Love Gaia? Readers share 100 books like Gaia...

This is an oldie but a goldie. Written in 1962, it helped me understand why we are in the corrupt, red-hot mess we are in in terms of the food and climate crisis. It gave me a historical lens on why we are getting sicker, why the land is struggling, and why so many creatures are becoming extinct.

Rachel was slammed for this book at the time, and I feel we need to resurrect her and give her a platform and time in the sunshine to change our modern-day madness. At first, I had to listen in ‘grabs’ because the content was so utterly disturbing. We didn’t listen then! She cites so many actions by government agencies that sanctioned deadly chemicals sprayed over everything and everyone… and it’s happening today with increasing vigor because corporations wield so much power! After listening to the audio, I read the hard copy—it gives… show more.

My father gave me a copy of this book when I was in 6th grade and it introduced the world of natural science to me. This was the first in a series of volumes that collected his monthly essays written for Natural History magazine.

Gould has an eye for unusual scientific phenomena that illuminate a deeper truth about the relationship between humanity and the natural world. He was not afraid to tackle moral issues, such as eugenics and the science of IQ, recognizing the importance of the popular scientist as more than just a translator.

But the most important thing for the 11-year-old me was that he was such a clear writer–I could follow all of his arguments without knowing anything about genetics, statistics, or anatomy. I still have the copy my father gave me–it is dog-eared, and the spine is long broken, but when I thumb through it, I… show more.

This book comes at biology from an unusual angle, ignoring fine details and instead of going for the deepest underlying principles of life as seen by a dyed-in-the-wool theoretician. When I read it, I felt I was like being given 'X-ray specs' - an ability to see beyond the surfaces at which we mostly work to hidden mechanisms of order, control, and evolution. I have never seen biology the same way since, and this book changed my research and teaching immediately and lastingly. The writing is superb but still demands concentration and commitment because the concepts may be alien at first, but any reader willing to give the book time and a bit of effort will be richly rewarded.

We, who live in one clearly delineated body, think we know what an organism is. Social insects challenge this, making us wonder whether the organism is the ant or the anthill. This book, about how individuals add together to make a new being at a larger scale, is fascinating for biology but also nudges us, as readers, to ask questions about what lives are being led within us, by all the cells that make us, and also whether we are ourselves part of a being so much larger than ourselves we cannot see it for what it is any more than one ant can see the colony for what it is. Reading this made me much more open to the idea of multiple, nested levels of being.

When I was an undergraduate, the editor of Nature called this book "the best candidate for burning there has been for many years". I therefore rushed out to buy a copy to see why, and I have treasured the book and recommended it ever since. Almost every idea between its covers is wrong, but marshalling evidence to refute the ideas makes readers ask the most fundamental questions about biology and why they believe what they do. I am eternally grateful to Sheldrake for making me justify my opinions properly, with evidence, not just because they were what I read or heard in some classroom. And he will do the same for anyone else: heretics like Sheldrake are really important for testing mainstream science.

This is the best scientific novel I have ever read. The story is fiction (not 'science fiction' in the sense of fantasy, but a story that could easily take place in the real world right now), but its portrayal of how science is done, by a bunch of completely believable characters, is really true-to-life. It's a great way for young people considering a research career to taste what they are really like, and a great way for everyone to ask why we do science the way we do, while enjoying a well-paced multi-layer story, that is written with real wit. [Declaration for transparency: I know the author as a scientific collaborator, but this is nothing to do with my recommendation of her fiction]. 

I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.

Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.

One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.

This book has given me more delight than just about any other book dealing with the woodlands. It is not a herbarium or any other dry enumeration of plants. The Oxford Don takes us by the hand and shows us enchanted spinneys, lovely copses, ancient savannas, woodland pastures, and so much more that were once enchanting. In the everyday environment, the inspiration of poets, the meeting place of lovers, and the haunt of human beings seeking solitude. 

"A state-of-the-art survey of Britain’s woods by the acknowledged expert in the field… He seems to know woods like old friends, each with its unique past, its cranky or capricious personality, and its hoard of secrets. And he writes like an angel.” - The Times 

This book accuses art historians of being indifferent to environmental issues… It is a wake-up call for the profession. I certainly took heed and experimented in my essays in a variety of ways to reconnect. The artistic vision of nature to great works of art. 

In 2018 Andrew Patrizio published a book titled The Ecological Eye, which exposed the lack of environmental thinking in the practice of art historians. Here is what he wrote: “How can we awaken, define and orientate an ecological sensibility within the history of art?” Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history,' one that is prepared to meet the challenges of the Anthropocene, climate change, and global warming. Without ignoring its own histories, the book looks beyond – at politics, posthumanism, new materialism, feminism, queer theory, and critical animal studies – invigorating the art-historical practices… show more.

This book is well-written and exciting. It is educational. It explains evolution and ecology, as well as conservation issues. I love the author’s enthusiasm and ability to explain biology clearly without talking down to the reader.

He makes biology exciting. The photographs and illustrations are terrific. The chart on the history of biodiversity of the Earth through geologic time is thought-provoking.