"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
I wrote
Woodland Imagery in Northern Art, c. 1500 - 1800: Poetry and Ecology
This booklet is thin, smaller than a kindle, and small enough to fit in an outer pocket or any small bag. I bought my copy in 2011 and ever since I have given copies of the booklet to those who would connect with his ideas about trees. He wants us to forget the trimmed apple trees of his father, and urges us to fall in love with the overgrown trees in a scrap of ancient woods in the English countryside. He hated Victorian botanists for their passion for naming and classification. He sounds like a heretic when he takes on Carl Linnaeus (1707-1778), the Swedish botanist, who continues to be famous for the binomial system for naming all the plants in the Vegetable Kingdom. He actually takes his readers to Uppsala, the university town in Sweden where Linnaeus was a professor, to underscore what he calls the “bitter fruit of the Uppsalan tree.” By naming a tree, Fowles writes, we stop looking at it. That is the original sin! His unorthodox views inspired me to discern in the woods of the Old Masters - Titian, Ruisdael, Rubens, and Claude Lorrain - not a collection of named trees, but a celebration of sylvan beauty. In fact, I consider the essays in my book the direct descendants of Fowles’s observations in a little book that by now is truly an evergreen.
John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise…
I read her book as a child, and it never left my memory. I was drawn to her “Fable of Tomorrow,” which she used to set the stage, and which became unforgettable in her readers’ minds. It launched the environmental movement. It is a literary device that inspired me in the writing of my essays, which at times take on the character of a fable.
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. "Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time"s 100 Most Influential People of the Century). This fortieth anniversary edition celebrates Rachel Carson"s watershed…
This is another book that permanently perches on my shoulder. It is a masterpiece by a visionary author that helped me to explore the mythic origins of shrubs and trees in early societies. The book inspired me to write essays on the hazel and the hawthorn, their early blossoms as manifestations of the power of the mysterious white mantle spread by the White Goddess in Celtic lands, in contradistinction to the Aphrodite as the goddess of all that is green in the Mediterranean.
The definitive edition of one of the more extraordinary and influential books of our time
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry. Incorporating all of Graves's final revisions, his…
This book makes a powerful case for the sentience of trees and that trees experience injury and use their underground networks to send messages to each other. This magnificent novel describes the plight of trees, not as a lumberjack’s problem, but as an earth-shattering tragedy that impacts the lives of its nine major characters in dramatic ways. The title is also an allusion to the upper canopy as a place for humans to live before lowering down to the midstory, and finally, the shrubby understory of a tree. I welcomed the book as a bellwether for a growing interest on the part of non-academic readers for books that connect with nature and tell us the story of earth from a dendrological point of view.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
There is no book as rich in tree imagery as Ovid’s Metamorphoses. It is a book of fables many of which are about trees. Best known, I believe, is the story of Apollo and Daphne, in which a nymph is transformed into a laurel tree. The fable that I use in the book is the story of Pan and Syrinx, painted collaboratively by Rubens and Jan Brueghel the Elder. It explains the mythical origins of the sedges and reeds that fringe the riverbanks.
The Metamorphoses - Ovid. A translation into English prose by A. S. Kline. Published in entirety with mythological index and illustrations by Hendrik Goltzius.
In the Metamorphoses Ovid retells stories from the Greek myths, arranging them in roughly chronological order, from the origins of the world to his own times. His charming and graceful versions, full of life and interest, express his humanist approach, his feeling for pathos, and his endless curiosity and delight in human affairs. Each tale involves a transformation of some kind, and the whole collection provided a potent source of motifs and images for later art,…
Woodland Imagery instills a sense of a “lyrical naturalism” that reconnects the reader to the natural world as it was before the industrial revolution. Twelve essays explore the copses and “frothing hedges,” and other features of the woodland ecosystem as pleasing landmarks that make their appearance in nature, poetry, and art. The chapters include the story of Albrecht Dürer’s love of linden trees, and reveal Jan van Eyck’s boastful conviction that art trumps nature in creating visions of a “new earth.” Other essays tell the stories of Paul Rubens, Pieter Bruegel, Jan Brueghel the Elder and other masters of sylvan beauty gathered together as never before between the covers of a single, lavish volume.
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
