Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
There is great beauty to the concrete and close-space urban worlds generated by Edward P. Jones. We descend with him into an ever more compassionate world in which people love and hate one another, seek one another, find one another, and bring about uncommon transcendence of heart, mind, and spirit. An artist whose books never fail to forward the depths of American literary gravity, he is a wonder to read and his art a joy to behold. Lost in the City, his first book of short stories, garnered the PEN/Hemingway award. His second book, The Known World, was granted the Pulitzer Prize. The words of social philosopher bell hooks provide the same grounding found in reading Jones’ beautiful powerful stories, it’s “all about love.”
“Original and arresting….[Jones’s] stories will touch chords of empathy and recognition in all readers.” —Washington Post
“These 14 stories of African-American life…affirm humanity as only good literature can.” —Los Angeles Times
A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the book that first brought author Edward P. Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who…
I grew up in part in Chile, and when the Pinochet dictatorship started killing and torturing people, I wanted to do something about it. Years later, as a professor of international law, I helped countries figure out what to do after mass atrocities. Seeing how trials in other countries – or in international criminal courts – could break through barriers and make it possible to bring those who killed, tortured, or disappeared thousands of people to justice gave me hope. I wanted to tell the stories of the brave people who overcame the odds to do justice, in a readable and exciting way that also explained the legal and political issues involved.
The grandmama of human rights-related trial accounts, and for good reason. Arendt covered the trial of Nazi official Adolf Eichmann in Jerusalem in the 1960s. Eichmann had been living in Argentina, and was kidnapped and taken to Israel, where he was tried and condemned for his role in the Holocaust. Arendt raises profound questions about the value of trials in the face of overwhelming evil, about how trials structure narratives, and about memory. Still issues we grapple with today.
'A profound and documented analysis ... Bound to stir our minds and trouble our consciences' Chicago Tribune
Hannah Arendt's authoritative and stunning report on the trial of German Nazi SS leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt's postscript commenting on the controversy that arose over her book. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative - a meticulous and unflinching look at one…
I love travelogues and wrote a dual POV travel memoir with my husband. Travel writing allows us to see the world through others’ eyes, and my favorites are by those who used travel as a way to escape or heal. I’m more invested when I know this person not just wants, but needsthis journey. I understand this feeling. I empathize with them, I root for them, and I am happy for them when they reach their destination. I adoreEat, Pray, Loveand Wild, and want to recommend five other memoirs that have stayed with me as examples of brave people who left home behind in search of something better.
Guy left his demons in England and set out on a pilgrimage. After mental health issues and a year of being afraid to leave his home, Guy re-entered the world by trekking through 10 countries in 10 months, hoping the journey would heal him. He traveled down ancient paths through changing landscapes, and the charity of everyday strangers kept him and his hope alive.
He finally arrived in Jerusalem, and though neither his physical nor emotional journey ended in the climax he’d hoped, he’d gained understanding. I’ve experienced the clarity that can come with putting physical distance between you and your issues, and though they say not to run away from your problems, sometimes a really long walk can actually help.
Winner - Edward Stanford Travel Memoir of the Year 2019. Shortlisted - Rathbones Folio Prize, Royal Society of Literature Ondaatje Prize, and Somerset Maugham Award 2019.
'An extraordinary travelogue, strange and brilliant' - i
In 2013 Guy Stagg walked from Canterbury to Jerusalem. Though a non-believer, he began the pilgrimage after suffering several years of mental illness, hoping the ritual would heal him. For ten months he hiked alone on ancient paths, crossing ten countries and more than 5,500 kilometres. Travelling without support, he had to rely each night on the charity of strangers.
I’ve always been fascinated by science fiction and by Biblical Scripture. That may seem dichotomous to some, but not to me. I have a passion for science and for Scripture because both bring understanding about our world from the microcosm to the macrocosm. My writings are a mixture of science and mystery with a science fiction feel and a Christian perspective. I like stories that show how truth arises even from the dark, confusing, and ambiguity of life to help one discover something about God they may not have considered before, and at the same time enjoy a fun, fast-paced, and exciting journey as they read.
This novel has an interesting reveal on first-century history. Two people, one on purpose, one accidentally, leave the present age to be teleported back to first-century Jerusalem and cannot find a way to get back to their modern times. Much of the New Testament history is told up close and personal where the author makes you feel like an integral part of this time of history. I was enthralled and surprised by how words affected all my senses to such a degree. I found the storyline engrossing and made me feel as if I was there.
Exploring what is hidden beneath our feet has been a long-time obsession of mine, a passion has taken me into subterranean Syrian tombs, Kurdish caves, Thai grave pits, and buried Assyrian palaces. Since I break things, I let others do the digging and I do the writing. I'm particularly drawn to places that can help explain why humans became the urban species we are today. What did they believe, think, eat, drink, and dream about? And I'll take a dusty and nearly vanished mudbrick Sumerian sanctuary in a remote Iraqi desert to a crowded Egyptian stone temple any day.
There are many sweeping histories of Jerusalem, but this book tells the intimate stories of people and places that often get short shrift.
Teller takes us into the Arab as well as Jewish worlds of the Old City, and he serves as a gentle guide in the passionate and fraught politics of a city that, as he writes, “wears its history like a teenager wears a school uniform – joyless.”
'Original and illuminating ... what a good book this is' Jonathan Dimbleby
'A love letter to the people of the Old City' Jerusalem Post
In Jerusalem, what you see and what is true are two different things. Maps divide the walled Old City into four quarters, yet that division doesn't reflect the reality of mixed and diverse neighbourhoods. Beyond the crush and frenzy of its major religious sites, much of the Old City remains little known to visitors, its people overlooked and their stories untold. Nine Quarters of Jerusalem lets the communities of the Old City speak for themselves. Ranging…
I’ve always loved reading (and writing) books where the theme is ‘something wicked this way comes.’ Maybe it’s something supernatural. Maybe the mistakes of your past are coming back to bite you. Maybe it’s just you on your own against powerful, bad people and seemingly overwhelming odds. You’re not being paranoid... they really are out to get you. It’s a fight to the death... and you can’t rule out that it won’t be yours! I love the immersive fear that these books generate. Every book should have mystery and a sense of menace (maybe not ‘self-help’ books). Here are my five best ‘something is out to get you’ stories.
Don’t read on your own, late at night, in a darkened room, and definitely not while listening to opera. Your own demons, your past fears, your anguish, your needs... you see what you think you see, what you want to see, but be careful what you wish for.
This is a supremely chilling short story. For me, a lot of supernatural tales don’t have dramatically satisfying endings, but this one delivers a proper punch. Everything about the setup, the unfolding of the plot (a couple is in Venice, trying to get over the death of their daughter) and the resolution is a masterpiece of storytelling. Could John, our protagonist, have changed the outcome? Or was it all predestined? I’m shivering at the thought...
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
I never imagined becoming completely absorbed by a quasi-philosophical meditation about survival—especially not by a self-styled Spanish intellectual and Communist with a capital "C." I became entranced, however, by Jorge Semprun’s inner struggle to find the words to convey his experiences in the Buchenwald concentration camp.
Of course, he does find the words—powerful, incisive, kinetic – though it took him 50+ years to do so. Why so long? Because, he writes, had he tried to turn his trauma into “literature” earlier, he might well have committed suicide. Instead, he chose life - and went on to co-author Z, the 1970 double-Oscar-winning film, and serve as Minister of Culture in post-Franco Spain.
Jorge Semprun was twenty years old - already an accomplished philosopher and poet - when arrested by Nazis for activites in the French Resistance. He was sent to Buchenwald concentration camp. Literature or Life, a bestseller in France, is a deeply personal account not only of Semprun's time at Buchenwald, but also of the years before and after, of his painful attempts to write this book...created out of obsessions that returned him again and again like themes in a nightmarish rhapsody.His long reverie on life-as-death, now translated with the mesmerizing power of fiction. It is a profound contribution to Holocaust…
I’ve always loved challenging books. They work your brain and confront your ideas. They’re written in a foreign tongue that somehow or other we understand. In my 2019 PhD, I examined how W. G. Sebald used nostalgia and the uncanny in his four great prose fictions. My own The Hands of Pianists is greatly influenced by Sebaldian techniques. It received a rave review from arguably Australia’s best literary critic and was among five novels shortlisted for the 2022 Australian Prime Minister’s Literary Awards. Five of my short stories have been longlisted and shortlisted in recent UK competitions. Last Meal won the UK’s 2020 Fiction Factory prize.
What makes a great novel? One that will be read forever? Top critics and commentators such as Harold Bloom and Nicholas Royle say the greatest fiction is written in a foreign language that somehow or other we understand. It is strange, unusual, uncanny, yet tells us profound truths about the human condition. The Rings of Saturn did even more for me; I thought it was miraculous. On the face of it, the narrator simply hikes through East Anglia. But he blends reportage, history, philosophy, mental ruminations, and much else in a melancholic commentary on life. Even translated from German, Sebald’s writing is mesmeric. Rings is a text that shapes your thinking in new ways. Sebald and his four peculiar ‘prose fictions’ would surely have won a Nobel prize had he not died in a car accident in 2001.
The Rings of Saturn-with its curious archive of photographs-records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald's The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an…
I’m a historian of China and Japan whose work has hewed close to the cultural interactions between Chinese and Japanese over recent centuries. I’m now working on the history of the Esperanto movement in China and Japan from the first years of the twentieth century through the early 1930s. The topic brings together my interests in Sino-Japanese historical relations, linguistic scholarship, and Jewish history (the creator of Esperanto was a Polish-Jewish eye doctor). Over the last couple of decades, I have become increasingly interested in Jewish history. I think by now I know what counts as good history, but I’m still an amateur in Jewish history. Nonetheless, these books all struck me as extraordinary.
I have been for years intrigued by the character of Nachman Krochmal, the Jewish Hegelian scholar of the eighteenth century who wrote in Hebrew, but I was never able to find a coherent analysis of the man, his works, and his times that made satisfying sense—until I read Harris’s study.
"A well-organized and engaging read."
Religious Studies Review
The first in-depth look at...an important nineteenth century Jewish thinker and historian. Well-written [and] well- researched."
The Jerusalem Post Magazine
"A significant contribution to our understanding of the rise of modern Judaism in its East European manifestation."
Choice
Harris examines Nachman Krochmal's work, particularly as it aimed to guide Jews through the modern revolution in metaphysical and historical thinking, thus enabling them to commit themselves to Judaism without sacrificing intellectual integrity.
Do you ever wonder if you belong in this world? Since I was a kid, I’ve felt more at home in my imagination than with external events and people. When I first read Franz Kafka’s The Metamorphosis, I felt like he spoke my language. He gave me permission to voice intuitive perceptions and deeply personal views through fiction. As time progressed, the works of Gabriel Garcia Marquez, Jorge Borges, Lois Lowry, Toni Morrison, Angela Carter, and Adolfo Bioy Casares inspired me to further explore multi-layered realities through novels and screenwriting.
This book is brimming with themes that are super meaningful to me—love, loss, healing, the nature of reality, time travel, spirituality, faith, and redemption. He does this through language that waxes poetic in a formal, archaic voice, dropping into and out of time, occasionally lapsing into a hilarious, modern tone. Laurus, the protagonist, reminds me of myself, a holy fool, who believes in the healing power of mercy and compassion. As well, he keeps one foot in this world and the other in a mystical realm to which he longs to return.
WINNER OF THE BIG BOOK AWARD, THE LEO TOLSTOY YASNAYA POLYANA AWARD & THE READ RUSSIA AWARD
*A NEW STATESMAN BOOK OF THE YEAR 2016*
Fifteenth-century Russia
It is a time of plague and pestilence, and a young healer, skilled in the art of herbs and remedies, finds himself overcome with grief and guilt when he fails to save the one he holds closest to his heart. Leaving behind his village, his possessions and his name, he sets out on a quest for redemption, penniless and alone. But this is no ordinary journey: wandering across plague-ridden Europe, offering his healing…
