Review
Phillips's tale is a delightful flight of fancy into the world of " what would the Greek gods do " that is adequately abridged. Tom Sellwood delivers in an Englsh accent that works well with the setting.―-
About the Author
Marie Phillips was born in London in 1976. She studied anthropology at Cambridge University and worked as a researcher at the BBC. More recently she worked as an independent bookseller while writing Gods Behaving Badly.
From The Washington Post
Reviewed by Ron Charles
Marie Phillips's first novel, Gods Behaving Badly, hovers somewhere between Pride and Prejudice and an episode of "Bewitched." I'm not complaining; I have an unusually high regard for Elizabeth Montgomery's oeuvre. And Austen got off some good lines, too.
Phillips lives in London and studied anthropology at Cambridge, but now she's following that great British tradition of high-brow silliness with a story that suggests the gods must be crazy. The premise of her sentimental sex-romp is that the Greek divinities are still alive, but barely. They're holed up in a London townhouse that they bought for a song 350 years ago during the plague. But they've let it run to Hades, and there's only so much even a crafty god like Hephaestus can do when none of the others will so much as hang up a toga. As usual, these 12 unearthly, egotistical roommates bicker and complain and plot revenge. But believe me, it's a long way down from Ovid; closer to what MTV might call "The Divine World."
The more you remember of Edith Hamilton's Mythology, the more you'll snicker (or groan) at all this, but even if you think Hermes is a scarf designer, don't worry: Phillips lightly fills in the necessary details along the way. Aphrodite earns money as a phone-sex worker. Artemis is a dog walker. Dionysus runs a sleazy bar. And forget Bernini's vision of Apollo pursuing Daphne as she turns into a laurel tree. Nowadays, the hunky deity cruises for sex in Hampstead Heath and routinely ravishes his half-sister in their fetid bathroom.
Part of the comedy here is Phillips's musings on the state of religious faith. The gods, "terribly weakened over time," are suffering the effects of being unwanted, unneeded. People don't believe anymore, or they've fallen in with various heresies. "If it wasn't for Jesus," Artemis complains, "I'd probably still be living on Olympus, running on the hillsides." My God, even Eros has fallen under the spell of that famous carpenter. Bickering with Aphrodite, the petulant boy whines, "I wish the Virgin Mary was my mother." The only thing worse than these humiliations is the endless boredom they have to endure, and that turns out to be their Achilles heel.
While taping the pilot episode of his new psychic TV show, Apollo spots a cleaning lady in the studio and falls hopelessly in love. (Eros has a hand -- or arrow -- in this, of course.) The object of Apollo's affection is Alice Mulholland, a plain, modest young woman who can't imagine why a handsome TV star would be interested in her. And besides, her heart belongs to equally virginal Neil, a geeky engineer who shares her love of crossword puzzles. On the outside, it doesn't look like a particularly fair fight: Apollo is the god of the sun; Neil is good at Scrabble.
The real fun begins when Alice is hired for the Sisyphean task of cleaning the gods' house. She can't complain about the salary, but the owners are strange. "She tried not to judge them; they were Greek, after all, and all families had their own ways." Although Apollo has lots of time to woo Alice as she moves from one calamitous room to another, his technique has grown rusty over the centuries: "It is a beautiful name," he tells her, "especially considering that it contains the word lice."
Miraculously, she resists his advances, even when he plays the pity card: "We were . . . famous once," he tells her. "Everyone knew who we were. People were different then. They believed. The adulation, the fame, it was like -- well, it was worship, really. We lived in a palace -- I wish you could have seen it, Alice! The fountains, the pleasure gardens, nymphs gliding gracefully through the forest -- I never looked at them, of course. We had everything, literally everything. Can you imagine it?"
"It sounds nice," Alice says.
Spurned in love and frustrated about losing his power, Apollo lashes out in a way that threatens not only Alice but the whole world. Is lowly Neil ready for the Herculean challenge that the Fates have placed before him? Can this family of gods put aside their differences long enough to regain their former glory?
The tension doesn't ratchet too high; it's a romantic comedy, after all. The key is to fly through a book like this very fast -- on Hermes' wings. But Phillips has an Olympian sense of absurdity, and there's enough ambrosial wit here to seduce most mortals for an afternoon or two on the divan.
Copyright 2007, The Washington Post. All Rights Reserved.
Excerpt. © Reprinted by permission. All rights reserved.
One
One morning, when Artemis was out walking the dogs, she saw a tree where no tree should be.
The tree was standing alone in a sheltered part of the slope. To the untrained eye, the casual passer-by, it probably just looked like a normal tree. But Artemis’s eye was far from untrained, and she ran through this part of Hampstead Heath every day. This tree was a newcomer: it had not been there yesterday. And with just one glance Artemis recognised that it was an entirely new species, a type of eucalyptus that had also not existed yesterday. It was a tree that should not exist at all.
Dragging the mutts behind her, Artemis made her way over to the tree. She touched its bark and felt it breathing. She pressed her ear against the trunk of the tree and listened to its heartbeat. Then she looked around. Good: it was early, and there was nobody within earshot. She reminded herself not to get angry with the tree, that it wasn’t the tree’s fault. Then she spoke.
‘Hello,’ she said.
There was a long silence.
‘Hello,’ said Artemis again.
‘Are you talking to me?’ said the tree. It had a faint Australian accent.
‘Yes,’ said Artemis. ‘I am Artemis.’ If the tree experienced any recognition, it didn’t show it. ‘I’m the goddess of hunting and chastity,’ said Artemis.
Another silence. Then the tree said, ‘I’m Kate. I work in mergers and acquisitions for Goldman Sachs.’
‘Do you know what happened to you, Kate?’ said Artemis.
The longest silence of all. Artemis was just about to repeat the question when the tree replied.
‘I think I’ve turned into a tree,’ it said.
‘Yes,’ said Artemis. ‘You have.’
‘Thank God for that,’ said the tree. ‘I thought I was going mad.’ Then the tree seemed to reconsider this. ‘Actually,’ it said, ‘I think I would rather be mad.’ Then, with hope in its voice, ‘Are you sure I haven’t gone mad?’
‘I’m sure,’ said Artemis. ‘You’re a tree. A eucalyptus. Subgenus of mallee. Variegated leaves.’
‘Oh,’ said the tree.
‘Sorry,’ said Artemis.
‘But with variegated leaves?’
‘Yes,’ said Artemis. ‘Green and yellow.’
The tree seemed pleased. ‘Oh well, there’s that to be grateful for,’ it said.
‘That’s the spirit,’ Artemis reassured it.
‘So,’ said the tree in a more conversational tone. ‘You’re the goddess of hunting and chastity then?’
‘Yes,’ said Artemis. ‘And of the moon, and several other things. Artemis.’ She put a little emphasis on her name. It still hurt when mortals didn’t know it.
‘I didn’t know there was a goddess of hunting and chastity and the moon,’ confessed the tree. ‘I thought there was just the one God. Of everything. Or actually, to be honest, I thought there was no God at all. No offence.’
‘None taken,’ said Artemis. Unbelievers were always preferable to heretics.
‘I have to say you don’t look much like a goddess, though,’ added the tree.
‘And what does a goddess look like, exactly?’ said Artemis, a sharpness entering her voice.
‘I don’t know,’ said the tree, a little nervously. ‘Shouldn’t you be wearing a toga or something? Or a laurel wreath?’
‘You mean, not a tracksuit,’ said Artemis.
‘Pretty much,’ admitted the tree.
‘Times change,’ said Artemis. ‘Right now you don’t look like somebody who works in mergers and acquisitions for Goldman Sachs.’ Her voice indicated that the clothing conversation was closed.
‘I still can’t get over the fact that you’re a goddess,’ said the tree after a pause. ‘Wow. Yesterday I wouldn’t have believed it. Today . . .’ The tree gave an almost imperceptible shrug, rustling its leaves. Then it seemed to think for a bit. ‘So does that mean, if you’re a goddess,’ it said, ‘that you can turn me back into a person?’
Artemis had been expecting this question.
‘I’m sorry,’ she said, ‘but I can’t.’
‘Why not?’ said the tree.
The tree sounded so despondent that Artemis couldn’t bring herself to reply, as planned, ‘Because I don’t want to.’ ‘A god can’t undo what another god has done,’ she found herself saying instead, much to her own surprise. She hated admitting any kind of weakness, especially to a mortal.
‘You mean that guy was a god too? The one who . . . did this. Well, I suppose it’s obvious now. I kind of hoped he might be a hypnotist.’
‘No, he was a god,’ said Artemis.
‘Um,’ said the tree. ‘Could you do something about that red setter? I don’t really like the way it’s sniffing around me.’
Artemis pulled the idiot dog away.
‘Sorry,’ she said. ‘So what happened exactly?’
‘I was just taking a walk yesterday and this guy came up to talk to me —’
‘Tall?’ said Artemis. ‘Blond? Almost impossibly handsome?’
‘That’s the one,’ said the tree.
‘What did he say?’ said Artemis.
The bark on the tree seemed to shift slightly, as if the tree was pulling a face.
‘I, um . . .’
‘What did he say?’ Artemis asked again, allowing a hint of command to enter her voice.
‘He said, “Hello. Do you want to give me a blow job?”’
A blow job. Why did people do these things to each other? Artemis felt faintly sick.
‘I said no,’ continued the tree, ‘and then he said, “Are you sure, because you look like you’d be good at it and I think you’d really enjoy it.”’
‘I’m very sorry,’ said Artemis, ‘about my brother. If it were up to me he would not be allowed outside unsupervised.’
‘He’s your brother?’
‘My twin. It’s . . . unfortunate.’
‘Well, anyway, I just walked off, and he followed me, and I got a bit scared and I started running, and then the next thing I knew . . . Here I am.’
Artemis shook her head. ‘This isn’t the first time something like this has happened,’ she said. ‘Rest assured we will be having words about it.’
‘And then he’ll turn me back?’
‘Absolutely,’ lied Artemis.
‘No need to tell my family back home what happened, then,’ said the tree. ‘Good. Maybe I should call in sick at work though. I can’t really go in like this. I had my mobile with me; it should be around here somewhere. Could you dial my boss’s number and hold the phone to my trunk?’
‘Mortals aren’t going to be able to understand you, I’m afraid,’ said Artemis. ‘Just gods. And other vegetation. I wouldn’t bother talking to the grass, though. It isn’t very bright.’
‘Oh,’ said the tree. ‘OK.’ Artemis gave the tree time to absorb this information. ‘Why aren’t I more upset about this?’ it said eventually. ‘If you’d told me yesterday that I was going to be turned into a tree, I’m sure I’d have been really, really upset.’
‘You’re a tree now, not a human mortal,’ explained Artemis. ‘You don’t really have emotions any more. I think you’ll be much happier this way. And you’ll live longer, unless it gets very windy.’
‘Except your brother’s going to turn me back.’
‘Of course he is,’ said Artemis. ‘Right then, I’d best be getting on. I’ve got to get these dogs back to . . . my friends.’
‘It was nice meeting you,’ said the tree.
‘Likewise,’ said Artemis. ‘Bye then. See you soon. Maybe.’
The pleasant look on her face vaporised before her back was even fully turned. The dogs saw her expression and whimpered as one. But they had nothing to fear from Artemis. It was time to go home and find Apollo.
Two
There was a time, thought Apollo, thrusting rhythmically, when sneaking an illicit bathroom shag with Aphrodite would have been exciting. He scrutinised her as she leant away from him against the peeling back wall, one dainty foot up on the stained toilet cistern, her toenail-polish the only paint in here that was perfectly applied. She was exquisite. He couldn’t deny that. Simply the most beautiful sort-of woman ever to have sort-of lived, though Helen of the ship-launching face had given her a run for her money. Eyes (thrust), hair (thrust), mouth (thrust), skin (thrust), breasts (thrust), legs (thrust) — he could not fault an inch of her. Though this was hardly an achievement on her part. She was the goddess of beauty after all. But still, thought Apollo, sublime as she was, did she have to look so . . . well . . . bored? True, Apollo was so bored with Aphrodite that he could almost scream. His pride, however, demanded that she did not feel the same way.
‘Right, I’m turning around,’ announced Aphrodite.
‘OK,’ said Apollo. At least he wouldn’t have to look at that passively indifferent face any longer.
Aphrodite detached herself from him and turned so that she was facing the wall. She arched her back, pointed the flawless ivory spheres of her buttocks at her nephew, and supported herself against the wall with her slender, elegant hands. Apollo reengaged himself and resumed thrusting. Looking down at the back of her head, her glossy black hair curling down over the alabaster slope of her shoulders, he could almost imagine that he was screwing Catherine Zeta Jones. He wondered whether he could persuade Aphrodite to speak to him in Welsh. Just for the novelty. Anything for some novelty.
Apollo wanted out. Out of Aphrodite, out of this bathroom, out of this house, and out of this life. He was sick of London. The family had moved there in 1665, when the plague was keeping property prices rock bottom, and just before the destruction of the Great Fire sent them spiralling upwards again. This had been a typically canny piece of financial engineering by his sister Athena, the goddess of wisdom. At the time, though, he had foreseen that they would never actually be able to sell the house that they had bought so craftily, and he had tried to warn the rest of the family, but they hadn’t listened. It was true that he had been known to lie about his predictions just to get his own way, and everyone knew that he didn’t want to move to London in the first place, but even so, this time he had been right, and he’d known it from the start. It was putting the property in Zeus’s name: that had been the problem. But even he could not have foreseen what would happen to Zeus.
‘I was thinking of redecorating my room,’ said Aphrodite, interrupting his thoughts.
‘Again?’ said Apollo.
‘I could do with a change,’ said Aphrodite. ‘I’m sure Heppy won’t mind.’
Heppy was Hephaestus, god of smiths and Aphrodite’s husband, as hideous as she was beautiful. Treated with contempt by the rest of the family, he nevertheless did all the refurbishment and repairs in the house. As they had been living in the same place for over three hundred years, that was a lot of refurbishment and repairs. Even so, in Apollo’s opinion, he could have done with spending more time on things like patching up this damp, crumbling, leaking bathroom, which would be in the interests of the entire household, and less on adding further unnecessary levels of luxury to their bedroom every time Aphrodite had one of her increasingly frequent whims.
‘So what are you going to do this time?’ he asked her. ‘More gold leaf? Hang some diamonds off the chandelier? Get rid of the roses at last?’
Aphrodite looked sharply at him over her shoulder. Even her glare was calculated to be sexy.
‘There’s nothing wrong with roses,’ she snapped. ‘No, I just thought I would change them from red to pink again.’ She turned back to the wall, picked up a passing cockroach and crushed it between her thumb and forefinger. ‘Do that more slowly,’ she said.
Apollo obediently changed pace. He thought of thousands and thousands of years of living with Aphrodite, thousands gone, and thousands yet to come — and that was the best-case scenario. And she never changed. Never, ever. But sex with Aphrodite was better than no sex at all. And none of the other gods would sleep with him. If only he could get a decent mortal lover, someone like one of his old lovers in Greece or Rome, who worshipped him and everything that he did . . . but he refused to let his thoughts stray in that direction. It was too depressing. Things had all been so much easier in the years that they were now obliged to refer to as BC.
There was a knock at the door, a distinctive grumbling thumping like the falling of distant bombs. It could only be Ares, god of war: Apollo’s half-brother, roommate, and, gallingly, Aphrodite’s favourite lover. Apollo paused mid-thrust.
‘Can you get a move on in there?’ came Ares’ voice. ‘I’ve got a Start the War demo this morning, and I need a shave.’
‘Bugger off,’ shouted Apollo, resuming his activity. ‘I got here first, you’ll just have to wait.’
‘Oh, let him in,’ drawled Aphrodite from beneath him. ‘He can join us. It’ll be fun.’
‘Didn’t you hear him?’ said Apollo. ‘He’s going out. He doesn’t have time for you.’
‘Everybody has time for me,’ said Aphrodite.
This was almost certainly true. But Apollo felt no need to be sexually outclassed by his brother.
‘This bathroom is first come, first served,’ said Apollo primly. ‘If Ares doesn’t like it he can get Hephaestus to build another one. It would be about bloody time that he did. And your frigging new wallpaper can just wait.’
‘OK, I’m done now.’ Aphrodite orgasmed quickly and tidily, and removed herself from Apollo.
‘I hadn’t finished!’ protested Apollo.
‘Well, you should have been nicer to me then.’
Aphrodite stepped over to the cracked enamel bath and switched the shower attachment on, as Apollo watched his tumescence disappear. He limped over to the sink and splashed cold water onto his genitals. Aphrodite had no respect for him. Glancing at himself in the mouldy mirror above the basin, he wondered whether she might think more of him if he had a tattoo.
‘I don’t believe it,’ said Aphrodite.
‘I was just thinking about it,’ said Apollo. ‘I wasn’t actually going to . . .’
Aphrodite spoke over him. ‘There’s no hot water. Again!’
She marched over to the door and opened it, sticking her head out into the cold, empty stairwell. ‘Who used up all the hot water?’ she yelled. There was no reply. She pulled her head back in and slammed the door.
‘I hate this family,’ she said.
‘The feeling is mutual,’ said Apollo.
From the Hardcover edition.
Phillips's wildly funny romantic caper stars Greek gods who are living in a run-down townhouse in London, barely making a living and losing their powers. Apollo falls in love with Alice, a cleaning woman, who is in love with Neil, an engineer. Apollo and Neil face off, Alice is killed by lightening, and Apollo falls into a coma, turning the sun off and threatening mankind's existence. Neil makes a perilous journey to the underworld to rescue Alice and bring Apollo back to life. Tom Sellwood undertakes an enormous cast of characters--from sexy, deep-throated goddesses to the whiny Apollo and an assortment of Londoners. The abridgment is flawless, keeping a high-energy pace and offering a barrel of laughs. M.T.B. © AudioFile 2008, Portland, Maine-- Copyright © AudioFile, Portland, Maine
