Here are 100 books that Woodlands fans have personally recommended if you like
Woodlands.
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I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
This is an oldie but a goldie. Written in 1962, it helped me understand why we are in the corrupt, red-hot mess we are in in terms of the food and climate crisis. It gave me a historical lens on why we are getting sicker, why the land is struggling, and why so many creatures are becoming extinct.
Rachel was slammed for this book at the time, and I feel we need to resurrect her and give her a platform and time in the sunshine to change our modern-day madness. At first, I had to listen in ‘grabs’ because the content was so utterly disturbing. We didn’t listen then! She cites so many actions by government agencies that sanctioned deadly chemicals sprayed over everything and everyone… and it’s happening today with increasing vigor because corporations wield so much power! After listening to the audio, I read the hard copy—it gives…
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. "Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time"s 100 Most Influential People of the Century). This fortieth anniversary edition celebrates Rachel Carson"s watershed…
I am an evolutionary biologist who wrote two books on my theory that all species increase the biodiversity of their ecosystem in a natural environment (humans are an exception to this). I am a dedicated conservationist and founder and president of the World Rainforest Fund (worldrainforest.org), a nonprofit organization dedicated to saving the Earth’s rainforests. I collected reptiles and fossils when I was a child, and never out-grew my passion and love for science, biology, biodiversity, the natural world, animals, plants, ecology, and evolution. I love reading about these topics, hearing lectures on them, and learning about them. I love being in nature, traveling to natural ecosystems, and seeing wildlife.
This book presents a fascinating theory that life created an atmosphere favorable to life. The sun is much hotter than when life began. Life kept the temperature beneficial to life by removing greenhouse gasses from the air. Organisms created an atmosphere high in oxygen.
The book is exciting and educates the reader on the interaction of life and the geophysical environment. This book is relevant to and influenced my theory that all species increase biodiversity, the theory about which I wrote the two books I am featuring here.
In this classic work that continues to inspire many readers, Jim Lovelock puts forward his idea that the Earth functions as a single organism. Written for non-scientists, Gaia is a journey through time and space in search of evidence in support of a radically different model of our planet. In contrast to conventional belief that life is passive in the face of threats to its existence, the book explores the hypothesis that the Earth's living matter influences air, ocean, and rock to form a complex, self-regulating system that has the capacity to keep the Earth a fit place for life.…
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.
Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.
One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.
John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am not a naturalist but consider myself a practitioner of ”lyrical naturalism.” My interest is in the descriptions of nature by poets and artists in previous centuries. The dream is to inspire people to look at the natural environment through the lens of art and poetry rather than the somewhat dry frameworks of botany. My great hero is John Ruskin, a British writer whose lyrical prose has never stopped enchanting its readers. I was very happy to publish a book of essays titled Woodland Imagery in Northern Art, c. 1500-1800: Poetry and Ecology. I hope that its richly illustrated essays will inspire readers to look at the environment with renewed wonder.
This book accuses art historians of being indifferent to environmental issues… It is a wake-up call for the profession. I certainly took heed and experimented in my essays in a variety of ways to reconnect. The artistic vision of nature to great works of art.
In 2018 Andrew Patrizio published a book titled The Ecological Eye, which exposed the lack of environmental thinking in the practice of art historians. Here is what he wrote: “How can we awaken, define and orientate an ecological sensibility within the history of art?” Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history,' one that is prepared to meet the challenges of the Anthropocene, climate change, and global warming. Without ignoring its own histories, the book looks beyond – at politics, posthumanism, new materialism, feminism, queer theory, and critical animal studies – invigorating the art-historical practices…
In the popular imagination, art history remains steeped in outmoded notions of tradition, material value and elitism. How can we awaken, define and orientate an ecological sensibility within the history of art? Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history', one that is prepared to meet the challenges of the Anthropocene, climate change and global warming. Without ignoring its own histories, the book looks beyond - at politics, posthumanism, new materialism, feminism, queer theory and critical animal studies - invigorating the art-historical practices of the future.
Maybe it's because I'm an Aquarius, or maybe it's because I ate crayons as a kid. But people who know me well can confirm that I'm an oddball who has never fit neatly into boxes or been easy to categorize. Perhaps that’s why I've always enjoyed reading books that defy rules, break barriers, and cross genres. As an author, while I love grounding my books in reality for maximum authenticity, my stories definitely color outside the lines (see earlier crayon reference). I love reading and writing about the unconventional and the unexpected. If you're looking for romances that will take you off the beaten path, this list is for you.
Nowhere have I seen Cold Magic categorized as a romance, but as a reader, my experience of the book (and the rest of the trilogy) was definitely centered around the epic love story. But that's what places this book in the "off the beaten path" category for me – it could sit on several different sections in a bookstore or library: science fiction, fantasy, Steampunk, mystery, action/adventure, romance, or all of the above! Books like this are a gourmet feast for the imagination, particularly when they're handled by a masterful writer and builder of worlds like Kate Elliott. If you love discovering new series that will delight and surprise you while entertaining all the different parts of your brain, you will love The Spiritwalker Trilogy.
From one of the genre's finest writers comes a bold new epic fantasy in which science and magic are locked in a deadly struggle.
It is the dawn of a new age. . . The Industrial Revolution has begun, factories are springing up across the country, and new technologies are transforming in the cities. But the old ways do not die easy.
Cat and Bee are part of this revolution. Young women at college, learning of the science that will shape their future and ignorant of the magics that rule their families. But all of that will change when the…
I read a lot of literary fiction. At the moment, I’m finishing To Paradise by Hanya Yanagihara, which I’ve enjoyed and whose novel, A Little Life,was brilliant. My interest in thriller fiction is sparked by writers who bring their considerable literary talents to their trade. John LeCarré comes to mind. Writers who sacrifice depth of character or concern for place quickly lose my interest. Thankfully, there are many thriller writers who do a superb job of keeping my wandering nature in check. (A quick note: I also write dystopian fiction under my pen name James Jaros.)
The Rape of the Rose is an unforgettable novel that details the horrors of the Industrial Revolution in nineteenth-century Britain. Hughes, also a poet of note, portrays the enslavement of children in those “dark Satanic mills” with disturbing precision, offering his youngest characters shreds of dignity, which life has deprived them of so roundly. He also shows men and women maimed and worked to death by owners intent on extracting every last ounce of their labor. A major figure in the novel is a father who flees a mill and joins the Luddite Revolution. I read this book thirty-five years ago and remember it vividly. It presents the underbelly of the Industrial Revolution—and the ample reasons for the rebellions it triggered.
Set in 1812, this novel concerns Mor Greave, a self-educated man, who is caught up in an English revolution in the North. He is hunted by the authorities and becomes drawn into a underworld of duplicity, passion and sexual licence he never imagined.
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
During my career as an author, I have written on everything from U.S. Presidents to natural disasters. My true passion, however, is military history, a subject I have followed closely since childhood. Why? I have no idea. Nevertheless, I have read widely on the subject and, with the publication of Outnumbered, fulfilled a longstanding dream. The early modern period of European history, during which the continent’s culture left behind the Middle Ages and laid the foundations of the world we live in today, was an era rife with military change and innovation, as well as endemic conflict and the emergence of powerful, centralized nation-states, all of which I find enthralling. These books bring this time and place to life.
In the year 1500 European civilization was fractured, deficient in natural resources, and unremarkable in its military technology. By 1800 it had gained control over one-third of the globe. How? This seminal work by Geoffrey Parker tackles that question with a sweeping assessment of global developments during the period, revealing the suite of innovations that allowed the West to expand so dramatically. Sparking a debate that continues to this day, it is a must-read on the subject of early modern technology, imperialism, and warfare.
This is a new edition of Geoffrey Parker's much-admired illustrated account of how the West, so small and so deficient in natural resources in 1500, had by 1800 come to control over one-third of the world. Parker argues that the rapid development of military practice in the West constituted a 'military revolution' which gave Westerners an insurmountable advantage over the peoples of other continents. This edition incorporates new material, including a substantial 'Afterword' which summarises the debate which developed after the book's first publication.
Trained as a physicist and employed for twenty years as an engineer, my great interest in the application of science then led me to write. I authored technical papers on the physics underpinning venerable machines such as pendulum clocks and waterwheels; these were read by the chief editor at Johns Hopkins University Press, who invited me to turn them into a popular science book–the first of fourteen. Often, technological advances were made empirically–the development of sailing ships, bridges, or pocket watches–by working people with no formal knowledge of science, yet their designs survive as triumphs of human thought, as well as useful machines.
Knowledgeable academic experts often write technical tomes that are as dry as their subjects, But Deane's historical exposition of Britain's Industrial Revolution is fascinating, full of insights, and well-written.
Why Britain first? The answers intrigue and engage. Why did other countries (the United States and Germany) outstrip the British from the mid-nineteenth century?
This book identifies the strategic changes in economic organisation, industrial structure and technological progress associated with the industrial revolution, which took place in Britain over the century 1750-1850 and which marked a watershed in world economic development - the beginnings of modern economic growth for developed countries and an example of spontaneous industrialisation for third world countries. The book assesses both starting point and achievement, analyses the substance of economic transformation and evaluates the role of government policy and institutional change in retarding or accelerating economic development. The second edition updates and expands the first by taking into account (and…
I’m an award-winning biographer and critic. My essays and reviews appear regularly in the London Review of Books and the Times Literary Supplement, and I teach literature and creative writing at King’s College London. I’ve always loved stories about the lives of great writers – stories that seek to illuminate genius, without ever explaining it away.
This is one of the great literary biographies: impeccably researched, stylishly narrated, refreshingly indifferent to academic convention, and authentically Dickensian in its pungency of atmosphere and solidity of characterisation.
Dickens was a landmark biography when first published in 1990. This specially edited shorter edition takes the reader into the life of one of the world's greatest writers.
Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer's. Dickens had everything - fame, success and riches - but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
I always marvel at the feat Wharton achieves in delivering this vivid story of love and sacrifice in such a slim volume—but part of Ethan Frome’s power derives from its brevity. Set in a New England farming town during the upheavals of the Industrial Revolution, Wharton’s novel tells the tale of how the titular Ethan Frome became “the ruin of a man.”
Every time I read it, I’m captured by the struggles and indignities of Frome’s life as he ekes out a living on an unproductive farm under the eye of his unsympathetic wife, Zeena. When joy and hope suddenly arrive for Ethan in the form of Zeena’s cousin, Mattie, the tension of knowing that, somehow, they will be prevented from the happy ending they deserve is almost unbearable.
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