100 books like The Tree

What’s not to love about a book structured as a tree? This is a vast, episodic novel that takes traditional storytelling and turns it on its head.

A cast of characters connect through stories that grow from seed to trunk to limb. I finished this long read and immediately wanted to start again. It’s the kind of book that rewards a second or third pass. Complex, rife with science and faith and desperate longing, this book is a celebration of the tree, a clarion call to return our attention to our roots before it is too late.

One of Powers’ characters asks, “What do all good stories do?” He answers, “They kill you a little. They turn you into something you weren’t.” I think that’s true of all of these books, and most definitely this one.

This was the most popular environmental book of its time. It opened many people up to the assault on nature. This book motivated me to become part of the environmental solution. This book changed the unbridled use of chemicals used on the environment. It helped get rid of DDT in the US. It was an introduction for me to environmental awareness in the 1960s and 1970s.

Lovelock’s revolutionary discovery that earth’s living matter—air, ocean, and land surfaces—forms a complex system that has the capacity to keep our planet a fit place for life.  

It is vital in instilling the knowledge in all those who inhabit the earth that Gaia (the Greek goddess of the earth) is not inert matter but a living organism. 

As we imagine the earth as a living being, we may have second thoughts about doing her further harm… 

This is another book that permanently perches on my shoulder. It is a masterpiece by a visionary author that helped me to explore the mythic origins of shrubs and trees in early societies. The book inspired me to write essays on the hazel and the hawthorn, their early blossoms as manifestations of the power of the mysterious white mantle spread by the White Goddess in Celtic lands, in contradistinction to the Aphrodite as the goddess of all that is green in the Mediterranean.

There is no book as rich in tree imagery as Ovid’s Metamorphoses. It is a book of fables many of which are about trees. Best known, I believe, is the story of Apollo and Daphne, in which a nymph is transformed into a laurel tree. The fable that I use in the book is the story of Pan and Syrinx, painted collaboratively by Rubens and Jan Brueghel the Elder. It explains the mythical origins of the sedges and reeds that fringe the riverbanks.

This book has given me more delight than just about any other book dealing with the woodlands. It is not a herbarium or any other dry enumeration of plants. The Oxford Don takes us by the hand and shows us enchanted spinneys, lovely copses, ancient savannas, woodland pastures, and so much more that were once enchanting. In the everyday environment, the inspiration of poets, the meeting place of lovers, and the haunt of human beings seeking solitude. 

"A state-of-the-art survey of Britain’s woods by the acknowledged expert in the field… He seems to know woods like old friends, each with its unique past, its cranky or capricious personality, and its hoard of secrets. And he writes like an angel.” - The Times 

This book accuses art historians of being indifferent to environmental issues… It is a wake-up call for the profession. I certainly took heed and experimented in my essays in a variety of ways to reconnect. The artistic vision of nature to great works of art. 

In 2018 Andrew Patrizio published a book titled The Ecological Eye, which exposed the lack of environmental thinking in the practice of art historians. Here is what he wrote: “How can we awaken, define and orientate an ecological sensibility within the history of art?” Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history,' one that is prepared to meet the challenges of the Anthropocene, climate change, and global warming. Without ignoring its own histories, the book looks beyond – at politics, posthumanism, new materialism, feminism, queer theory, and critical animal studies – invigorating the art-historical practices… show more.

A Natural History of Trees of Eastern and Central North America by author and naturalist Donald Culross Peattie is probably the very best book on trees that I have ever read. I used this book (and also his book on Western trees) as a marvelous resource when I was working on my books. 

I learned many a new thing from this book, things I could not find in books written by botanists or horticulturists. This in large part is because Peattie was first and foremost, a naturalist. He tells the reader things that others didn’t bother to mention (for example, that with Honeylocust trees, each branch is of only one sex). The author also has a wonderful way of writing that makes the text come alive…always interesting.  As a naturalist, Peattie looks at the whole picture; one of the few writers about trees who was also a dedicated ecologist. A… show more.

This is a young readers’ version of Peter Wollebhen’s book The Hidden Life of Trees and it’s packed full of pictures and short blocks of text that are quick and easy to read. It’s non-fiction and yes… there is still much about trees and how they interrelate with one another that we don’t yet fully understand and not everyone agrees on the science, but fostering curiosity to learn more is just what we need to do. Also, The Hidden Life of Trees was a source of deep inspiration for me when writing my book and I absolutely loved it. This is a great one for adults or teachers to share with younger readers too and inspire conversation as well as shared activities.

Trees and us. We’re bound together from breath to shelter and beyond, bound together in every way. That’s the truth of this poem in words and pictures from author-illustrator Corinna Luyken.

The words are as delicate as the rustle of leaves but they’re also completely centered on the child reader. Even the punctuation is placed with care, adding pause and breath, mediating the transition from shade to light, as if the words and their accessories were meant to float off the page as the text is read out loud.