Here are 100 books that Exotic Nation fans have personally recommended if you like
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I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
Here’s another true story written as a novel, this time an autobiography, which I love. Again, the locations are fantastic, it’s something of a travelogue, and there’s a strong element of cross-cultural fluidity.
The hero of the book is a Muslim exile from Granada who was brought up in Fez and became an itinerant merchant, journeying through the Sahara and what is now Sudan before settling in Cairo. On his way back to Fez, he was captured by pirates, sent to Rome, converted to Christianity, became a translator and researcher for the Pope, and wrote a description of Africa. Oh, and then he goes back to North Africa and converts back to Islam.
From his chlidhood in Fez, having fled the Christian Inquisition, through his many journeys to the East as an itinerant merhcant, Hasans story is a quixotic catalogue of pirates, slave girls and princesses, encompassing the complexities of a world in a state of religious flux. Hasan too is touched by the instability of the era, performing his hadj to Mecca, then converting to Christianity, only to relapse back to the Muslim faith later in life. In re-creating his extraordinary experiences, Amin Maalouf sketches an irrisistible portrait of the Mediterranea world as it was nearly five centuries ago - the fall…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
This is Andalusia at its most picturesque, with its castles and craggy mountains and a story with all the colour and brio of a medieval costume drama. It’s actually seriously researched history but written in the style of a romantic novel.
It was written in the mid-nineteenth century out of a fascination, which I share, for the story of the demise of the last Muslim kingdom in medieval Iberia. It’s full of heroic deeds, foolhardy escapades, chivalric episodes, and emotional scenes, all based on documentary evidence.
But what I especially like is the ironic stance the author achieves on the bigotry and intolerance characteristic of the victors in the conflict through the conceit of pretending his tale is written by a Spanish monk. It made me think about how history is written, who writes it, and how often we take for granted narratives that first emerged from political propaganda.
Washington Irving (April 3, 1783 - November 28, 1859) was an American author of the early 19th century. Best known for his short stories The Legend of Sleepy Hollow and Rip van Winkle (both of which appear in his book The Sketch Book of Geoffrey Crayon), he was also a prolific essayist, biographer and historian. Irving and James Fenimore Cooper were the first American writers to earn acclaim in Europe, and Irving is said to have encouraged authors such as Nathaniel Hawthorne, Henry Wadsworth Longfellow, and Edgar Allan Poe. Irving was also the U.S. minister to Spain 1842-1846.
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
It’s an academic take on the story of Leo the African, novelised by Amin Maalouf, and it brings out his complex identity and the richness of interconnected Mediterranean cultures in a way that is totally relevant to today.
It really made me think about the limitations of what we call national or religious identity and the almost infinite ability of human beings to adapt, chameleon-like, to different circumstances and cultures.
Al-Hasan al-Wazzan - born in Granada to a Muslim family that in 1492 went to Morocco - became famous as the great Renaissance writer Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the Pope; when he was released and baptized, he lived a European life of scholarship as the Christian writer Giovanni Leone; by 1527, it is likely that he returned to North Africa and to the language, culture, and faith in which he had been raised. Natalie Zemon…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
What struck me about this book is the idea that while we can talk about ‘Judeo-Christian culture’ and we understand all the different manifestations of Christianity as essentially the same thing, even after centuries of bitter conflict, the idea of an Islamo-Christian civilisation is discordant to our thinking.
The author asks why and provides a wealth of evidence that calls for a fundamental restructuring of Western thinking about relations with Islam.
It’s provocative stuff but a necessary correction to the ‘clash of civilisations’ view of history. It certainly made me think again.
Conventional wisdom maintains that the differences between Islam and Christianity are irreconcilable. Pre-eminent Middle East scholar Richard W. Bulliet disagrees, and in this fresh, provocative book he looks beneath the rhetoric of hatred and misunderstanding to challenge prevailing-and misleading-views of Islamic history and a "clash of civilizations." These sibling societies begin at the same time, go through the same developmental stages, and confront the same internal challenges. Yet as Christianity grows rich and powerful and less central to everyday life, Islam finds success around the globe but falls behind in wealth and power. Modernization in the nineteenth century brings in…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
These three women give us Al-Andalus in depth. They are scholars of prodigious learning. This book shows their gift for clear explanation and offers a rich selection of color illustrations that are not collected so cogently together in any other books about the period. It is a major achievement and a joy to read; indispensable for anyone who wants to understand the history of Spain.
A dynamic vision of medieval Castilian culture and the Arabic, Hebrew, and Latin strands that are woven into its fabric
Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
If there’s only one that I could recommend, it’s this brilliant, beautiful, and vexing book by María Rosa Menocal, Sterling Professor at Yale University. In a compelling and artful manner, Menocal tells the story of medieval Spain from the arrival of the first Umayyad rulers to Cervantes. Beyond being a useful introduction to the fascinating history, Menocal makes the argument that a culture of tolerance existed in medieval Spain, one that transcended religious and ethnic differences. The principal engine of this culture, she suggests, was the Arabic language. Menocal’s book has received as much praise as criticism, a testament to its enduring power and the contentious quality of medieval Spain.
A rich and thriving culture where literature, science and religious tolerance flourished for 700 years is the subject of this enthralling history of medieval Spain.
Living side by side in the Andalusian kingdoms, the 'peoples of the book' produced statesmen, poets and philosophers who influenced the rest of Europe in dramatic ways, giving it the first translations of Plato and Aristotle, love songs and secular poetry plus remarkable feats of architecture and technology. This evocative account explores the lost history whose legacy and lessons have a powerful resonance in today's world.
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
Incomparable. In the long effort by scholars to establish the facts about the brilliant period of Al-Andalus—711-1492—this book is a breakthrough and a marvel. Salma Khadra Jayyusi assembled the leading scholars in the field on a whole host of subjects, and the two volumes have everything from meditations on broad historical themes to detailed accounts of book-making, ceramics, and techniques of dyeing and weaving silk. No serious reader of the history of Spain should have to live without these two extraordinary volumes.
I was born in London, but growing up in a Polish family ensured that I was well aware of the history of the Teutonic Order. As a post-doctoral researcher in Cambridge, I was fortunate enough to gain access to archaeological material from the magnificent castle at Malbork in north Poland, the Order’s medieval headquarters. That moment really spurred my interest in the Northern Crusades, after which I spent a decade working across the eastern Baltic. I’ve also had the opportunity to excavate medieval frontier sites at both ends of the Mediterranean. As an archaeologist, I always found the lived experiences of these societies far more interesting than the traditional military histories written about them.
When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.
This analysis of early Spanish history draws on a wide range of sources, archaeological as well as written. Thomas F. Glick explores the history of Spain from the Roman province, through the Visigothic and Arab Conquests, to the Christian Reconquest and reorganization of society in the 13th century. The author argues that three key transitions took place in culture and landscape: the development of castles which marked the move from the Spanish "dark" to "middle" age, the transition to feudalism, and finally the transition from Islamic to Christian Spain as a result of the Reconquest. He shows how these transitions…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
Among the wonders of medieval Spain is the appearance of the first Hebrew secular poetry since Biblical times. In this masterful and unparalleled set of translations by Peter Cole, we witness the profound, pious, chauvinistic, and indeed, sensual traditions of secular poetry over centuries. A fusion of Arabic and Hebrew traditions, in and of themselves, these poems stand as a metaphor for the Jewish community itself as well as its dynamism and endurance under Muslim and then, Christian rule.
Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including…
A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
With intellectual life almost completely closed down and censored by the Franco regime, the shaping of Spanish cultural life was led by its guardians in exile. From an exterior focus Kamen’s light is shone back on the brilliance and resilience of Spanish intellectual life.
A provocative, brilliant, and groundbreaking historical reconsideration of the roots of Spanish culture.
We all carry in our heads a seductive picture of what Spain stands for: its music, painting, buildings, and history. But much of what we think of as Spanish culture is, in fact, the invention of a very specific group: the Spanish in exile.
Historian Henry Kamen creates a vivid portrait of a dysfunctional, violent country that, since the destruction of the last Muslim territories in Granada in 1492, has expelled wave after wave of its citizens in a brutal attempt to create religious and social conformity.…
