Here are 100 books that The Devil’s Historians fans have personally recommended if you like
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I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
This book trace the development of national identities in the early Middle Ages and beyond. In his careful reading of classical historians, their early medieval counterparts, and their modern interpreters, Geary challenges the traditional understanding of early medieval identity formation and its relations to the origins of modern European nations.
Geary demonstrates that the early Middle Ages were marked by a fluid and dynamic sense of identity and that rulers and policymakers deployed a plethora of strategies to create a sense of shared identity among their people. I particularly like Geary’s inference that the modern idea of the nation-state is, in fact, a nineteenth-century invention and any attempt to trace it back to the early Middle Ages is plain historical nonsense.
Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
When I first read this book as a graduate student, Kathleen Davis’s ability to draw unexpected connections—between political power and temporality, feudalism and imperialism, medieval and postcolonial studies—melted my brain (in a good way). It’s not easy to do justice to her complex argument in a few sentences, but basically she shows how early modern jurists deliberately relegated certain ideas (servility, absolutism, religiosity) both to Europe’s medieval past and the present of the nonwestern world in order to justify imperial expansion, colonial domination, and even chattel slavery. A dense critique of both medieval historiography and postcolonial theory, Periodization and Sovereignty isn’t a breezy read but it’s well worth the effort.
Despite all recent challenges to stage-oriented histories, the idea of a division between a "medieval" and a "modern" period has survived, even flourished, in academia. Periodization and Sovereignty demonstrates that this survival is no innocent affair. By examining periodization together with the two controversial categories of feudalism and secularization, Kathleen Davis exposes the relationship between the constitution of "the Middle Ages" and the history of sovereignty, slavery, and colonialism.
This book's groundbreaking investigation of feudal historiography finds that the historical formation of "feudalism" mediated the theorization of sovereignty and a social contract, even as it provided a rationale for colonialism…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
This book is very much a product of the George W. Bush years, when American adventurism in the Middle East, domestic surveillance programs, and the rise of Islamophobia seemed like the biggest problems facing America. While this makes the book feel a little dated in places, it remains one of the most fascinating case studies of the distortion of the Middle Ages for political purposes. Holsinger meticulously details how neoconservative thinkers repeatedly described Al Qaeda and the Taliban as “medieval” and “feudal” (even though their extremist ideology was a distinctly modern phenomenon) as well as how the neomedieval school of political theory was used to intellectually justify torture, extradition, and the War on Terror more broadly.
President Bush was roundly criticized for likening America's antiterrorism measures to a "crusade" in 2001. Far from just a gaffe, however, such medievalism has become a dominant paradigm for comprehending the identity and motivations of America's perceived enemy in the war on terror. Yet as Bruce Holsinger argues here, this cloying post-9/11 rhetoric has served to obscure the more intricate ideological machinations of neomedievalism, the global idiom of the non-state actor: non-governmental organizations, transnational corporate militias, and terrorist organizations such as al Qaeda. "Neomedievalism, Neoconservatism, and the War on Terror" addresses the role of neomedievalism in contemporary politics. While international-relations…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
I often use selections fromWhose Middle Ages? in my medieval history courses, but this collection of short, insightful essays is a great resource for anyone interested in understanding what leading scholars think about invocations of the medieval past in contemporary culture. Touching on a wide range of topics, from Viking imagery in heavy metal music and Celtic crosses on white supremacist websites to controversies over Sharia law and papal heresy in the popular press, this volume serves as an ideal introduction to the use and abuse of the Middle Ages.
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is the most important book people have never heard of. It was immensely popular in the Middle Ages – 300 manuscripts survive in nine languages (Beowulf, another monster tale, survives in onecopy). The probably-fictional “John Mandeville, knight, though I am not worthy” sets out from England in 1332, travels the known world on pilgrimage to Jerusalem, and continues all the way to India. He encounters wondrous places, people, and beasts. The book is fundamentally flawed, with rampant racism, anti-Semitism, Islamophobia, sexism, and on, butthis is why it matters. Mandeville was Columbus’s reading on his voyage to “the Indies,” and encouraged him to see indigenous populations as monstrous. It is terrible, and terribly important. Bale’s excellent introduction and translation are the best of many versions.
'Another island in the Great Ocean has many sinful and malevolent women, who have precious gems in their eyes.'
In his Book of Marvels and Travels, Sir John Mandeville describes a journey from Europe to Jerusalem and on into Asia, and the many wonderful and monstrous peoples and practices in the East. He tells us about the Sultan in Cairo, the Great Khan in China, and the mythical Christian prince Prester John. There are giants and pygmies, cannibals and Amazons, headless humans and people with a single foot so huge it can shield them from the sun . Forceful and…
A boyhood fascination with knights and castles, plus the inevitable influence of Tolkien’s world, drew me into medieval history, especially its warring side. An MA and a PhD in medieval warfare consolidated my enthusiasm, with my first three books being on that topic (what I call my Blood and Guts trilogy). I remain fascinated by the all-encompassing influence of medieval warfare on society and its unforgiving impact on warriors and non-combatants alike. Writing, lecturing, and public talks on these have led me into other interesting fields, including two TV documentaries.
This book was my “bible” during my days as an MA student of medieval warfare. Contamine convinced me that medieval warfare was truly at the heart of medieval society and thus deserving of dedicated study and research. While densely packed with facts and figures that can be daunting in their quantity, it is full of fascinating revelations, such as the bugler on the battlefield who died from over-exertion!
Covering the ten centuries following the fall of Rome, War in the Middle Ages engages all aspects of its subject, including the military customs and conditions of the various Western European states; armor and weaponry recruitment; and rules of combat developed to limit bloodshed. Philippe Contamine writes with an awareness that, in both theory and fact, medieval warfare was constantly evolving. He opens with a chapter on Roman military disintegration and the practice of warfare in the barbarian kingdoms erected on the empirea s ruins. He then shows how feudalization multiplied conflicts, and describes the resulting growth of the "great…
My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.
This book is about the early modern cooking revolution. Basing her investigation on a ground-breaking recipe book from 1651, Peterson examines the fundamental shift in European food tastes from the medieval preference for fragrant, heavily spiced dishes that combined sweet and savoury to the salt-acid followed by sweet that forms the basis of modern European cookery. This book was not written for an academic audience, so although it is well-informed it is not a demanding read for non-experts. The book contains a few recipes that are worth trying, and as a whole it’s a colourful and compelling story.
In 1651 in Paris, the unknown cook, Francois Pierre de la Varenne published "Le Cuisinier Francois", and changed the course of culinary history. This book aims to reconstruct the seventeenth-century revolution in French cooking that explains why we eat as we do. It reveals how Varenne turned out to be the father of modern cuisine.
I've been fascinated by medieval history ever since I played hide and seek around Welsh castles as a boy. At university – a medieval invention, of course – I was able to sit at the feet of some of the finest historians of the Middle Ages, experts like Maurice Keen and Patrick Wormald. As a writer, I have tackled medieval subjects like Alfred the Great and Richard III, as well as the history of English rebellion. I have come to realise that the Middle Ages could be cruel and violent, just like our own time, but that they were also a time of extraordinary achievements that form the foundations of the world we live in.
One of the great thrills of researching medieval history is getting the chance to handle original documents up close, as I have had the good fortune to do a few times. Christophe de Hamel is a palaeographer, a manuscripts expert who has travelled the world to examine some of the most precious handwritten works that still survive. As his title hints, De Hamel treats these artefacts as personalities, and his no-nonsense decipherment of priceless treasures is like listening in on a wise and witty conversation.
An extraordinary and beautifully illustrated exploration of the medieval world through twelve manuscripts, from one of the world's leading experts.
Winner of The Wolfson History Prize and The Duff Cooper Prize.
A San Francisco Chronicle Holiday Book Gift Guide Pick!
Meetings with Remarkable Manuscripts is a captivating examination of twelve illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the reader into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and about the modern world, too.
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because it’s a medieval detective story set in 1327 in Italy. I learned a lot about the intrigue and corruption of religious life in the medieval period and how closed and isolated communities could lose their way with murderous consequences.
It’s a fascinating insight into the world of a monk’s life in 14th-century Italy, packed full of the atmosphere of religious life inside the abbey. It is a dark and gothic tale of corruption, murder, and power-grabbing at all costs.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.
Constance Hieatt, who died in 2011 before this book came out, was probably the most important historian of medieval English food and cookery. She discovered many recipes in manuscripts that would otherwise have gone unnoticed and edited and commented on a huge body of evidence for English medieval cookery. This book is the culmination of a career’s worth of identifying recipes and reconstructing them for modern readers. Its value lies in providing answers to practical questions about medieval cookery with examples and references from the sources. Professor Hieatt was particularly interested in making medieval recipes available for modern cooks, and this is probably the best guide.
• An epitomy of all surviving English medieval recipes • The great advantage for students of medieval English cookery is that there is an identifiable corpus of evidence in the manuscripts that have survived to the present day. Although there may be some new discoveries, in general terms the corpus is relatively stable. The beauty of this book is that it addresses the corpus as a whole and abstracts from it paradigm recipes for every medieval dish that we know about. The book is organised by category of dish (Pottage; Meat Dishes; Poultry and Game Birds; Fish; Eggs and Dairy…
