The best books about heresy and heretics

I confess I'm more attracted to Morrow's themes than his actual writing, but still. Towing Jehovah is premised on God having died and his corpse needs to be towed to the Arctic for preservation. It's part of a trilogy (the second and third books are titled Blameless in Abaddon and The Eternal Footman); to be honest, I don't remember reading the other two, but I must have...  Also worth mentioning is Morrow's Bible Stories for Adults. All irreverent. All funny in a dark way.

A World Fantasy Award winner and the first novel by this genre-crossing author who is probably most famous for his sci-fi epic, Hyperion, Song of Kali is a dark fantasy/horror novel about a cult that worships the Hindu goddess/demon, Kali, who is known as a goddess of death, among other things. Kali doesn’t really make much of an entrance, but Simmons weaves an intriguing tale tinged with the supernatural, centered around a mystical poet who may or may not be dead. Simmons loves integrating poetry and poets into his stories, and the suspense around this particular poet and his connection to the cult of Kali is palpable. It’s not mythology per se, but boy is it dark. It’s also pretty short, and easily could be consumed in a single reading.

Barczak’s work belongs to that realm of poetic fiction that is occupied by Robert E. Howard and Janet Morris. Veil of the Dragon plays out like a vivid nightmare. This is the kind of fantasy novel that makes you want to pause in the middle of the paragraph you’re reading, go back to the beginning, and read out loud just to see how the words sound. Poetic fantasy takes you to another level.

The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.

Tucker not only creates a world you’ll get completely lost in, but his prose is next level. Countless times while reading I stopped to bask in awe of the way he weaved words together into a tapestry that not only told a beautiful story full of pain, hope, love, and triumph but also brought out emotions in a very real way. I felt what his characters felt, I yearned for what his characters yearned for, and I was on the edge of my seat the entire way. Get this book if you want to lose sleep every single night!

When I was an undergraduate, the editor of Nature called this book "the best candidate for burning there has been for many years". I therefore rushed out to buy a copy to see why, and I have treasured the book and recommended it ever since. Almost every idea between its covers is wrong, but marshalling evidence to refute the ideas makes readers ask the most fundamental questions about biology and why they believe what they do. I am eternally grateful to Sheldrake for making me justify my opinions properly, with evidence, not just because they were what I read or heard in some classroom. And he will do the same for anyone else: heretics like Sheldrake are really important for testing mainstream science.

The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future. 

A different kind of hero. Cerebral and self-contained. Eisenhorn is an Inquisitor who maneuvers within the system and operates within his own complex reality, fighting a never-ending war against all aspects of Chaos. He finds allies in impossible places and uses them to his advantage. Part mystery, part adventure, and expertly crafted to portray the darkest of futures, it is the quintessential dystopian science fantasy. While some may question the rigid morality of the future day, Eisenhorn chooses results over dogma, choosing the lesser of two evils. I learned that characters must choose their own reality, adapting to the dystopia in which they reside. It’s a compelling human trait that transcends any universe.  

I admit, Baltasar and Blimunda is not the type of historical fiction I generally pick up (a more distanced narrative voice plus magical realism doesn’t tend to be my normal pick for pleasure reading) but I felt I needed to read at least one novel set in 18th century Portugal before trying to write my own set there. Something by a Portuguese author as well seemed entirely the way to go. So, I picked this up, and am really glad I did. 

“And so begins the twelfth year of my idiotic war.” Gardner packs a lot into this slim beautiful volume about a monster’s quest for the point of it all. Grendel’s consciousness starts evolving the moment he realizes that he is a thing apart from the rollicking Danes and the Geatish hero, Beowulf. But what? He tries to discover a purpose to his otherness. (“My advice to you, my violent friend, is to seek out gold and sit on it,” is the rather unhelpful advice of the all-knowing dragon.) Poignant, funny, brutal, and poetic, this was my first introduction to stories told by a monster and remains the gold standard.