Jordanna Max Brodsky is the author of the Olympus Bound trilogy and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
Ancient Roman poet Ovid gives us the definitive versions of nearly 250 different myths, most involving transformations of men and women into beasts, trees, or flowers. If that sounds dull, know that there’s more incest than Game of Thrones and more bloody mutilation than a Quentin Tarantino flick. Some tales, like that of Orpheus and Eurydice, are well-known. Others, like the story of the fleet-footed Atalanta, should be. For anyone interested in writing their own story inspired by Greek myth, Ovid’s Metamorphoses provides an invaluable source of inspiration. Read Allen Mandelbaum’s excellent poetic translation for the most authentic experience.
Through National Book Award-winning translator Allen Mandelbaum's poetic artistry, this gloriously entertaining achievement of literature — classical myths filtered through the worldly and far from reverent sensibility of the Roman poet Ovid — is revealed anew.Savage and sophisticated, mischievious and majestic, witty and wicked, The Metamorphoses weaves together every major mythological story to display a dazzling array of miraculous changes, from the time chaos is transformed into order at the moment of creation, to the time when the soul of Julius Caeser is turned into a star and set in the heavens. In its earthiness, its psychological acuity, this classic…
Who would have thought that the teenage Robert Zimmerman, later known as Bob Dylan, belonged to his high school Latin club? Richard Thomas, who found the evidence, was
not so surprised.
A Professor of Ancient Greek and Roman poetry at Harvard and a long-standing fan, he has traced Dylan’s increasing use of classical
allusions. The singing Nobel prizewinner’s favorite is Ovid, whose phrases he
has used over 30 times in his lyrics. “Ancient footsteps are everywhere,” to
quote his song “When I Paint My Masterpiece.”
Thomas’s book is personal and easy
to read, casting new light on the enigmatic 82-year-old. As a committed fan
myself, I can safely say it is the best Dylan book yet, leaving out the ones he
authored himself.
A GUARDIAN AND INDEPENDENT BEST MUSIC BOOK OF THE YEAR
'At last an expert classicist gets to grips with Bob Dylan' Mary Beard
'Thomas's elegant, charming book offers something for everyone - not just the super-fans' Independent
When the Nobel Prize for Literature was awarded to Bob Dylan, the literary world was up in arms. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter in his Seventies, who wouldn't even deign to make an acceptance speech?
In Why Dylan Matters, Harvard Professor Richard F. Thomas answers that question with magisterial erudition. A world expert…
I’ve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now I’m a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and that’s why I wrote this list.
Ovid is an expert on all kinds of love and doesn’t hesitate to tell you regularly about his expertise. His seduction tips are hopelessly absurd and often offensive. But what a talented poet he is!
I find the poems riveting even as I accept that his sensibilities are not mine. The poet tells us that he was exiled from Rome during the reign of the emperor Augustus, and I wonder what mischief lies behind this unfortunate experience.
This collection of Ovid's poems deals with the whole spectrum of sexual desire, ranging from deeply emotional declarations of eternal devotion to flippant arguments for promiscuity. In the Amores, Ovid addresses himself in a series of elegies to Corinna, his beautiful, elusive mistress. The intimate and vulnerable nature of the poet revealed in these early poems vanishes in the notorious Art of Love, in which he provides a knowing and witty guide to sexual conquest - a work whose alleged obscenity led to Ovid's banishment from Rome in AD 8. This volume also includes the Cures for Love, with instructions…
If you want to learn about historical societies and events, read history books. But if you want to understand your own world, and how it has emerged from and been shaped by the eternal, unchanging human psyche, intellect and fragility, read historical fiction. A great historical novel should always be first and foremost about the time in which it is written. That is what first drew me to the story of Petronius in The Uncertain Hour – if it doesn’t have a human heart, no amount of technical historical detail will kindle it in the reader’s imagination.
The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
I’ve been fascinated by Greek Mythology since I read a book about it in childhood. There was a popular graphic novel series about Greek and Roman Mythology in Korea, and I was one of many kids obsessed with these books. That passion continued and became stronger when I moved to New York. It had various mythology books, including novels and picture books, and there were tons of references, such as paintings, sculptures, and authentic vases. I hope you enjoy the books on the list and feel the same thrill I felt!
I can see that I tend to choose books with nice illustrations that emphasize the story more. This was the most recent reading I did. These dreamy, whimsical illustrations caught my eye when I browsed in the local bookstore.
I’m glad I came across this book at the beginning of summer when it is much easier for our minds to fall in love. Before the weather gets colder, I plan to bring this book to a picnic and enjoy it fully outside.
A landmark illustrated anthology of queer Greek and Roman love stories that reclaim and celebrate homosexual love and sensuality, from artist Luke Edward Hall and award-winning poet Seán Hewitt.
For centuries, evidence of queer love in the ancient world has either been ignored or suppressed. Even today, only a few narratives are widely known: the wild romance of Achilles and Patroclus; the yearning love of Sappho's lyrics; and the three genders introduced in Plato's Symposium. Yet there is a rich literary tradition of queer Greek and Roman love that extends far beyond the prudish translations of these familiar handful of…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
If you want to know what some Romans thought about sport and spectacle in their own words, turn to Anne Mahoney’s sourcebook, which offers translations of key literary passages and inscriptions. From Horace’s descriptions of unruly theater audiences to Ovid’s advice to young Roman men about how to pick up girls at the circus, this sourcebook brought the world of Roman spectacle to life for me. I love that she shows how the themes that make modern sport and fandom so complex—religion, gender, politics, and money—were just as relevant in ancient Rome. I always come away from reading the sources she compiles feeling that Roman sports fans are not so different from us today.
Roman Sports and Spectacles: A Sourcebook contains numerous translations from the Latin, including famous authors, such as Cicero, Seneca, Tertullian and Augustine, and the not so famous, including graffiti, advertisements and tombstones to paint a world view of what sports Romans played and what they thought of them. The world of Roman sports was similar in many ways to our own, but there were significant differences. For one thing Roman sports centered during religious festivals and the participants were most often slaves. Roman sports were not team sports, but individual competitions. And sports like chariot racing and gladiatorial competitions were…
I have spent my career writing and teaching philosophy, working on early-modern philosophers, especially that most controversial and enigmatic figure, René Descartes. In recent years my main interest has been in the philosophy of religion, focusing on grand traditional questions about the meaning of life, and on the spiritual dimension of religious thought and practice. I have argued for a ‘humane’ turn in philosophy, meaning that philosophical inquiry should not confine itself to abstract intellectual argument alone, but should draw on a full range of resources, including literary, poetic, imaginative, and emotional modes of awareness, as we struggle to come to terms with the mystery of human existence.
This astonishingly rich and beautifully written survey shows how deeply love is involved in what has always been one of my main philosophical preoccupations – the human search for meaning. Simon May reveals love as the ‘harbinger of the sacred,’ while at the same time warning of how often it bears the burden of unrealistic and misconceived expectations.
An illuminating exploration of how love has been shaped, idolized, and misconstrued by the West over three millennia, and how we might differently conceive it
Love-unconditional, selfless, unchanging, sincere, and totally accepting-is worshipped today as the West's only universal religion. To challenge it is one of our few remaining taboos. In this pathbreaking and superbly written book, philosopher Simon May does just that, dissecting our resilient ruling ideas of love and showing how they are the product of a long and powerful cultural heritage.
Tracing over 2,500 years of human thought and history, May shows how our ideal of love…
My specialty is American history, meticulously researched, but delivered in a narrative style that’s akin to fiction. My latest book, A Fierce Glory, is about Antietam, a battle that occupied a single day in 1862, yet remains one of history’s most consequential events. Of course, there are countless military histories of Antietam–or any Civil War battle, for that matter–focusing on troop movements and tactics. I wanted to get at the emotional heart of this epic showdown: the confusion, terror, sadness, along with some startling and selfless acts of heroism. To do so, I drew inspiration from some of my favorite fictional works.
This fifth pick isn’t fiction. But like the best fiction, poetry can pierce through to the very essence. Although shaggy poet Whitman was the furthest thing from a soldier imaginable, he was deeply involved in the war effort nonetheless. After the Battle of Fredericksburg, Whitman traveled to Virginia to find his wounded brother. He then chose to remain in Washington, DC, nursing wounded soldiers. Whitman’s war-time experiences gave rise to some of the finest poems in Leaves of Grass such as “The Wound-Dresser,” “Come Up from the Fields Father,” and “A Sight in Camp in the Daybreak Gray and Dim.”
This Library of America edition is the biggest and best edition of Walt Whitman's writings ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson’s famous message to Whitman: “I greet you at the beginning of a great career.” These twelve poems, including what were later to be entitled “Song of Myself” and “I Sing the Body Electric,” and a…
"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
There is no book as rich in tree imagery as Ovid’s Metamorphoses. It is a book of fables many of which are about trees. Best known, I believe, is the story of Apollo and Daphne, in which a nymph is transformed into a laurel tree. The fable that I use in the book is the story of Pan and Syrinx, painted collaboratively by Rubens and Jan Brueghel the Elder. It explains the mythical origins of the sedges and reeds that fringe the riverbanks.
The Metamorphoses - Ovid. A translation into English prose by A. S. Kline. Published in entirety with mythological index and illustrations by Hendrik Goltzius.
In the Metamorphoses Ovid retells stories from the Greek myths, arranging them in roughly chronological order, from the origins of the world to his own times. His charming and graceful versions, full of life and interest, express his humanist approach, his feeling for pathos, and his endless curiosity and delight in human affairs. Each tale involves a transformation of some kind, and the whole collection provided a potent source of motifs and images for later art,…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
