Here are 100 books that The White Goddess fans have personally recommended if you like
The White Goddess.
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
This book blew me away. I loved how it was told with a range of characters and stories converging into a single whole—like the forest and the trees. I learned more about trees than I ever thought I would care to know and loved every minute of it.
There's nothing more humbling, perhaps, than the vast forests that blanket our planet, and this novel and its unforgettable characters made me feel that in my bones. I'll never look at a tree or planet Earth quite the same way again.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
I‘m a pediatrician in Reno, the fastest-warming city in the US. I also have a background in environmental science. I’ve seen the impacts of climate change on children first-hand, especially the impact of worsening wildfire smoke from “mega-fires” in California. It is impossible for me to look at babies and children suffering the impacts of worsening smoke, smog, allergies, heat, natural disasters, and infectious diseases and not see that the most powerful industry in history has unloaded the cost of their business onto the least powerful. I am passionate about this topic because I see climate change as a crime against children, who are especially vulnerable to its effects.
This book is a classic—the book that launched the modern environmental movement in 1962. Rachel Carson’s 1962 warning about the dystopian future we faced from inappropriate use of chemical pesticides (such as DDT) and herbicides was groundbreaking, as the public had been told these substances were safe.
I love it because it is an intricate and beautifully woven tale about humanity’s relationship with nature and our own hubris. It shattered commonly held views and created a new way of viewing the world and our role in it.
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. "Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time"s 100 Most Influential People of the Century). This fortieth anniversary edition celebrates Rachel Carson"s watershed…
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.
Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.
One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.
John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise…
"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
There is no book as rich in tree imagery as Ovid’s Metamorphoses. It is a book of fables many of which are about trees. Best known, I believe, is the story of Apollo and Daphne, in which a nymph is transformed into a laurel tree. The fable that I use in the book is the story of Pan and Syrinx, painted collaboratively by Rubens and Jan Brueghel the Elder. It explains the mythical origins of the sedges and reeds that fringe the riverbanks.
The Metamorphoses - Ovid. A translation into English prose by A. S. Kline. Published in entirety with mythological index and illustrations by Hendrik Goltzius.
In the Metamorphoses Ovid retells stories from the Greek myths, arranging them in roughly chronological order, from the origins of the world to his own times. His charming and graceful versions, full of life and interest, express his humanist approach, his feeling for pathos, and his endless curiosity and delight in human affairs. Each tale involves a transformation of some kind, and the whole collection provided a potent source of motifs and images for later art,…
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
The title of the book and the stylish cover design offer the first taste of its delicious content. I love a proper story, rich with details that conjure a heightened world and allow me to feel immersed within it. The sort of book you can’t wait to get back to. Extraordinary characters, glamour, danger, and adventure. And such beautiful writing – the language and rhythm sweep you along like a musical score. All that and a charismatic, inspiring heroine who overcomes monumental obstacles during a significant and distinctive period of European history. This book is a delightful, sensory experience. I recommended it to my book group and it did not disappoint.
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle…
Let’s face it – the Greek gods are a self-centered, quick-tempered, jealous, prideful, and insatiable bunch. Even the all-powerful Zeus falls victim to his overactive libido and vengeful wife! While superpowers are enticing, it’s the gods’ faults and weaknesses –their humanqualities – that make them so irresistible to me. As a writer, I love poking at my characters’ soft underbelly. Where are they vulnerable? What can they not bear to lose? Can they recognize their mistakes and grow? And this question pulled me down Cupid’s Fall rabbit hole: What if the God of Love got a dose of his own medicine?
I was originally attracted to this book because the gods are alive and well and living among us mortals in modern times – I hope that sounds familiar! These gods have fallen on rough times. They’re crammed together into a London townhouse and forced to get (gasp!) day jobs. Aphrodite is a sex worker. Apollo is a TV psychic. Eros is considering the priesthood. (Double gasp!) Even more alarming, the gods’ powers are waning, and they’ll need mortals to save them. This charming book will warm your heart and make you laugh out loud more than once.
Being immortal isn't all it's cracked up to be. Life's hard for a Greek god in the 21st century: nobody believes in you any more, even your own family doesn't respect you, and you're stuck in a delapidated hovel in north London with too many siblings and not enough hot water. But for Artemis (goddess of hunting, professional dog walker), Aphrodite (goddess of beauty, telephone sex operator) and Apollo (god of the sun, TV psychic) there's no way out... Until a meek cleaner and her would-be boyfriend come into their lives, and turn the world literally upside down.
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
No puedo escribir una lista de libros para viajeros solo en inglés. Margaret Sayers Peden es una traductora maravillosa, pero los libros de Allende siempre son mejores en español, en particular un libro sobre comida y sexo. El “sabor” de inglés no es lo mismo que el “sabor” de español. Leí este libro en inglés cuando tenía la edad del pavo y en español durante mi veintitantos. No cuestioné las decisiones de la vida de Allende, pero este libro me hizo reflexionar por mi cuenta. Todo hombre que quiera entender a las mujeres y la comida debe leer este libro.
From an internationally acclaimed author, this is a magical, fascinating book exploring the intimate relationship between food and sex.
This book of recipes, sensuous stories, aphrodisiacs and lovers' spells is an irresistible fusion of Allende's favourite things. Lavishly illustrated, this fascinating, personal guide to all things erotic encompasses a multicultural history of seduction through food, ancient and modern stories and poems about sex and eating, titillating recipes and advice. Chapter titles include: Cooking in the Nude; The Spell of Smell; Death by Perfume; Table Manners; With the Tip of the Tongue; The Orgy; Sins of the Flesh; Love Potions, and…
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
When I read this book, I felt much the way I did as a teenager when I discovered astrology and began to appreciate there were patterns of behavior found in humans that were reflected in the vastness of the cosmos -- and vice versa. Who would have thought that what I considered idiosyncratic tendencies within myself and others actually were a part of a much bigger pattern that had existed for millennia in the form of ancient goddesses? I was astounded to see the personalities of my sisters, friends, mother, aunties, as well as celebrities, accurately depicted by Greek goddesses.
In this book, Shinoda-Bolen brings to life many dimensions of the archetypal feminine that get played out in our modern lives, our individual psyches, and in our relationships.
Jean Shinoda Bolen's celebrated work of female psychology that uses seven archetypical goddesses to describing behavior patterns and personality traits, as relevant and timeless today as when it was first published thirty years ago. Myths are fascinating stories that become even more intriguing when we realize that they can reveal intimate truths about ourselves and others. Jean Shinoda Bolen brings the Greek pantheon to life as our inner archetypes and applies the power of myth to our personal lives. Once we understand the natural progression from myth to archetype to personal psychology, and realize that positive gifts and negative tendencies…
As a child, I gobbled up Grimm’s fairytales, but I always wondered: Why do the princesses get such a terrible deal? This question gnawed at me. So, when I grew up and became an author, I wrote The Princess and the Prick to set the world right. Feminism can be such a terribly serious topic, but sexism is ridiculous! So, let's laugh at it! The books I've recommended are all short and brilliantly funny. They make fantastic gifts and will have everyone laughing at the patriarchy in no time. I hope you enjoy them as much as I do.
This is a deep dive into the mad world of the Greek myths but FUN. Who knew that Zeus was the proud inventor of the first golden shower? (Is anyone surprised?)
This book made me laugh a lot and taught me much about the sexist madness that are the Greek myths in general, and poor old Zeus in particular.
In the beginning, everything was fine.* And then along came Zeus.
*more or less
Ahh Greek myths. Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at!
It's about time we stopped respecting myths and started laughing at them. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin?
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
