As a child, I was drawn to the silences in family stories and as a young adult, the gaps in official records. Now I’m a former English professor turned full-time writer who is fascinated with who gets written out of history, and why. I love exploring overlooked lives, especially women’s lives—from Stalin’s female relatives to nineteenth-century shopgirls, and most recently, a pair of early medieval queens.
In Women Warriors, the footnotes are every bit as informative and bitingly funny as the text itself. Toler travels across many cultures and eras, from ancient times up until the 20th century, to show that, like it or not, “women have always gone to war.” She covers some women you’ve likely heard of before—like Boudica, Hua Mulan, and Joan of Arc—as well as many others you probably haven’t—like Tomyris, Artemisia II, and Lakshmi Bai. These mini-biographies, taken together, provide an eye-opening and unforgettable corrective about women and warfare.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor.
The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other…
One of the surprise successes of television in 2024 was FX’s ten-part re-staging of James Clavell’s epic 1975 novel Shogun (set in 17th century Japan), which had already been a hit in NBC’s 1980 mini-series version. This year’s reboot was much closer to Clavell’s focus and tone, and once the FX run ended, it sent us scurrying to read the original text.
Newly re-issued to tie in to the 2024 TV series, the unabridged novel was a surprisingly quick read for a hefty volume of over 1,300 pages. After struggling a bit to keep up with the complex action and cultural nuances of the series, reading the novel provided welcome time to digest the subtle undertones and a more detailed narrative that explained some confusing plot twists in the TV version. (Castleman/Podrazik)
Alternate Cover for 0440178002A bold English adventurer. An invincible Japanese warlord. A beautiful woman torn between two ways of life. All brought together in an extraordinary saga aflame with passion, conflict, ambition, and the struggle for power.Here is the world-famous novel of Japan that is the earliest book in James Clavell’s masterly Asian saga. Set in the year 1600, it tells the story of a bold English pilot whose ship was blown ashore in Japan, where he encountered two people who were to change his a warlord with his own quest for power, and a beautiful interpreter torn between two…
The
Pariah features a protagonist, Alwyn Scribe, with such a distinct voice and
motivations you cannot help being captivated by him. Ryan is also incredibly
gifted at making the medieval fantasy setting feel grounded and real.
The plot
is twisty, taking Alwyn through transformations that are incredible, yet
believable every step of the way. And when we are swept into the greater plot
and war, its version of the Joan of Arc story continues to captivate and awe.
'A gritty, heart-pounding tale of betrayal and bloody vengeance' John Gwynne
When the task is a killing, be quick and make sure of it.
Torment is an indulgence.
Save it for only the most deserving.
Born in the troubled kingdom of Albermaine, Alwyn Scribe is raised as an outlaw. Quick of wit and deft with a blade, Alwyn is content with the comradeship of his fellow thieves. Yet an act of betrayal sets him on a new path of blood and vengeance, which leads him to a soldier's life in the king's army.
the intertwining of three amazing stories of collaborators in WW2 including Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc.
I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
We all think we know the story of Joan of Arc – she’s possibly one of the world’s most famous women. But what Kelly Devries’ book does is to put Joan’s military accomplishments into the spotlight.
By focusing on Joan as a military leader, the book reminds us that women’s military experience was often dismissed. In Joan’s case, the only explanation people had for the military capacity of a teenage girl was magic. The British thought Joan was a witch, the French that she was divinely inspired – but no one thought that she may just have been a good fighter and a good leader.
Devries unpacks some of the more prosaic explanations behind Joan’s military success, explanations that indicate that Joan (like other women) may have had military talents rather than magical ones.
Where previous works have concentrated on the religious and feminist aspects of Joan's career, this title addresses the vital issue of what it was that made her the heroine she became. Why did the soldiers of France follow a woman into battle when no troops of the Hundred Years War had done so before, and how was she able to win? The English called her whore, and believed her to be possessed, but her own troops trusted her without any proof of her abilities. And she did have very great abilities - in particular her remarkable prowess as a military…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This superbly researched book breaks new ground about the relationship between image and reality for heroines in history.
Warner manages to both bring Joan of Arc alive as an historical actor, and also show how her image has been invented and reinvented through history. Warner taught me that when it comes to heroines, there is often an important blurred relationship between fact and fiction. Importantly, gender and sexuality are also at the heart of Warner’s interpretations.
Warner captures the story of a truly amazing heroine and also reveals Joan’s incredible significance.
Joan has a unique role in Western imagination - she is one of the few true female heroes. Marina Warner uses her superb historical and literary skills to move beyond conventional biography and to capture the essence of "Joan of Arc", both as she lived in her own time and as she has 'grown' in the human imagination over the five centuries since her death. She has examined the court documents from Joan of Arc's 1431 Inquisition trial for heresy and woven the facts together with an analysis of the histories, biographies, plays, and paintings and sculptures that have appeared…
I’m fascinated by the religious supernatural, especially visions and apparitions. I once saw Mother Teresa levitate – believe me? How do I prove it to you? Religious apparitions have occurred across faith traditions and global regions to all sorts of people. One of the most frequently reported apparitions in history is of the Virgin Mary. Thousands of people have claimed personal visits from the Blessed Mother; since 1830, their numbers have rocketed in America. Only some Marian visions become famous, while others are forgotten. These five enlightening books suggest how and why the Mother of God chooses to be seen, how visionaries explain what they see, and why other people believe.
I love Warner’s work because her books address big questions about
belief and meaning, such as those behind beloved fairy tales or the
heroic history of Joan of Arc.
In this book, Warner traces shifting
legends about the Virgin Mary buried in theological debates, literature,
and art over 2000 years of Christianity. Warner reminded me that,
although the Gospels seem full of Marys and Mariams, Scripture offers
little information about the mother of Christ, which has allowed
generations of believers the freedom to envision her as they saw fit.
I came away from the book wondering why the Virgin’s
appearance and wardrobe have not changed much over 2000 years. She is
always a beautiful, usually young woman wearing droopy robes and a veil,
sometimes a crown or halo, and often carrying a book or a baby. Maybe
it’s so the faithful can recognize her when she descends in a cloud…
Shows how the figure of Mary has shaped and been shaped by changing social and historical circumstances and why for all their beauty and power,the legends of Mary have condemned real women to perpetual inferiority.
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
Joan is the story of Jeanne d'Arc as it more likely was. Instead of a wan, pious, delicate seer of a girl, this Joan is big, tough, surly, who has seen too much of the world by age fifteen. This world is dirty and gritty and full of pride, ego, happenstance, and a poverty-stricken girl who doesn't understand what rituals mean in royal courts.
I adored this Joan. She was very much in the vein of one of my own heroines—a survivor.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
In Voices, David Elliott uses formal verse to explore the last hours that Joan of Arc lived. Told from multiple points of view, including the voice of the flame that will burn Joan at the stake, Elliott chooses specific poetic forms to reflect fundamental truths about the different characters. All forms of verse in the book were popular during Joan’s actual lifetime, and Elliott provides an interesting author’s note at the back of the book. Aside from being a poetic tour de force, Voices is a true page-turner, and readers will root for Joan to triumph over her enemies, even as they dread the inevitable outcome.
Told through medieval poetic forms and in the voices of the people and objects in Joan of Arc's life, (including her family and even the trees, clothes, cows, and candles of her childhood), Voices offers an unforgettable perspective on an extraordinary young woman. Along the way it explores timely issues such as gender, misogyny, and the peril of speaking truth to power. Before Joan of Arc became a saint, she was a girl inspired. It is that girl we come to know in Voices.
