Here are 100 books that The White Goddess fans have personally recommended if you like
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I grew up fascinated by the natural world, in particular by the hemlock trees in a hollow in the North Carolina mountains where my family owned a cabin. Later, the hollow and that cabin would provide inspiration for my novel, Hemlock Hollow, in which a scientist wrestles with the ghosts of her past. Those hemlocks are in decline now due to the hemlock wooly adelgid, an invasive species working its way through the Appalachian Mountains. In many ways, my writing takes the grief of losing something so dear as grist for stories that center the power of place over time, and I’m drawn to other books that do the same.
What’s not to love about a book structured as a tree? This is a vast, episodic novel that takes traditional storytelling and turns it on its head.
A cast of characters connect through stories that grow from seed to trunk to limb. I finished this long read and immediately wanted to start again. It’s the kind of book that rewards a second or third pass. Complex, rife with science and faith and desperate longing, this book is a celebration of the tree, a clarion call to return our attention to our roots before it is too late.
One of Powers’ characters asks, “What do all good stories do?” He answers, “They kill you a little. They turn you into something you weren’t.” I think that’s true of all of these books, and most definitely this one.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
I have lived in Florida since 1969, attended public school here, and received my Master’s degree from a state college. My husband, Bob Randall, a photographer and an entrepreneur, and I have written six nonfiction books about Florida. An Ocklawaha River Odyssey is our favorite. Kayaking the 56 miles of winding waterways became less of a research expedition and more of a spiritual journey as the ancient river cast its spell on us. From wildlife, including manatees and monkeys, to wild orchids and pickerelweed, the Ocklawaha provides more than exercise and recreation; it also touches your soul. I hope my writing and Bob’s photography provide that experience for our readers.
Carson’s Silent Spring is full of unsettling environmental details, including the poisoning of species of birds by insecticides and politicians' proposals to use a nuclear bomb to form a dam. Although it was published in 1962, the book is even more relevant today, and I love that it is easy to read and gives environmentalists the facts they need to counter those who would poison and destroy wildlife and, ultimately, the environment.
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. "Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time"s 100 Most Influential People of the Century). This fortieth anniversary edition celebrates Rachel Carson"s watershed…
I am not a naturalist but consider myself a practitioner of ”lyrical naturalism.” My interest is in the descriptions of nature by poets and artists in previous centuries. The dream is to inspire people to look at the natural environment through the lens of art and poetry rather than the somewhat dry frameworks of botany. My great hero is John Ruskin, a British writer whose lyrical prose has never stopped enchanting its readers. I was very happy to publish a book of essays titled Woodland Imagery in Northern Art, c. 1500-1800: Poetry and Ecology. I hope that its richly illustrated essays will inspire readers to look at the environment with renewed wonder.
This booklet is thin, smaller than a kindle, small enough to fit in an outer pocket or any small bag. I bought my copy in 2011 and ever since I have given copies of the booklet as a present to those who would connect with his ideas about trees. He wants us to forget the trimmed apple trees of his father and urges us to fall in love with the overgrown trees in a scrap of ancient woods in the English countryside. He hated Victorian botanists for their passion for naming and classification. He sounded like a heretic when he takes on Carl Linnaeus (1707-1778), the Swedish botanist, who continues to be famous for the binomial system for naming all the plants in the Vegetable Kingdom.
He actually takes his readers to Uppsala, the university town in Sweden where Linnaeus was a professor, to underscore what he calls the “bitter…
John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise…
"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
There is no book as rich in tree imagery as Ovid’s Metamorphoses. It is a book of fables many of which are about trees. Best known, I believe, is the story of Apollo and Daphne, in which a nymph is transformed into a laurel tree. The fable that I use in the book is the story of Pan and Syrinx, painted collaboratively by Rubens and Jan Brueghel the Elder. It explains the mythical origins of the sedges and reeds that fringe the riverbanks.
The Metamorphoses - Ovid. A translation into English prose by A. S. Kline. Published in entirety with mythological index and illustrations by Hendrik Goltzius.
In the Metamorphoses Ovid retells stories from the Greek myths, arranging them in roughly chronological order, from the origins of the world to his own times. His charming and graceful versions, full of life and interest, express his humanist approach, his feeling for pathos, and his endless curiosity and delight in human affairs. Each tale involves a transformation of some kind, and the whole collection provided a potent source of motifs and images for later art,…
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
The title of the book and the stylish cover design offer the first taste of its delicious content. I love a proper story, rich with details that conjure a heightened world and allow me to feel immersed within it. The sort of book you can’t wait to get back to. Extraordinary characters, glamour, danger, and adventure. And such beautiful writing – the language and rhythm sweep you along like a musical score. All that and a charismatic, inspiring heroine who overcomes monumental obstacles during a significant and distinctive period of European history. This book is a delightful, sensory experience. I recommended it to my book group and it did not disappoint.
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle…
Let’s face it – the Greek gods are a self-centered, quick-tempered, jealous, prideful, and insatiable bunch. Even the all-powerful Zeus falls victim to his overactive libido and vengeful wife! While superpowers are enticing, it’s the gods’ faults and weaknesses –their humanqualities – that make them so irresistible to me. As a writer, I love poking at my characters’ soft underbelly. Where are they vulnerable? What can they not bear to lose? Can they recognize their mistakes and grow? And this question pulled me down Cupid’s Fall rabbit hole: What if the God of Love got a dose of his own medicine?
I was originally attracted to this book because the gods are alive and well and living among us mortals in modern times – I hope that sounds familiar! These gods have fallen on rough times. They’re crammed together into a London townhouse and forced to get (gasp!) day jobs. Aphrodite is a sex worker. Apollo is a TV psychic. Eros is considering the priesthood. (Double gasp!) Even more alarming, the gods’ powers are waning, and they’ll need mortals to save them. This charming book will warm your heart and make you laugh out loud more than once.
Being immortal isn't all it's cracked up to be. Life's hard for a Greek god in the 21st century: nobody believes in you any more, even your own family doesn't respect you, and you're stuck in a delapidated hovel in north London with too many siblings and not enough hot water. But for Artemis (goddess of hunting, professional dog walker), Aphrodite (goddess of beauty, telephone sex operator) and Apollo (god of the sun, TV psychic) there's no way out... Until a meek cleaner and her would-be boyfriend come into their lives, and turn the world literally upside down.
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
No puedo escribir una lista de libros para viajeros solo en inglés. Margaret Sayers Peden es una traductora maravillosa, pero los libros de Allende siempre son mejores en español, en particular un libro sobre comida y sexo. El “sabor” de inglés no es lo mismo que el “sabor” de español. Leí este libro en inglés cuando tenía la edad del pavo y en español durante mi veintitantos. No cuestioné las decisiones de la vida de Allende, pero este libro me hizo reflexionar por mi cuenta. Todo hombre que quiera entender a las mujeres y la comida debe leer este libro.
From an internationally acclaimed author, this is a magical, fascinating book exploring the intimate relationship between food and sex.
This book of recipes, sensuous stories, aphrodisiacs and lovers' spells is an irresistible fusion of Allende's favourite things. Lavishly illustrated, this fascinating, personal guide to all things erotic encompasses a multicultural history of seduction through food, ancient and modern stories and poems about sex and eating, titillating recipes and advice. Chapter titles include: Cooking in the Nude; The Spell of Smell; Death by Perfume; Table Manners; With the Tip of the Tongue; The Orgy; Sins of the Flesh; Love Potions, and…
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
When I read this book, I felt much the way I did as a teenager when I discovered astrology and began to appreciate there were patterns of behavior found in humans that were reflected in the vastness of the cosmos -- and vice versa. Who would have thought that what I considered idiosyncratic tendencies within myself and others actually were a part of a much bigger pattern that had existed for millennia in the form of ancient goddesses? I was astounded to see the personalities of my sisters, friends, mother, aunties, as well as celebrities, accurately depicted by Greek goddesses.
In this book, Shinoda-Bolen brings to life many dimensions of the archetypal feminine that get played out in our modern lives, our individual psyches, and in our relationships.
Jean Shinoda Bolen's celebrated work of female psychology that uses seven archetypical goddesses to describing behavior patterns and personality traits, as relevant and timeless today as when it was first published thirty years ago. Myths are fascinating stories that become even more intriguing when we realize that they can reveal intimate truths about ourselves and others. Jean Shinoda Bolen brings the Greek pantheon to life as our inner archetypes and applies the power of myth to our personal lives. Once we understand the natural progression from myth to archetype to personal psychology, and realize that positive gifts and negative tendencies…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
I love the art of writing romance fiction. I’m a character-driven author. My stories are contemporary romance with steam, humor, and diversity. I run my business from my living room. When I'm not writing and telling people about my books, I run another online business. Read lots. Watch tons of series. Drink coffee and wine. Listen to music. Cook comforting vegetarian meals. Say prayers, meditate, and light candles. Text with my girlfriends. And try to squeeze in a walk and a shower. My sexy little stories are my attempt at keeping someone up all night. May you always feel loved, seen, and heard. The Smart Girl Mafia Series books 1-4 are currently available.
This book will have you up all night. It is a humorous, steamy contemporary romance between a boss and his apprentice. Both are architects in a family business. You will fall in love with the witty dialogue and the irresistible chemistry between the hero and heroine in this multicultural romance.
He needs a good year. He needs something to-finally-go his way.
After their father's slow, angry death, the Walsh family's third-generation historic preservation architecture firm is back on its feet and Patrick finally stands at the helm.
Andy Asani is not what Patrick expected from an apprentice. First, she's competent. Not just that, she's scary-brilliant. Second, she's obsessed with historic preservation-and the only person outside of Patrick's partners who shares his passion for crumbling buildings. And most troubling of all, he's obsessed with her.
He doesn't need her complicating his life but he wants her…
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