The most recommended books about Muslims

Like many parents of kids and tweens, I sometimes forget that my kids weren’t alive yet on 9/11, nor do they understand the ripple effects of the terrorist attacks and surrounding time on our current political and social world. My husband and I had just moved to New York City on September 11, 2021, and witnessed the city’s grief and resilience firsthand, but it’s hard to explain to our kids the effects that that event had on how some people treat and regard American Muslims and people of color, and how history still very much affects us all today. This book is a wonderful way to start that conversation with kids.

It is impossible to grasp the hold that Jerusalem has on billions of people on the planet—Jewish, Christian, or Muslim—without understanding what Armstrong, a religious scholar but a popular writer, calls its sacred geography.

This is a great one-stop shop to appreciate the religious pull that the Holy City has had on so many for so many generations—and how that pull has launched bloody wars as well as dramatic innovations of faith.

There are many remedies for racism, including education, transmission, and prevention. So as not to limit myself to the human and social sciences, I suggest this children's novel by Ayaan Mohamud. It's an embodied account, a fictionalized testimony that we discover by following Hanan, the main character, who attends a prestigious school where she is subjected to a very routine form of Islamophobic ostracism.

She follows her mother's advice to stay the course and not overreact for a while. But after a tragedy, this position is no longer tenable and she makes her voice heard, in other words, she takes her place as a visible Muslim in American society in a different way.

This novel will delight young and old alike and is a good complement to the more scientific works cited in this list of recommendations. It was originally written for my children, so they wouldn't shut up.

Like most specialists in Islamophobia, I thought it was mainly a phenomenon that unfolded where Muslims were in the minority. So, for a long time, I ignored racism in Muslim-majority countries.

The book by Enes Bayraklı and Farid Hafez has had the merit of bringing together some astonishing contemporary studies. Many of these texts recall that the societies in question were colonial strongholds that bequeathed patterns of thought, forms of interiorization, and even “self-orientalization” that continue to irrigate representations, social practices, and sometimes public policies. Further reading!

This book has always hit the trifecta for me—interesting, moving, and funny. A story about London immigrant families in the ‘80s and ‘90s, it shows a lesser-known side of society and certainly is the raunchiest book in my list—there’s a lot of sex among its confused screw-ups.

I admit my mind was opened, and my sympathies widened by this book, and after re-reading, I can appreciate it as a masterpiece of comic chaos. I wouldn’t want to be these characters—how many books begin with a failed suicide attempt?—but I’m glad they let me into their lives.

Segall’s book introduced me to so many incredible Muslim women that I hadn’t even heard of!

We’re talking about grassroots and famous protestors that engage with digital media to change the landscape of protest. Segall positions these women in positions of power, which we rarely see in literature, and lets them tell us why their stories matter. 

This book was a milestone in the study of tsarist Russia as a multiethnic and multireligious empire, especially its large Muslim population.

By the 2000s, we had become used to thinking that the Russian Empire had suppressed or ignored its religious minorities who, in turn, had avoided state institutions as much as possible. Crews’ book shattered that idea.

Exploring court cases and other disputes across time and space, he boldly argued that Muslims turned to the state as protector of their faith and that Islam became a pillar of Russian imperial policy. Many scholars have attacked his argument since then, partly for good reasons.

And yet, his contribution has proven to be more important and long-lived than those of most of his critics. On top, it’s a wonderful read. 

A lot has been written about the origins of the sectarian Sunni-Shi’ite divide. Most writings by Muslims are written from a polemical perspective preoccupied with defending an established sectarian position and refuting counter sectarian narratives. Western scholarly writings rarely delve into the question of the origins of this rift in sufficient detail. Wilfred Madelung’s book provides a painstakingly dispassionate and thorough narrative of the events and disputes surrounding the succession to Prophet Muhammad and the reign of the four “Rightly-Guided Caliphs” (al-Khulafa’ al-Rashidun) which mark the beginnings of the Sunni-Shi’ite rift. Madelung deploys his immensely impressive knowledge of the sources, including classical Arabic chronicles and poetry, as well as Western sources in various languages (English, German, French, and Italian). Madelung’s is a remarkable work of fine and rigorous scholarship.

This is the go-to history of Jerusalem, an easy read that makes the city’s vast past digestible. It won’t leave you feeling overwhelmed with dates and names.

This is a fine effort to tell a complicated story in a single volume, with the caveat that it lends more weight to the Jewish and Christian points of view, and less to Arab and Muslim perspectives. 

Jamilah Thomkins-Bigelow has threaded a beautiful story around Abdul and his love of telling stories but finds it challenging to transition them into written form.

Abdul describes not seeing himself or his community in the books read in the curriculum at school, which amplifies the doubt in his voice and stories being worth of being in a book. One day a class has a visitor, a writer, who Abdul is able to see himself in. While Abdul continues to struggle with self-doubt in his writing abilities, the visitor allows him to break free from the limitations planted and amplified within himself.

In collaboration with Tiffany Rose's illustrations, Jamilah weaves a beautiful reminder for all Black children who have ever had a doubt— that their stories have and will always matter.