Here are 100 books that Leo the African fans have personally recommended if you like
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I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.
That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out.
Framed as a letter from the Roman Emperor Hadrian to his successor, Marcus Aurelius, Marguerite Yourcenar's Memoirs of Hadrian is translated from the French by Grace Frick with an introduction by Paul Bailey in Penguin Modern Classics.
In her magnificent novel, Marguerite Yourcenor recreates the life and death of one of the great rulers of the ancient world. The Emperor Hadrian, aware his demise is imminent, writes a long valedictory letter to Marcus Aurelius, his future successor. The Emperor meditates on his past, describing his accession, military triumphs, love of poetry and music, and the philosophy that informed his powerful…
I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
The short reign of Julian the Apostate is one of the “what ifs” of history. Raised as a Christian, Julian was a secret pagan. When he unexpectedly became emperor, he reversed the privileges of the Church and promoted his own Neo-Platonist cult, intending to restore paganism. Even though we know how things really turned out, it is fascinating to speculate about what might have happened if he had succeeded.
Gore Vidal has filled this novel with war, politics, sex, religion, heresy, and philosophy. I have tried to follow his example (though I have been more sympathetic to eunuchs than he was).
Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.
I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
Boldly venturing into territory already claimed by Robert Graves, Allan Massie gives us the life of Augustus, the first Roman emperor. Full of authentic detail, both witty and serious, bawdy and censorious, this book makes ancient Rome thoroughly believable to modern readers. Augustus vividly describes his ruthless rise to power following the assassination of Julius Caesar, and reflects on his life and achievements, justifying his schemes, deceptions and crimes. Would we have done the same in his place? Maybe, if civilization depended on it.
I particularly like the two Prefaces, in which author, citing fake scholars and non-existent institutions, persuades us that this work of fiction has been translated from an ancient manuscript found in a monastery. I have used the same trick myself.
Augustus was the founder of the Roman Empire, adopted son of Julius Caesar, friend and later foe of Mark Antony, patron of Horace and Virgil. Frank and forceful, this putative autobiography tells his story from the assassination of Caesar, through his military, political and personal struggles to his final days as Emperor in everything but name.
I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
A surreal picaresque, apparently narrated by the ghost of Columbus, who knows exactly how posterity has treated him and sets out to tell the ‘true’ story of his life and adventures. Written in a lively, vernacular style, full of jokes, arguments, boasts, anachronisms, score-settling, and shifts of tone and genre, it is a thoroughly enjoyable read.
This book tests the limits of the memoir, and shows that historical novels can be great fun, and don’t always have to respect their sources.
In this novel, Christopher Columbus tells the story of his life and recalls the first fateful love of his youth, thoughts on his Portuguese wife, his Spanish mistress, and Queen Isabella, and his discovery of the New World
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
This is Andalusia at its most picturesque, with its castles and craggy mountains and a story with all the colour and brio of a medieval costume drama. It’s actually seriously researched history but written in the style of a romantic novel.
It was written in the mid-nineteenth century out of a fascination, which I share, for the story of the demise of the last Muslim kingdom in medieval Iberia. It’s full of heroic deeds, foolhardy escapades, chivalric episodes, and emotional scenes, all based on documentary evidence.
But what I especially like is the ironic stance the author achieves on the bigotry and intolerance characteristic of the victors in the conflict through the conceit of pretending his tale is written by a Spanish monk. It made me think about how history is written, who writes it, and how often we take for granted narratives that first emerged from political propaganda.
Washington Irving (April 3, 1783 - November 28, 1859) was an American author of the early 19th century. Best known for his short stories The Legend of Sleepy Hollow and Rip van Winkle (both of which appear in his book The Sketch Book of Geoffrey Crayon), he was also a prolific essayist, biographer and historian. Irving and James Fenimore Cooper were the first American writers to earn acclaim in Europe, and Irving is said to have encouraged authors such as Nathaniel Hawthorne, Henry Wadsworth Longfellow, and Edgar Allan Poe. Irving was also the U.S. minister to Spain 1842-1846.
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
It’s an academic take on the story of Leo the African, novelised by Amin Maalouf, and it brings out his complex identity and the richness of interconnected Mediterranean cultures in a way that is totally relevant to today.
It really made me think about the limitations of what we call national or religious identity and the almost infinite ability of human beings to adapt, chameleon-like, to different circumstances and cultures.
Al-Hasan al-Wazzan - born in Granada to a Muslim family that in 1492 went to Morocco - became famous as the great Renaissance writer Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the Pope; when he was released and baptized, he lived a European life of scholarship as the Christian writer Giovanni Leone; by 1527, it is likely that he returned to North Africa and to the language, culture, and faith in which he had been raised. Natalie Zemon…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
What struck me about this book is the idea that while we can talk about ‘Judeo-Christian culture’ and we understand all the different manifestations of Christianity as essentially the same thing, even after centuries of bitter conflict, the idea of an Islamo-Christian civilisation is discordant to our thinking.
The author asks why and provides a wealth of evidence that calls for a fundamental restructuring of Western thinking about relations with Islam.
It’s provocative stuff but a necessary correction to the ‘clash of civilisations’ view of history. It certainly made me think again.
Conventional wisdom maintains that the differences between Islam and Christianity are irreconcilable. Pre-eminent Middle East scholar Richard W. Bulliet disagrees, and in this fresh, provocative book he looks beneath the rhetoric of hatred and misunderstanding to challenge prevailing-and misleading-views of Islamic history and a "clash of civilizations." These sibling societies begin at the same time, go through the same developmental stages, and confront the same internal challenges. Yet as Christianity grows rich and powerful and less central to everyday life, Islam finds success around the globe but falls behind in wealth and power. Modernization in the nineteenth century brings in…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
This is a book that made me think again about the ‘Moorishness’ of Spain.
How to square the repression and ultimate expulsion of people of Muslim origin in the early sixteen hundreds with the obvious delight taken in aspects of their material culture such as architecture, fashion, and horsemanship, not to mention the sympathetic portrayal of Moorish characters in sixteenth-century Spanish literature?
It’s a well-argued book full of fascinating examples which examine and enlighten this paradox.
In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus.
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned AD117-138). He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.
The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics-these are the foundations of Western civilization. In The Classical World , eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Hadrian. From the Peloponnesian War through the creation of Athenian democracy, from the turbulent empire of Alexander the Great to the creation of the Roman Empire and the emergence of Christianity, Fox serves as our witty and trenchant guide. He introduces us…
I have a lifelong fascination for history and archaeology. Following a degree in Ancient History and Archaeology (University of Edinburgh), and a brief period as a field archaeologist, I undertook a PhD (University of Newcastle) researching the history of Greek settlement in southern Italy. My subsequent career has been devoted to the study of ancient Italy and Sicily, with a specific focus on the development of ethnic and cultural identities, and the formation of urban societies. I have held posts at several UK universities, including research fellowships at UCL, a lectureship at the University of Newcastle, and I am currently a part-time lecturer and Honorary Fellow at the University of Durham.
The later period of Greek history, after the conquests of Alexander the Great, is considerably less well known that the history of Classical Greece, but it was a fascinating period that radically changed the society and culture of the eastern Mediterranean and the Middle East. This book covers the period of Alexander's conquests, the fragmentation of his empire into multiple kingdoms after his death, and the Roman conquest and domination of the Greek world.
It outlines the rise and fall of dynasties and kingdoms, the Roman conquest, and the transformation of the region, firstly by the Greek culture promoted by Alexander and his successors, and then by Roman rule. It provides an accessible and informative narrative of a period in which the Middle East and Greek world underwent transformational changes.
The world that Alexander remade in his lifetime was transformed once more by his death in 323 BCE. His successors reorganized Persian lands to create a new empire stretching from the eastern Mediterranean as far as present-day Afghanistan, while in Greece and Macedonia a fragile balance of power repeatedly dissolved into war. Then, from the late third century BCE to the end of the first, Rome's military and diplomatic might successively dismantled these post-Alexandrian political structures, one by one.
During the Hellenistic period (c. 323-30 BCE), small polities struggled to retain the illusion of their identity and independence, in the…
