I’ve been working professionally as a writer for twenty-five years. I’m nothing close to a household name, but a number of my articles have gone viral throughout the years. I’ve had educators reach out to mention they’ve taught my work at both the high school and college levels. Writing is an occupation of passion, and the authors I’ve mentioned are all talented and passionate about their craft. It’s rare to find people who speak the truth anywhere in our society. These writers don’t just speak the truth, they make it sing.
Barczak’s work belongs to that realm of poetic fiction that is occupied by Robert E. Howard and Janet Morris. Veil of the Dragon plays out like a vivid nightmare. This is the kind of fantasy novel that makes you want to pause in the middle of the paragraph you’re reading, go back to the beginning, and read out loud just to see how the words sound. Poetic fantasy takes you to another level.
Chaelus, Roan Lord of the House of Malius is raised from the dead by the hand of a child. His kingdom stolen by the evil dragon, Gorond, Chaelus’ only hope to reclaim his throne rests with the child knight who saved him, the heretical order to which the child belongs, and the truth about Chaelus which they alone protect.
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you haven’t read anything by Brian Sanderson, this novella is a great place to start.
It is a fast read with a hopeful tone and satisfying ending. In this story, Shai is caught forging a priceless artifact. As punishment, she must forge a soul for the emperor who is in a coma. If her forgery doesn’t work, the empire will fall into chaos.
The magic of Shai’s forging is very cool; she creates stamps that can rewrite the nature of an object’s existence. The Emperor’s Soul spoke to me on a personal level. My stepmother is a Japanese artist, and I grew up watching her carefully seal her pieces with her custom, red stamp.
Highly recommended to anyone looking for that quick, feel-good punch that great fantasy can provide!
From the bestselling author of the Mistborn Trilogy and co-author of the final three books of Robert Jordan's Wheel of Time series comes the tale of a heretic thief who may be an Empire's only hope for survival.
Shai is a Forger: a foreigner who can flawlessly re-create any item by rewriting its history using skillful magic . . . although she's currently condemned to death after trying to steal the emperor's sceptre, she has one last opportunity to save herself. The emperor has barely survived an assassination attempt, he needs a new soul and, despite viewing her skill as…
Mike Vasich has a lifelong obsession with stories about gods, superheroes, and giant monsters, and he has been inflicting them on 7th and 8th graders for the better part of 20 years. He wrote his first book, Loki, so he could cram them all into one book and make them beat up on each other. He enjoys (fictional) mayhem, sowing disrespect for revered institutions, and taking naps.
The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.
Steven Brust's Vlad Taltos novels (Dragon) and his swashbuckling tales of Khaavren (THE PHOENIX GUARDS and FIVE HUNDRED YEARS AFTER) have earned him an enthusiastic audience worldwide. But TO REIGN IN HELL, his famous novel that does for the epic of Satan's rebellion what Roger Zelazny's Lord of Light did for Hindu myth, has been out of print for years - causing used copies to trade for improbable sums. Now, at last, TO REIGN IN HELL returns to print in a paperback edition, with an introduction by Roger Zelazny.
I became involved in a rigid religious movement as a teen and prepared for the ministry at a fundamentalist college and seminary. I took this ideology to its logical extreme and became a foreign missionary. I know from the inside how such an ideology takes hold of a person and how difficult it is to escape its grasp, especially when family and career are intertwined. Through my own struggle with depression and anxiety, I scoured books to help understand myself and faith development, eventually earning a Ph.D in counseling, emphasizing developmental theory. I know from personal experience what it means to walk away from a way of thinking that has defined much of your life.
Shulem Deen grew up in the culture of Hassidic Judaism in New York City. With limited education and awkward English, he decides to explore the world beyond the insular community in which he has lived his entire life. Despite warnings from his wife and recriminations from his community, he eventually decides to leave and seek a new life for which his previous existence has left him completely unprepared. I’m intrigued that a person has the courage to push the boundaries of his existence even though no one in his family or community supports him.
Shulem Deen was raised to believe that questions are dangerous. As a member of the Skveres, one of the most insular Hasidic sects in the US the US, he knows little of the outside world. After turning on the radio, his curiosity leads him to a feverish inquiry into the tenets of his religious beliefs and his faith unravels. In All Who Go Do Not Return, Deen bravely traces his harrowing loss of faith.
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
I published my first book in 2017 and I’m currently working on book number 11. In that time, I’ve got to know some great indie authors and read some great indie fantasy. These five titles are a selection. I could easily have done this exercise ten times over with different authors and titles. But if you’re looking to see what indie fantasy has to offer, or simply searching for your next engrossing read, I think these will do the trick.
Grimdark fantasy is a favourite of mine, full of morally ambiguous, vivid characters. The Heresy Within is a great example of this.
Yes, there is a fascinating world and enticing plot. But these are characters who are just fun to spend time with. The author pulls no punches in this series, so if dark storylines are not your thing, pick a different recommendation.
As any warrior will tell you; even the best swordsman is one bad day away from a corpse. It's a lesson Blademaster Jezzet Vel'urn isn't keen to learn. Chased into the Wilds by a vengeful warlord, Jezzet makes it to the free city of Chade. But instead of sanctuary all she finds is more enemies from her past.Arbiter Thanquil Darkheart is a witch hunter for the Inquisition on a holy crusade to rid the world of heresy. He's also something else; expendable. When the God Emperor himself gives Thanquil an impossible task, he knows he has no choice but to…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This superbly researched book breaks new ground about the relationship between image and reality for heroines in history.
Warner manages to both bring Joan of Arc alive as an historical actor, and also show how her image has been invented and reinvented through history. Warner taught me that when it comes to heroines, there is often an important blurred relationship between fact and fiction. Importantly, gender and sexuality are also at the heart of Warner’s interpretations.
Warner captures the story of a truly amazing heroine and also reveals Joan’s incredible significance.
Joan has a unique role in Western imagination - she is one of the few true female heroes. Marina Warner uses her superb historical and literary skills to move beyond conventional biography and to capture the essence of "Joan of Arc", both as she lived in her own time and as she has 'grown' in the human imagination over the five centuries since her death. She has examined the court documents from Joan of Arc's 1431 Inquisition trial for heresy and woven the facts together with an analysis of the histories, biographies, plays, and paintings and sculptures that have appeared…
Cory Hartman (DMin, Gordon-Conwell Theological Seminary) collaboratively crafts practical tools, interactive processes, and breakthrough content for the Future Church Company, three interconnected organizations that exist to help the church embody the movement Jesus founded. I previously served as a pastor for thirteen years and founded Fulcrum Content, a gospel communication training organization.
Imagine you and a band of others begin living out what Steve Addison describes, and as a result, more people you’re talking to embrace Jesus and start following his way with you. Your group has changed; now what do you do?
Neil Cole is a leading practitioner of a model known variously as “organic,” “simple,” or “house church”—networked groups with scant formal organization meeting in homes and public spaces. In Church 3.0, Cole argues for and describes the practicalities of this church style. Although in our book Future Church Will Mancini and I contend that there is still a valid and valuable role for the institutional church today, Cole’s work stimulates important thinking about how to evolve it to make disciples where people actually live, work, and play.
An expert practitioner answers to questions about the burgeoning organic church movement Neil Cole's best-selling book Organic Church described the fastest growing segment of contemporary Christianity-the so-called organic church. Now in this next-step book, he answers questions about how to deal with theological and organizational issues that come up. He talks about issues such has what to do with finances, children, heresy, leader training, and rituals and ordinances. Without the top-down structure of a denomination, even people who are proponents of this small, house-church model worry that they are not doing it right. Offers an important resource for anyone involved…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
A mother and daughter face accusations of witchcraft and bedevilment in 1692 Salem and devise a devilish plan that will save only one of them. While researching the Salem witch trials and others in Europe, I learned this horrible truth: the only way an accused woman could save herself was by admitting that she was a witch. In this astonishing novel based on her great-9x grandmother, the author weaves a spellbinding tale of love, fear, and devotion as a mother and daughter make a tortured decision in the face of hate and religious zealotry.
A courageous woman fights to survive the darkest days of the Salem Witch Trials in this "heart-wrenching story of family love and sacrifice" (USA Today).
Salem, 1752. Sarah Carrier Chapman, weak with infirmity, writes a letter to her granddaughter that reveals the secret she has closely guarded for six decades: how she survived the Salem Witch Trials when her mother did not.
Sarah's story begins more than a year before the trials, when she and her family arrive in a New England community already gripped by superstition and fear. As they witness neighbor pitted against neighbor, friend against friend, the…
