Fans pick 100 books like Bad Faith

An abiding theme within my own book is that love and friendship can supplant racial and cultural differences, and this book, set in a village in France during the 2nd World War, highlights a growing and reluctant friendship between an occupier and the occupied.

The hatred that invasion induces causes any fraternisation to be labelled ‘collaboration.’ Sometimes it is. Sometimes, it is just people caught out of context seeking comfort and normality.

It is easy for those whose countries have never been occupied to scoff at the behaviour of those who had to live in the atmosphere and the reality of a hostile invasion. Let’s hope we never have to find out firsthand.

Marc Bloch was a prominent French historian, who specialized in Medieval social history during the years between the two world wars of the twentieth century. He was a major figure in the formation of the “Annales School” which focused on the study of history with an emphasis on long-term developments in social history. Of Alsatian-Jewish background, he wrote the book Strange Defeat during the summer of 1940, following the rapid defeat and conquest of France by Nazi Germany. Bloch’s book was published in France after the war, in 1946, but he did not live to see it. He was able to maintain a professorial position at the University of Montpelier in southern France but, after joining the Resistance, was captured, tortured, and executed in 1944. In Strange Defeat, Bloch examined the long-term causes of the 1940 defeat, focusing on the failure of the French military leadership to adjust to… show more.

A funny and moving account of life in occupied Paris by two young sisters, one sensible and studious, the other fun-loving. Written in diary form by each sister in turn, hence the ‘four hands’. Some signs of touching up with hindsight before publication in 1962. There is an English translation, ‘Diary in duo’ (1965) but currently out of print.

First published in the 1980s, this is a classic in memory studies, tracing the evolution of public memory in France regarding the Vichy regime over a forty-year period. Rousso shows how the first narrative about “everyone resisted,” promoted by Charles de Gaulle, was gradually replaced by a more realistic version of the past, including recognition of Vichy’s collaboration with the Nazis in rounding up Jews and members of the Resistance.

Not called a classic for nothing, the book covers the rivers Dordogne, Lot, and Tarn. A pioneering travel writer, Freda White was aided in her research by a little Morris Minor, her Oxford history degree, her good French, her journalism, her erudition, and a curious mind. Anyone who wants to understand the Lot in all its many guises should start here. It is written in an evocative and accessible prose.

Louis Malle was one of the first film directors to demythologise de Gaulle’s spin that most of France was engaged in resistance to the Nazis. Lacombe Lucien was set in the Lot, Malle’s adoptive home, and he asked for the help of Modiano, Nobel Literary prize winner, to write the screenplay.

Lucien, too young to join the fierce if small Lot Resistance, dropped accidentally into the hands of the Gestapo instead, and through them met and fell for the cultured Jewish Parisienne, France Horn. A strange pairing of young people whose different lives had been interrupted by war, they fled both the Gestapo and the Resistance, hiding from a troubled world in the wilds of the causse, where Lucien, the peasant boy, was in his element. There they blissfully awaited the inevitable.

W.S. Merwin was an American Poet Laureate and ecologist manqué. Travelling around Europe after university, by the time he reached the Lot he was already something of a linguist and also a Buddhist. He settled into a simple life in a house near Loubressac, exploring the Causse de Gramat until he knew it intimately. He conversed with the shepherdesses in Occitan, the language of his beloved troubadours, exploring the ancient transhumance trails, the unique flora, fauna, and culture of the limestone causse. This is a poet’s book and he knew and understood the causse as few outsiders ever do. The Lost Upland is a book about the causse.

Sagan was born in the Lot at Cajarc and is buried there. She returned most summers to seek the peace and quiet of an area so different from the demi-monde of the mad, bad, and dangerous metropolitan life she was more used to inhabiting. She took her sustenance from riding across its stony wastes and introduced her famous friends to it too. Mitterrand and Pompidou were frequent visitors.

Her memoirs were published in two books. Avec mon meilleur souvenir was translated into English as With Fondest Regards and details many of her trips to America and meetings with Billie Holliday and Truman Capote. Her second memoir, Et toute ma sympathie, has not been translated but contains a few pages on the Lot. She doesn’t seem keen to share the place with many. But Sagan, author of fifty novels, starting with Bonjour tristesse when she was a teenager, was grounded… show more.

After reading Susan Lynn Meyer’s book I sought her out. I didn’t expect a response, I needed to tell her how much I appreciated her book and how I adored the bond she had with her characters. It felt like she was sharing a family story. She validated my theory. Her book is based on her family’s history. Gustave is a French Jewish boy living in Paris at the beginning of the book. He watches and documents the Nazi party taking over Europe. She shares precise small details…you feel connected to what’s going on in Gustave’s life. You understand his fears as they move to a “safer” part of France. 

Odette Meyers was a young Jewish girl living in Paris when the Nazis invaded. Her father joined the army and her mother joined the French resistance, so Odette was sent to live with a Catholic family in the countryside, where she would be safe. She had to pretend to be Catholic and keep her secrets locked away. After the war, Odette returned to her family and had to find a way to rediscover her true identity. Writing poetry helped her to adjust and she grew up to be a poet. Macdonald retells Odette’s story in evocative free verse, capturing the poetic voice of a young girl learning how to express her innermost thoughts and feelings during a tumultuous and dangerous time. The reader comes to love this little girl and admire her courage.