I am a literary critic and novelist, now serving as a Dean at Drexel University. I’ve written several modernized spin-offs of Jane Austen’s novels and several, including a YA novel, dealing with Shakespeare. What Alice Knew is my only thriller/mystery—and it was a painstaking labor of love to write. (I also wrote a nonfiction book on Hitchcock.) I am a great fan of Rex Stout’s Nero Wolfe novels, and the idea for What Alice Knew grew out of my wanting to put the bedridden Alice James (a life-long invalid) in the position of Wolfe, with her brothers Henry and William serving as two versions of the legman, Archie Goodwin.
This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.
As Daniel Deronda opens, Gwendolen Harleth is poised at the roulette-table, prepared to throw away her family fortune. She is observed by Daniel Deronda, a young man groomed in the finest tradition of the English upper-classes. And while Gwendolen loses everything and becomes trapped in an oppressive marriage, Deronda's fortunes take a different turn. After a dramatic encounter with the young Jewish woman Mirah, he becomes involved in a search for her lost family and finds himself drawn into ever-deeper sympathies with Jewish aspirations and identity. 'I meant everything in the book to be related to everything else', wrote George…
I have more than 20 years of experience in the field of leadership development and assessment. I am a trained theologian and English/German linguist, and I hold a passion for the more fundamental questions concerning the human condition. In my business consulting practice, I invite clients to become better versions of themselves and to transform their organizations as well as societies by consciously adhering to doing the right thing.
I recommend Arendt’s book for its guidance in helping readers interpret signs of totalitarianism—a growing concern in today’s civil society. Arendt is a pivotal thinker and an inspiring source of first-hand experience when it comes to fascist regimes.
This is an absolute must-read if we hope to prevent fascism from emerging once again.
Hannah Arendt's definitive work on totalitarianism—an essential component of any study of twentieth-century political history.
The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses…
I was raised in Kansas, a conservative, Republican state. My parents were conservative Republicans. We went to a fundamentalist church, where the minister preached about Revelationand warned against the dangers of “humanism”. He said the Bible predicted an end time where God would violently destroy the evil world. I have grown away from such ideas, but I understand the cultural milieu out of which such Christian extremism comes. Fortunately, I also learned from my parents the values of honesty and love for all people. Those values call me to look at today’s right-wing authoritarianism, and to find the hope that will lead us to something better.
Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.
In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.
The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.
I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.
'He captures better than anyone the collision of public and private, the intrusion of history into the skin, the pores of every individual alive' Guardian
'Though on the morning after the election disbelief prevailed, especially among the pollsters, by the next everybody seemed to understand everything...'
When celebrity aviator, Charles A. Lindbergh, wins the 1940 presidential election on the slogan of 'America First', fear invades every Jewish household. Not only has Lindbergh blamed the Jews for pushing America towards war with Germany, he has negotiated an 'understanding' with the Nazis promising peace between the two nations.
I have been interested for years in the causes and dynamics of religious violence, since to work towards resolving conflicts involving religious faith, one needs to understand them as more than hair-splitting arguments between opposed schools of fanatics. The door to this project opened wide in Malta, where I spent six months teaching under a brilliant Catholic priest who was also a sociologist and an expert on Christian history. Father Joe steered me toward the books I needed to consult. More important, he understood that faith and reason should not be considered opposites, and that debating fundamental concepts is essential to the moral and spiritual health of a religious organization.
In Constantine’s Sword: The Church and the Jews, James Carroll, a former Catholic priest turned journalist and novelist, delivers a powerful indictment of the politicized religion that from the time of Constantine the Great persecuted heretics, non-Romans, and, most of all, Jews. Carroll’s historical account is colorful and accurate, but what this book mostly does is exorcise a demon that plagued the author personally for years: his shared responsibility as a Catholic believer and official for an anti-Semitic tradition that helped generate the Holocaust. This is a stirring job of writing that looks forward to Carroll’s later work as a novelist, including his lovely take on the story of Abelard and Heloise, The Cloister (Anchor, 2019).
A bold and moving book tracing the two-thousand-year course of the Church's battle against Judaism by National Book Award–winning author James Carroll.
More than a chronicle of religion, this dark history is the central tragedy of Western civilization. The Church’s failure to protest the Holocaust—the infamous “silence” of Pius XII—is only part of the story: the death camps, Carroll shows, are the culmination of a long, entrenched tradition of anti-Judaism. From Gospel accounts of the death of Jesus on the cross, to Constantine’s transformation of the cross into a sword, to the rise of blood libels, scapegoating, and modern anti-Semitism,…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
This book takes the lives of very ordinary Canadians and throws them into the maelstrom of war. I love that it carefully sets up a world few know about—Toronto in the 1930s—and shows the ambiguity of the times, how anti-Semitism was at home as well as across the water in Europe.
I so enjoyed the Romeo and Juliet love affair at the novel's heart, and I was moved by the trials love is subjected to—as well as shocked by excellent descriptions of war's brutality.
Inspired by a little-known chapter of World War II history, a young Protestant girl and her Jewish neighbour are caught up in the terrible wave of hate sweeping the globe on the eve of war in this powerful love story that’s perfect for fans of The Guernsey Literary and Potato Peel Pie Society.
If you’re reading this letter, that means I’m dead. I had obviously hoped to see you again, to explain in person, but fate had other plans.
1933
At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job…
When I am overwhelmed by awful
news about plagues, wars, ecological disasters, financial implosions, and the
rise of homegrown American fascism, I find it oddly comforting to learn about
earlier eras when everything was falling apart. That’s why – every few years – I
reread A Dream of Scipio.
The story takes place in a single
village in France, but at three different times when the End of the World was
nigh: the final days of the Roman Empire when the barbarians actually were at
the gate; the months of the medieval Black Death, when the whole world seemed
to be dying; and the years of the Nazi-occupation of France, when European
civilization was devolving into mechanized savagery.
This novel is about
finding a way to behave ethically in a time when doing so can get you killed.
Sometimes there is a price for being decent and kind and humane.…
In national bestseller The Dream of Scipio, acclaimed author Iain Pears intertwines three intellectual mysteries, three love stories, and three of the darkest moments in human history. United by a classical text called "The Dream of Scipio," three men struggle to find refuge for their hearts and minds from the madness that surrounds them in the final days of the Roman Empire, in the grim years of the Black Death, and in the direst hours of World War II. An ALA Booklist Editors' Choice.
Iain Pears's An Instance of the Fingerpost and The Portrait are also available from Riverhead Books.
A francophile and a researcher. I ran the research department of The Guardian newspaper for many years. I decided to write my book after it became apparent that there were no English language guidebooks devoted to the Lot alone (and not many in French either). I have been travelling all over France since I was a child in the 50s and discovered the Lot, en route to Spain, in about 1956. I have visited every year since. Pretty well all my interests in life are centred around my passion for this area, but extend beyond it -- history, ecclesiastical architecture, vernacular architecture of Quercy, gastronomy, cave art, the Resistance.
Plenty of Resistance activity in the Lot, certainly, but it was also the home of the vicious anti-semite Louis Darquier de Pellepoix, who rounded up many Jews to their deaths on behalf of the Vichy Government. Years later, Carmen Callil, founder of Virago, was seeking psychiatric help when she came across his
daughter Anne, a psychiatrist, who had been abandoned by her despicable parents.
It was Anne’s death by suicide that set Callil off on a stunning attempt to track the life of Darquier, a drunkard, a rapist, and a man of few if any redeeming features. He disgraced his family and native town, where his father was mayor of Cahors, capital of the Lot. He was sentenced to death but, protected by Franco, died a free man in Spain.
“Only lice were ever gassed at Auschwitz” was his mantra as he sent children off to the gas chambers.
This brilliant book tells the story of one of history s most despicable villains and conmen Louis Darquier de Pellepoix, Nazi collaborator and Commissioner for Jewish Affairs , who managed the Vichy government s dirty work, controlling its Jewish population. orn into an established, politically moderate family, Louis Darquier ( de Pellepoix was a later affectation) proceeded from modest beginnings to dissemble his way to power, continually reinventing himself in conformity with an obsession with racial purity and the latent anti-Semitism of the French Catholic Church. He was the ultimate chancer- always broke, always desperate for attention, social cachet, women…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
If you want to understand why everything you think you know about the Middle Ages is (probably) wrong, go pick up a copy of The Devil’s Historians, which chronicles how everyone from the Brothers Grimm and George R. R. Martin to ISIS and Donald Trump have invented a medieval past that reflects their own ideological preoccupations rather than historical reality. With chapters on nationalism, gender, race, and religion, Amy Kaufman and Paul Sturtevant’s book sharply contrasts the one-dimensional Middle Ages found in pop culture and political propaganda with the more complicated, even contradictory, medieval world revealed by contemporary scholarship.
Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.
My love of comics and characters goes back to when I was very young. I remember falling in love with Snoopy to the point that I would draw a snoopy head on my worksheets in first grade, and my teacher knew it was from me! Once I got older, and began exploring my Jewish heritage in a more mature way, I was astounded by how many deep and meaningful stories I kept encountering. It was my natural inclination to retell these stories in a comic book format. Part of my mission was to find like minded souls who had a love for comix and a love for Jewish stories.
This book was the first time I read a graphic novel with Jewish themes other than the Holocaust. As a comic book artist who was exploring my Jewish roots, it was eye-opening to read a tale with Jewish characters, especially because it deals with the legend of the Golem, a mystical being made of mud and brought to life through Hebrew incantations. Add to that great action scenes of 1920s baseball, and it makes for a great read.
Before penning his acclaimed graphic novel Market Day and founding the Center for Cartoon Studies, James Sturm proved his worth as a master cartoonist with the eloquent graphic novel, The Golem s Mighty Swing, one of the first breakout graphic novel hits of the 21st century. Sturm s fascination with the invisible America has been the crux of his comics work, exploring the rarely-told or oft-forgotten bits of history that define a country. By reuniting America s greatest pastime with its hidden history, the graphic novel tells the story of the Stars of David, a barnstorming Jewish baseball team of…
I started a serious study of world history in the early 2000s when the United States-led wave of globalization reshaped the world order. The topic of Russia in world history became especially important under the Vladimir Putin Presidency. Since the 2010s, Russia has made a concerted attempt to revitalize Soviet-era links with countries in Asia, Africa, and Latin America, many of which are former colonies of Europe. Putin's administration is promoting the geopolitics of a "New World Order," a paradigm they believe will challenge global Western dominance. If we are to craft a coherent Western response and a strong foreign policy, we must understand Russian outreach and relationships in the world.
I learned, to my great surprise, that instead of being isolated from the world Russian ideas, thinkers, artists, revolutionaries, and political movements changed the world in many ways.
I found interesting stories about Russian anarchists in Japan, Russian ballet dancers in France, Bolsheviks in Mexico, and antisemitic thinkers in Europe in this book. And I was completely engrossed by the movements of Russians and Russian ideas across the globe.
The result is a book that you cannot put down because it challenges everything that you thought you knew about Russia and Russian history. After reading the book, I felt more informed and better educated.
In this sweeping history, Steven Marks tells the fascinating story of how Russian figures, ideas, and movements changed our world in dramatic but often unattributed ways. On Europe's periphery, Russia was an early modernizing nation whose troubles stimulated intellectuals to develop radical and utopian alternatives to Western models of modernity. These provocative ideas gave rise to cultural and political innovations that were exported and adopted worldwide. Wherever there was discontent with modern existence or traditional societies were undergoing transformation, anti-Western sentiments arose. Many people perceived the Russian soul as the antithesis of the capitalist, imperialist West and turned to Russian…
