about
Jackie Robinson and baseball.
It’s gritty
and grounded, but full of magical realism. The descriptions are vivid and
Hamill creates a real sense of place. It enthralled me the same way A
Gentleman in Moscow did with characters full of hope and courage and
humanity.
This book is . . . a survey history of medicine from the earliest times, centered thematically on how changing concepts of disease have affected its management. . . . One finds a gratifying mastery of recent as well as classic scholarship in medical history and a careful sidestepping of positivistic excesses. . . . Disease and Its Control is a fresh and welcome synthesis of historical scholarship that will be accessible to interested laymen. Annals of Internal Medicine
I’m a German History professor who focuses on the Holocaust, but I’ve been educating myself on the topic since 5th grade, when a friend suggested some children’s literature on the Holocaust. So, I guess this is a topic that has interested me for some thirty years now. I can’t stop asking why, I can’t stop reading, and I can’t stop educating, especially as Holocaust denial and antisemitism are on the rise. History, in general, can teach us so much about who we are and who we have the potential to become. The Holocaust is a prime example of what happens when humanity fails to achieve its potential.
Even after years of studying the Holocaust, I remain overwhelmed by the enormity of the horrors, and there are still times when I find my faith in humanity wavering and all I can think to ask in anger and confusion is “Why?” I know I’m not alone. Peter Hayes’s masterful book is the result of an entire career centered on asking that very question. The outcome is an incredibly readable, insightful, and thought-provoking account of the Holocaust that doesn’t shy away from answering the big questions. After reading it, one might still ask “why,” but it won’t be out of frustration, anger, and confusion, but rather out of a desire to keep learning more about one of the greatest catastrophes in the history of humanity.
Peter Hayes has been teaching Holocaust studies for decades and Why? grows out of the questions he's encountered from his students. Despite the outpouring of books, films, memorials, museums and courses devoted to the subject, a coherent explanation of why such carnage erupted still eludes people. Numerous myths have sprouted, many to console us that things could have gone differently if only some person or entity had acted more bravely or wisely; others cast new blame on favourite or surprising villains or even on historians.
Why? dispels many legends and debunks the most prevalent ones, including the claim that the…
I’ve been studying dehumanization, and its relationship to racism, genocide, slavery, and other atrocities, for more than a decade. I am the author of three books on dehumanization, one of which was awarded the 2012 Anisfield-Wolf award for non-fiction, an award that is reserved for books that make an outstanding contribution to understanding racism and human diversity. My work on dehumanization is widely covered in the national and international media, and I often give presentations at academic and non-academic venues, including one at the 2012 G20 economic summit where I spoke on dehumanization and mass violence.
My first two picks concern the inhumanities that White Americans perpetrated against Black people, and my second two picks concern the inhumanities that Nazis perpetrated against Jews, Roma, and others. My fifth pick brings both of these seemingly independent strands together. In it, Yale University historian James Q. Whitman documents how, during the early years of the regime, Nazi lawyers looked to racist American legislation as a model for the infamous 1935 Nuremburg laws, which were the first step down the road that led to Auschwitz. This short, eye-opening book leads readers to see how American racist values were not only bad in themselves, but also contributed to the most horrific genocide of the twentieth century.
How American race law provided a blueprint for Nazi Germany
Nazism triumphed in Germany during the high era of Jim Crow laws in the United States. Did the American regime of racial oppression in any way inspire the Nazis? The unsettling answer is yes. In Hitler's American Model, James Whitman presents a detailed investigation of the American impact on the notorious Nuremberg Laws, the centerpiece anti-Jewish legislation of the Nazi regime. Both American citizenship and antimiscegenation laws proved directly relevant to the two principal Nuremberg Laws-the Citizenship Law and the Blood Law. Contrary to those who have insisted otherwise, Whitman…
As both a playwright and novelist, I tend to gravitate to complex characters with an internal struggle. Graphic Nature, my second novel, touches upon a particular character, Edmond de Capitoir, who while considering himself a well-meaning member of society, has kept himself at arm’s length from life in many ways – not the least of which is due to his commitment to his profession as an executioner in 1913 France. Much of the work I've recommended touches upon these similar protagonists who are somehow emotionally closed off and perhaps have developed a certain guilt about their actions by what they experience through the course of these stories – even a need for love.
Focus was the sole novel written by acclaimed playwright Arthur Miller. And while Miller would go on to be known primarily as a dramatist, Focus is an exceptional novel with a timely and engaging premise.
The protagonist is a somewhat introverted man (Lawrence Newman) who is moderately successful in his field, working in New York City, while residing in Queens. Set in 1945, Focus is set during a particular time of unrest, especially in New York City, where many are resentful of the U.S.’s involvement in WWII. This resentment comes to a head when Lawrence needs to be fitted for glasses due to his developing near-sightedness.
Yet as a result of how he looks with his glasses, people start to assume that he is Jewish, even though he is not. This misidentification not only leads to him being the unwilling recipient of anti-semitism but also leads to his own resentment…
Written in 1945, Focus was Arthur Miller's first novel and one of the first books to directly confront American anti-Semitism. It remains as chilling and incisive today as it was at the time of its controversial debut. As World War II draws to a close, anti-Semitism is alive and well in Brooklyn, New York. Here, Newman, an American of English descent, floats through a world of multiethnic neighborhoods indifferent to the racism around him. That is, until he begins to wear glasses that render him "Jewish" in the eyes of others, making him the target of anti-Semitic prosecution. As he…
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
How did my ancestry help define me? My great-grandfather created a dairy farm outside of Tacoma, and my mother grew up impoverished in Indiana during the Great Depression. These experiences shaped my family, but how far into the past do such influences arise?
I have been fascinated by history and genealogy since childhood, and even my professional role as a paleoanthropologist is an extension of that interest in prehistory. Christine Kenneally addresses in direct language the implicit questions I was seeking–what roles did genes, ancestry, and history play in shaping me and the populations around me? It is not hard for me to identify with the values of the Puritan farmers from whom I descended, but before I read this book, I didn’t appreciate the persistence of historical experiences in shaping a community. For example, the slave trade instilled a modern community's suspicion of strangers in the worst affected areas…
“The richest, freshest, most fun book on genetics in some time.” —The New York Times Book Review
We are doomed to repeat history if we fail to learn from it, but how are we affected by the forces that are invisible to us? In The Invisible History of the Human Race Christine Kenneally draws on cutting-edge research to reveal how both historical artifacts and DNA tell us where we come from and where we may be going. While some books explore our genetic inheritance and popular television shows celebrate ancestry, this is…
I’ve had a long career, publishing books that have won the highest awards in the industry, including two books that won Caldecott Medals. I’m best known as the editor of the Harry Potter books. But my expertise in this area also comes from being a father, a reader, and the author of several books with Jewish and intersectional themes.
This inspiring picture book is based on the true story of a little boy whose family is the target of an anti-semitic incident during Hanukkah. The community responds not with aggression but solidarity, with hundreds of homes displaying menorahs in their windows.
This book illustrates the idea that kindness and faith can turn one light into many, an echo of the Hanukkah miracle.
The art by Caldecott Medalist Paul Zelinksy is powerful and gorgeous. Inspirational!
On a block dressed up in Red and Green
one house shone Blue and White.
It's a holiday season that both Isaac, whose family is Jewish, and Teresa, whose family is Christian, have looked forward to for months! They've been counting the days, playing in the snow, making cookies, drawing (Teresa) and writing poems (Isaac). They enjoy all the things they share, as well as the things that make them different.
But when Isaac's window is smashed in the middle of the night, it seems like maybe not everyone appreciates "difference."
The disciplines of musical scholarship (music theory, music history, and music education) are rooted in ideas and value-sets that were determined in the 18th-early 20th centuries by individuals who were profoundly racist and classist.
As a result, today’s musicians learn how to think about music in ways that are deeply at odds with modern understandings of who musicians are, who listeners are, and how music communicates. Ewell dismantles these ideological barriers to understanding and points the way to new systems of understanding music – and each other – that will make tomorrow’s musical world better, richer, more inclusive, and a product of our own time rather than the age of Jim Crow and Nazism: a music theory (and view of music history) for today. It’s essential reading.
Although a world without music is unthinkable, a world without racism, anti-Semitism, sexism, and misogyny is almost inconceivable. One big step in…
Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous hurdles due to their racial identities. In On Music Theory, Philip Ewell brings together autobiography, music theory and history, and theory and history of race in the United States to offer a black perspective on the state of music theory and to confront the field's white supremacist roots. Over the course of the book, Ewell undertakes a textbook analysis to…
I was raised in Kansas, a conservative, Republican state. My parents were conservative Republicans. We went to a fundamentalist church, where the minister preached about Revelationand warned against the dangers of “humanism”. He said the Bible predicted an end time where God would violently destroy the evil world. I have grown away from such ideas, but I understand the cultural milieu out of which such Christian extremism comes. Fortunately, I also learned from my parents the values of honesty and love for all people. Those values call me to look at today’s right-wing authoritarianism, and to find the hope that will lead us to something better.
Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.
In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.
The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.
I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.
'He captures better than anyone the collision of public and private, the intrusion of history into the skin, the pores of every individual alive' Guardian
'Though on the morning after the election disbelief prevailed, especially among the pollsters, by the next everybody seemed to understand everything...'
When celebrity aviator, Charles A. Lindbergh, wins the 1940 presidential election on the slogan of 'America First', fear invades every Jewish household. Not only has Lindbergh blamed the Jews for pushing America towards war with Germany, he has negotiated an 'understanding' with the Nazis promising peace between the two nations.
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
If you want to understand why everything you think you know about the Middle Ages is (probably) wrong, go pick up a copy of The Devil’s Historians, which chronicles how everyone from the Brothers Grimm and George R. R. Martin to ISIS and Donald Trump have invented a medieval past that reflects their own ideological preoccupations rather than historical reality. With chapters on nationalism, gender, race, and religion, Amy Kaufman and Paul Sturtevant’s book sharply contrasts the one-dimensional Middle Ages found in pop culture and political propaganda with the more complicated, even contradictory, medieval world revealed by contemporary scholarship.
Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.
When I was a child, I found myself suddenly fascinated by World War II after reading a Classics Illustrated comic that detailed the history of the war. I remember asking myself, “How could this happen? How could Hitler have exerted such control and power?” Years later, I found myself wanting to write a novel about the Holocaust, but I was shamed and awed by the work of those who had lived through it. Despite that, I kept reading about the war and learning its history. The Taster grew out of all the research I’d done over the years.
I have used this book as a reference for all my novels that deal with Nazi Germany. It is a thick, coffee-table-sized book, that, by chance, I found years ago on the “reduced” shelf in a local bookstore. The chronicle isn’t for the faint of heart. It explains the rise of National Socialism and the ensuing Holocaust in graphic words and pictures, and will leave its indelible imagery firmly entrenched in your memory. It takes you from the roots of the Holocaust to its disturbing aftermath, years after the war.
The Holocaust Chronicle, written and fact-checked by top scholars, recounts the long, complex, anguishing story of the most terrible crime of the 20th century.
The mission of The Holocaust Chronicle is to report the facts, clearly and free of bias or agenda.
The 3000-item timeline of Holocaust-related events is unprecedented in its scope and ambition and detailed caption-text is rich with facts and human interest.
Featured are more than 2000 photographs selected after intensive research in the collections of the United States Holocaust Memorial Museum in Washington, D.C. and Yad Vashem in Jerusalem, as well as other archives and private…
