the intertwining of three amazing stories of collaborators in WW2 including Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc.
This is a new hardcover edition tied to the miniseries and it's beautifully produced, a pleasure to hold and touch--truly splendid as an object in its own right. The author's sense of place and time and the insight into the Japanese characters' minds and lives was hypnotic.
Alternate Cover for 0440178002A bold English adventurer. An invincible Japanese warlord. A beautiful woman torn between two ways of life. All brought together in an extraordinary saga aflame with passion, conflict, ambition, and the struggle for power.Here is the world-famous novel of Japan that is the earliest book in James Clavell’s masterly Asian saga. Set in the year 1600, it tells the story of a bold English pilot whose ship was blown ashore in Japan, where he encountered two people who were to change his a warlord with his own quest for power, and a beautiful interpreter torn between two…
More than anything, I consider myself an artist. I rely on intuition or “gut feelings” to guide me. The laws of the universe have proven to me that thoughts do become things. I often say, think good thoughts. The books I’m recommending, are all about following your instincts and releasing any outcome to find the treasures in your life. I believe in the law of attraction. I love food, music, and Hollywood and have invited it all into my restaurant. I’m a chef with a culinary arts degree, an award-winning author and chef to the stars. Feeding many celebrities from Bradley Cooper and Ryan Gosling to The Cake Boss and Alton Brown. Dreams do come true!
After making a fortune then losing it all, David Ponder meets Archangel Gabriel and teaches David the laws of the universe. Years later, David’s wife passes away and Archangel Gabriel reappears and informs David that he is the only one who can save all of humanity. But David must use the help of fellow travelers from the past. Welcome to the minds of great men and women who have shaped history. Churchill, Lincoln, Joan of Arc, and many more who help David and assist him on his quest to save all humanity.
The Traveler's Summit explores the historically proven principles that have guided our greatest leaders for centuries, and how we might restore these principles in our own lives...before it's too late.
Dave Ponder is back, and this time, the fate of civilization may be in his hands.
Centuries of greed, pride, and hate have sent humankind hurtling toward disaster, far from our original purpose. There is only one solution that can reset the compass and right the ship, and that answer is only two words.
With time running out, it's up to David Ponder and a cast of history's best and…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
We all think we know the story of Joan of Arc – she’s possibly one of the world’s most famous women. But what Kelly Devries’ book does is to put Joan’s military accomplishments into the spotlight.
By focusing on Joan as a military leader, the book reminds us that women’s military experience was often dismissed. In Joan’s case, the only explanation people had for the military capacity of a teenage girl was magic. The British thought Joan was a witch, the French that she was divinely inspired – but no one thought that she may just have been a good fighter and a good leader.
Devries unpacks some of the more prosaic explanations behind Joan’s military success, explanations that indicate that Joan (like other women) may have had military talents rather than magical ones.
Where previous works have concentrated on the religious and feminist aspects of Joan's career, this title addresses the vital issue of what it was that made her the heroine she became. Why did the soldiers of France follow a woman into battle when no troops of the Hundred Years War had done so before, and how was she able to win? The English called her whore, and believed her to be possessed, but her own troops trusted her without any proof of her abilities. And she did have very great abilities - in particular her remarkable prowess as a military…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
In Voices, David Elliott uses formal verse to explore the last hours that Joan of Arc lived. Told from multiple points of view, including the voice of the flame that will burn Joan at the stake, Elliott chooses specific poetic forms to reflect fundamental truths about the different characters. All forms of verse in the book were popular during Joan’s actual lifetime, and Elliott provides an interesting author’s note at the back of the book. Aside from being a poetic tour de force, Voices is a true page-turner, and readers will root for Joan to triumph over her enemies, even as they dread the inevitable outcome.
Told through medieval poetic forms and in the voices of the people and objects in Joan of Arc's life, (including her family and even the trees, clothes, cows, and candles of her childhood), Voices offers an unforgettable perspective on an extraordinary young woman. Along the way it explores timely issues such as gender, misogyny, and the peril of speaking truth to power. Before Joan of Arc became a saint, she was a girl inspired. It is that girl we come to know in Voices.
Joan is the story of Jeanne d'Arc as it more likely was. Instead of a wan, pious, delicate seer of a girl, this Joan is big, tough, surly, who has seen too much of the world by age fifteen. This world is dirty and gritty and full of pride, ego, happenstance, and a poverty-stricken girl who doesn't understand what rituals mean in royal courts.
I adored this Joan. She was very much in the vein of one of my own heroines—a survivor.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
I’m an academic researcher interested in this topic but also one of the people who gets demonized in conservative media: the parent of a transgender child. I want my daughter to know that similar people have existed in history and that lawmakers are wrong to claim that we’re in a scary new world when we advocate for respect and the rights of trans people. While doing that advocacy work, I’m alarmed by positions within the LGBTQI+ movement echoing right-wing ones, including what’s known as “gender critical feminism.” My book argues a positive case for coalition in the face of pressures to fracture along distinct lines of sexuality and gender identity.
This is a great place to begin thinking about trans history. Feinberg, who died in 2014, crisscrossed the line between butch lesbian and trans man and was not particular about what pronouns they preferred. In that spirit of inclusiveness, some readers might find her book outdated or too loose in some of the people it includes—any book that ranges from Joan of Arc to NBA star Rodman is covering a lot of ground, but what’s less visible from that subtitle is the work Feinberg has done in crosscultural, anthropological, and comparative mythology studies. What results is a daring and provocative re-reading of world history that puts gender nonconformity at the center, and a stirring call to activism and solidarity that is if anything more needed since its original publication.
This groundbreaking book far ahead of its time when first published in 1996 and still galvanizing today interweaves history, memoir, and gender studies to show that transgender people, far from being a modern phenomenon, have always existed and have exerted their influence throughout history. Leslie Feinberg hirself a lifelong transgender revolutionary reveals the origin of the check one box only gender system and shows how zie found empowerment in the lives of transgender warriors around the world, from the Two Spirits of the Americas to the many genders of India, from the trans shamans of East Asia to the gender-bending…
As a child, I was drawn to the silences in family stories and as a young adult, the gaps in official records. Now I’m a former English professor turned full-time writer who is fascinated with who gets written out of history, and why. I love exploring overlooked lives, especially women’s lives—from Stalin’s female relatives to nineteenth-century shopgirls, and most recently, a pair of early medieval queens.
In Women Warriors, the footnotes are every bit as informative and bitingly funny as the text itself. Toler travels across many cultures and eras, from ancient times up until the 20th century, to show that, like it or not, “women have always gone to war.” She covers some women you’ve likely heard of before—like Boudica, Hua Mulan, and Joan of Arc—as well as many others you probably haven’t—like Tomyris, Artemisia II, and Lakshmi Bai. These mini-biographies, taken together, provide an eye-opening and unforgettable corrective about women and warfare.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor.
The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other…
I’m fascinated by the religious supernatural, especially visions and apparitions. I once saw Mother Teresa levitate – believe me? How do I prove it to you? Religious apparitions have occurred across faith traditions and global regions to all sorts of people. One of the most frequently reported apparitions in history is of the Virgin Mary. Thousands of people have claimed personal visits from the Blessed Mother; since 1830, their numbers have rocketed in America. Only some Marian visions become famous, while others are forgotten. These five enlightening books suggest how and why the Mother of God chooses to be seen, how visionaries explain what they see, and why other people believe.
I love Warner’s work because her books address big questions about
belief and meaning, such as those behind beloved fairy tales or the
heroic history of Joan of Arc.
In this book, Warner traces shifting
legends about the Virgin Mary buried in theological debates, literature,
and art over 2000 years of Christianity. Warner reminded me that,
although the Gospels seem full of Marys and Mariams, Scripture offers
little information about the mother of Christ, which has allowed
generations of believers the freedom to envision her as they saw fit.
I came away from the book wondering why the Virgin’s
appearance and wardrobe have not changed much over 2000 years. She is
always a beautiful, usually young woman wearing droopy robes and a veil,
sometimes a crown or halo, and often carrying a book or a baby. Maybe
it’s so the faithful can recognize her when she descends in a cloud…
Shows how the figure of Mary has shaped and been shaped by changing social and historical circumstances and why for all their beauty and power,the legends of Mary have condemned real women to perpetual inferiority.
