The most recommended books about Augustus

Kleiner's Cleopatra and Rome is an essential Cleopatra book for art lovers.

It combines Cleopatra's story with an excellent introduction to the art history of the ancient Mediterranean world. One of the most interesting aspects of Kleiner's work is the effect she describes Cleopatra having on her Roman conqueror.

Although Augustus presented Cleopatra as a dangerous enemy of Rome, the iconography he used to present his family as a kind of "first family" for Rome borrowed from the visual language Cleopatra created to communicate with her Egyptian subjects.

Boldly venturing into territory already claimed by Robert Graves, Allan Massie gives us the life of Augustus, the first Roman emperor. Full of authentic detail, both witty and serious, bawdy and censorious, this book makes ancient Rome thoroughly believable to modern readers. Augustus vividly describes his ruthless rise to power following the assassination of Julius Caesar, and reflects on his life and achievements, justifying his schemes, deceptions and crimes. Would we have done the same in his place? Maybe, if civilization depended on it.

I particularly like the two Prefaces, in which author, citing fake scholars and non-existent institutions, persuades us that this work of fiction has been translated from an ancient manuscript found in a monastery. I have used the same trick myself.

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.

I never miss an opportunity to recommend this book for its broad scope and human courage.

It’s such an immersive and very human story full of adventure, challenge, will, and passion. Auriane is brought to such exquisite life as a woman born to a destiny meant to free the people she loves.

This book lands on my list for a call to destiny answered by love because Auriane’s life is an example of how we can’t see ourselves, or how we often don’t know where to fit, whom to challenge, and where to connect—but we find our way by being relentlessly devoted to doing what feels right to us, guided by that internal flame until we unite with the force that gives us a purpose, place, meaning.

Often, if not always, that destiny is deeply anchored in love. 

For Auriane, that love is her tribe, and her community, family, friends,… show more.

I was struck by the beautiful writing in this novel and the way the author, a woman, convincingly depicts male friendship. Augustus Lee Rivers, a black farmer in Arkansas, is happiest when playing his guitar; he has dreams of making it big in Chicago. David Duncan, an enthusiastic fan of Hummin’ Gusty’s music, comes from a wealthy white family. What can happen to a black man’s dreams in rural Arkansas in the 1950s? Trust me, you’ll keep reading to find out. 

The surviving writings of the “big three” Stoics—Marcus Aurelius, Epictetus, and Seneca—are the first places people turn when they want to learn about Stoicism from its original practitioners. But these three sources are missing something very important: a coherent overview of Stoic ethics. The Stoics Reader has not just one, but three such overviews from the ancient philosophical biographer Diogenes Laertius, the Stoic sympathizer Cicero, and the Stoic teacher of Augustus Caesar—Arius Didymus. This volume is one of the few places you can find an English translation of Arius’s summary of Stoic ethics, making it worth the price of purchase alone. 

This is the strangest of the books I’ve chosen. I found it by accident while looking for something else in the British Library, and loved it immediately. The writer was George VI’s doctor, and this is his only novel.

On the surface, it’s the story of a grotesquely unlikeable and hypocritical father and son. But I prefer to ignore that and just enjoy its completely unique voice. The whole book is like a PG Wodehouse sentence: somehow transcending its literal meaning to become almost magically pleasing. It’s definitely not for everyone, but if you enjoy the phrase ‘the aunt that had stood with my mother’s mother at the foot of the stairs’ then you’ll like it.

I don’t read a lot of YA fiction (or YA nonfiction, either, for that matter), but this book was recommended by a friend, and I am glad it was. I am definitely NOT this book's target audience, as I am an older male.

This story follows a teenage girl as she deals with all the things that teen girls do, but Vadori weaves together our mundane world with the magic world of the fountain to weave a rich, encaptivating tale.  

The title of this book, written by one of my colleagues at Royal Holloway, recalls the classic work of Ronald Syme, whose The Roman Revolution appeared in 1939 against the backdrop of the rise of Nazi Germany. Alston narrates in detail the crucial period from Caesar’s murder on the Ides of March 44 BC through to the death of the first emperor Augustus (Caesar’s adopted son) more than half a century later. This was the time of Brutus, Antony, and Cleopatra which so appealed to Shakespeare, and Alston disentangles skillfully the complex political and military events and demonstrates the achievement of Augustus who claimed to restore the Republic while establishing the Empire which ruled the Mediterranean world for the next 400 years.