Mike Vasich has a lifelong obsession with stories about gods, superheroes, and giant monsters, and he has been inflicting them on 7th and 8th graders for the better part of 20 years. He wrote his first book, Loki, so he could cram them all into one book and make them beat up on each other. He enjoys (fictional) mayhem, sowing disrespect for revered institutions, and taking naps.
A World Fantasy Award winner and the first novel by this genre-crossing author who is probably most famous for his sci-fi epic, Hyperion, Song of Kali is a dark fantasy/horror novel about a cult that worships the Hindu goddess/demon, Kali, who is known as a goddess of death, among other things. Kali doesn’t really make much of an entrance, but Simmons weaves an intriguing tale tinged with the supernatural, centered around a mystical poet who may or may not be dead. Simmons loves integrating poetry and poets into his stories, and the suspense around this particular poet and his connection to the cult of Kali is palpable. It’s not mythology per se, but boy is it dark. It’s also pretty short, and easily could be consumed in a single reading.
Calcutta, a monstrous city of immense slums, disease and misery, is clasped in the foetid embrace of an ancient cult. At its decaying core is the Goddess Kali: the dark mother of pain, four-armed and eternal, her song the sound of death and destruction. Robert Luczak has been hired by a New York magazine to find a noted Indian poet who has reappeared, under strange circumstances, years after he was thought dead. But nothing is simple in Calcutta, and before long Luczak's routine assignment turns into a nightmare ... it is rumoured that the poet has been brought back to…
You know how Star Trek would handle race relations from the perspective of different intelligent species and cultures? Once seen through the lens of respect and friendship, beauty fills the vision.
Margrave Sarovek (human) became infatuated with sha-Anhuset of the Kai despite the features that made her more predator than beauty. She had the qualities of a noble warrior and refused to accept anyone who failed to meet her level of honor and loyalty. In her opinion, no human stood a chance of rising to that level, besides they are pink and wormlike. Enter Margrave Sarovek.
The enemy of my enemy is my ally. That is the start of a comradeship that grows into a deep love and a new perspective. However, I don’t think sha-Anhuset will ever change her view of the baked potato.
The demonic horde that threatened to devour the world has been defeated, but at great cost.
Plagued by guilt and nightmares, Serovek Pangion sets out to deliver the soulless body of the monk Megiddo to the heretical Jeden Order for safekeeping. Accompanying him is sha-Anhuset, the Kai woman he admires and desires most--a woman barely tolerant of him.
Devoted to her regent, Anhuset reluctantly agrees to act as a Kai ambassador on the trip, even though the bold margrave known as the Beladine Stallion gets under her skin like no other, and Anhuset fears he'll…
I’ve been working professionally as a writer for twenty-five years. I’m nothing close to a household name, but a number of my articles have gone viral throughout the years. I’ve had educators reach out to mention they’ve taught my work at both the high school and college levels. Writing is an occupation of passion, and the authors I’ve mentioned are all talented and passionate about their craft. It’s rare to find people who speak the truth anywhere in our society. These writers don’t just speak the truth, they make it sing.
Barczak’s work belongs to that realm of poetic fiction that is occupied by Robert E. Howard and Janet Morris. Veil of the Dragon plays out like a vivid nightmare. This is the kind of fantasy novel that makes you want to pause in the middle of the paragraph you’re reading, go back to the beginning, and read out loud just to see how the words sound. Poetic fantasy takes you to another level.
Chaelus, Roan Lord of the House of Malius is raised from the dead by the hand of a child. His kingdom stolen by the evil dragon, Gorond, Chaelus’ only hope to reclaim his throne rests with the child knight who saved him, the heretical order to which the child belongs, and the truth about Chaelus which they alone protect.
Cory Hartman (DMin, Gordon-Conwell Theological Seminary) collaboratively crafts practical tools, interactive processes, and breakthrough content for the Future Church Company, three interconnected organizations that exist to help the church embody the movement Jesus founded. I previously served as a pastor for thirteen years and founded Fulcrum Content, a gospel communication training organization.
Imagine you and a band of others begin living out what Steve Addison describes, and as a result, more people you’re talking to embrace Jesus and start following his way with you. Your group has changed; now what do you do?
Neil Cole is a leading practitioner of a model known variously as “organic,” “simple,” or “house church”—networked groups with scant formal organization meeting in homes and public spaces. In Church 3.0, Cole argues for and describes the practicalities of this church style. Although in our book Future Church Will Mancini and I contend that there is still a valid and valuable role for the institutional church today, Cole’s work stimulates important thinking about how to evolve it to make disciples where people actually live, work, and play.
An expert practitioner answers to questions about the burgeoning organic church movement Neil Cole's best-selling book Organic Church described the fastest growing segment of contemporary Christianity-the so-called organic church. Now in this next-step book, he answers questions about how to deal with theological and organizational issues that come up. He talks about issues such has what to do with finances, children, heresy, leader training, and rituals and ordinances. Without the top-down structure of a denomination, even people who are proponents of this small, house-church model worry that they are not doing it right. Offers an important resource for anyone involved…
Mike Vasich has a lifelong obsession with stories about gods, superheroes, and giant monsters, and he has been inflicting them on 7th and 8th graders for the better part of 20 years. He wrote his first book, Loki, so he could cram them all into one book and make them beat up on each other. He enjoys (fictional) mayhem, sowing disrespect for revered institutions, and taking naps.
The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.
Steven Brust's Vlad Taltos novels (Dragon) and his swashbuckling tales of Khaavren (THE PHOENIX GUARDS and FIVE HUNDRED YEARS AFTER) have earned him an enthusiastic audience worldwide. But TO REIGN IN HELL, his famous novel that does for the epic of Satan's rebellion what Roger Zelazny's Lord of Light did for Hindu myth, has been out of print for years - causing used copies to trade for improbable sums. Now, at last, TO REIGN IN HELL returns to print in a paperback edition, with an introduction by Roger Zelazny.
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
A mother and daughter face accusations of witchcraft and bedevilment in 1692 Salem and devise a devilish plan that will save only one of them. While researching the Salem witch trials and others in Europe, I learned this horrible truth: the only way an accused woman could save herself was by admitting that she was a witch. In this astonishing novel based on her great-9x grandmother, the author weaves a spellbinding tale of love, fear, and devotion as a mother and daughter make a tortured decision in the face of hate and religious zealotry.
A courageous woman fights to survive the darkest days of the Salem Witch Trials in this "heart-wrenching story of family love and sacrifice" (USA Today).
Salem, 1752. Sarah Carrier Chapman, weak with infirmity, writes a letter to her granddaughter that reveals the secret she has closely guarded for six decades: how she survived the Salem Witch Trials when her mother did not.
Sarah's story begins more than a year before the trials, when she and her family arrive in a New England community already gripped by superstition and fear. As they witness neighbor pitted against neighbor, friend against friend, the…
I became involved in a rigid religious movement as a teen and prepared for the ministry at a fundamentalist college and seminary. I took this ideology to its logical extreme and became a foreign missionary. I know from the inside how such an ideology takes hold of a person and how difficult it is to escape its grasp, especially when family and career are intertwined. Through my own struggle with depression and anxiety, I scoured books to help understand myself and faith development, eventually earning a Ph.D in counseling, emphasizing developmental theory. I know from personal experience what it means to walk away from a way of thinking that has defined much of your life.
Shulem Deen grew up in the culture of Hassidic Judaism in New York City. With limited education and awkward English, he decides to explore the world beyond the insular community in which he has lived his entire life. Despite warnings from his wife and recriminations from his community, he eventually decides to leave and seek a new life for which his previous existence has left him completely unprepared. I’m intrigued that a person has the courage to push the boundaries of his existence even though no one in his family or community supports him.
Shulem Deen was raised to believe that questions are dangerous. As a member of the Skveres, one of the most insular Hasidic sects in the US the US, he knows little of the outside world. After turning on the radio, his curiosity leads him to a feverish inquiry into the tenets of his religious beliefs and his faith unravels. In All Who Go Do Not Return, Deen bravely traces his harrowing loss of faith.
I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually. When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)
I confess I'm more attracted to Morrow's themes than his actual writing, but still. Towing Jehovahis premised on God having died and his corpse needs to be towed to the Arctic for preservation. It's part of a trilogy (the second and third books are titled Blameless in Abaddonand The Eternal Footman); to be honest, I don't remember reading the other two, but I must have... Also worth mentioning is Morrow's Bible Stories for Adults. All irreverent. All funny in a dark way.
On his 50th birthday, Anthony Van Horne meets the despondent angel Raphael, who tells him that God is dead, his body in the sea; and that Van Horne must captain the supertanker that will now tow the two-mile-long divine corpse northwards through the Atlantic. By the author of "City of Truth".
Alice has had a passion for myths ever since reading Greek myths as a small child. Alice's most recent book is a retelling of myths and legends worldwide. As well as editing several anthologies for children, she has published a book on mythology and another on the fantasy writer Mervyn Peake, and she has many scholarly publications on fantasy and children's literature.
The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
