A francophile and a researcher. I ran the research department of The Guardian newspaper for many years. I decided to write my book after it became apparent that there were no English language guidebooks devoted to the Lot alone (and not many in French either). I have been travelling all over France since I was a child in the 50s and discovered the Lot, en route to Spain, in about 1956. I have visited every year since. Pretty well all my interests in life are centred around my passion for this area, but extend beyond it -- history, ecclesiastical architecture, vernacular architecture of Quercy, gastronomy, cave art, the Resistance.
I wrote...
Lot: Travels Through a Limestone Landscape in Southwest France
It’s a book about pretty much all the towns and villages in the Lot, but also about the causse, the wild limestone uplands that rise here and stretch southwards. It is a unique and special landscape, hot and arid in summer, concealing paleolithic cave art and supporting its own ecology and agriculture. It is slashed by dramatic river valleys, some of which flow underground. The views over to the Auvergne defy description. Pilgrims and troubadours wandered its tiny roads to Rocamadour and on to Compostela. English and French kings fought over its stony wastes and built their castles.
Lot tells of the people, the history and the legends that shaped the region, of the tragic events of World War II, when these wild uplands provided refuge for the Resistance, of the little round-apsed, round-arched Romanesque churches, of feast days and long-lasting friendships. It examines the Cahors wine industry and gives a taste of the countless culinary delights on offer, from causse-bred, herb-infused lamb and cabécou goat’s cheese in little round discs to succulent duck confit.
Not called a classic for nothing, the book covers the rivers Dordogne, Lot, and Tarn. A pioneering travel writer, Freda White was aided in her research by a little Morris Minor, her Oxford history degree, her good French, her journalism, her erudition, and a curious mind. Anyone who wants to understand the Lot in all its many guises should start here. It is written in an evocative and accessible prose.
Louis Malle was one of the first film directors to demythologise de Gaulle’s spin that most of France was engaged in resistance to the Nazis. Lacombe Lucien was set in the Lot, Malle’s adoptive home, and he asked for the help of Modiano, Nobel Literary prize winner, to write the screenplay.
Lucien, too young to join the fierce if small Lot Resistance, dropped accidentally into the hands of the Gestapo instead, and through them met and fell for the cultured Jewish Parisienne, France Horn. A strange pairing of young people whose different lives had been interrupted by war, they fled both the Gestapo and the Resistance, hiding from a troubled world in the wilds of the causse, where Lucien, the peasant boy, was in his element. There they blissfully awaited the inevitable.
Patrick Modiano and Louis Malle’s screenplay for the Oscar-nominated film tells a powerful story set in World War II France of a seventeen-year-old boy who allies himself with collaborators, only to fall in love with a Jewish girl
This early work by the Nobel Prize winner Patrick Modiano relates the story of Lucien Lacombe: a poor boy in Nazi-occupied France who, rebuffed in his efforts to enter the Resistance for a taste of war, becomes a member of a sordid, pathetic group of Fascist collaborators who join the Gestapo in preying upon their countrymen. Lucien encounters the Horns, a Jewish…
W.S. Merwin was an American Poet Laureate and ecologist manqué. Travelling around Europe after university, by the time he reached the Lot he was already something of a linguist and also a Buddhist. He settled into a simple life in a house near Loubressac, exploring the Causse de Gramat until he knew it intimately. He conversed with the shepherdesses in Occitan, the language of his beloved troubadours, exploring the ancient transhumance trails, the unique flora, fauna, and culture of the limestone causse. This is a poet’s book and he knew and understood the causse as few outsiders ever do. The Lost Upland is a book about the causse.
In The Lost Upland, W. S. Merwin vividly conveys his intimate knowledge of the people and the countryside in this ancient part of France (home of the Lascaux caves). In three narratives of small-town life, Merwin shows with matchless poetic and narrative power how the past is still palpably present.
On its original publication in 1992 Jane Kramer wrote, "These stories are a gift from one of the great poets of the English language, a chronicle of the heart-stopping seasons of one small corner of La France Profonde and of its stubborn and illusive characters. Merwin’s French peasants are a…
Plenty of Resistance activity in the Lot, certainly, but it was also the home of the vicious anti-semite Louis Darquier de Pellepoix, who rounded up many Jews to their deaths on behalf of the Vichy Government. Years later, Carmen Callil, founder of Virago, was seeking psychiatric help when she came across his
daughter Anne, a psychiatrist, who had been abandoned by her despicable parents.
It was Anne’s death by suicide that set Callil off on a stunning attempt to track the life of Darquier, a drunkard, a rapist, and a man of few if any redeeming features. He disgraced his family and native town, where his father was mayor of Cahors, capital of the Lot. He was sentenced to death but, protected by Franco, died a free man in Spain.
“Only lice were ever gassed at Auschwitz” was his mantra as he sent children off to the gas chambers.
This brilliant book tells the story of one of history s most despicable villains and conmen Louis Darquier de Pellepoix, Nazi collaborator and Commissioner for Jewish Affairs , who managed the Vichy government s dirty work, controlling its Jewish population. orn into an established, politically moderate family, Louis Darquier ( de Pellepoix was a later affectation) proceeded from modest beginnings to dissemble his way to power, continually reinventing himself in conformity with an obsession with racial purity and the latent anti-Semitism of the French Catholic Church. He was the ultimate chancer- always broke, always desperate for attention, social cachet, women…
Sagan was born in the Lot at Cajarc and is buried there. She returned most summers to seek the peace and quiet of an area so different from the demi-monde of the mad, bad, and dangerous metropolitan life she was more used to inhabiting. She took her sustenance from riding across its stony wastes and introduced her famous friends to it too. Mitterrand and Pompidou were frequent visitors.
Her memoirs were published in two books. Avec mon meilleur souvenir was translated into English as With Fondest Regards and details many of her trips to America and meetings with Billie Holliday and Truman Capote. Her second memoir, Et toute ma sympathie, has not been translated but contains a few pages on the Lot. She doesn’t seem keen to share the place with many. But Sagan, author of fifty novels, starting with Bonjour tristesse when she was a teenager, was grounded by the area and drew her strength from its authenticity.
“The causses....it’s the fantastic, reassuring impression that France is empty.”
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
