Here are 70 books that The Pariah fans have personally recommended if you like
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We’ve all read them: the girl who is unknowingly of royal blood but was sequestered to an ordinary family to protect her identity. The detective with the broken home and a drink problem is driven to solve the crime. The action hero who can shoot their way out of any encounter. While these tropes are the bread and butter of genre fiction, they get overused. I found that my favorite and most engaging characters were those with complicated lives whose pasts might catch up with them at an inconvenient moment. Here are some of my favorite stories with unconventional characters that shine through the narrative.
I came to this book by accident. I had overindulged in fantasy and was tired of recycled plots and worn tropes. I picked it up on holiday as a last resort and found a very different sort of fantasy, which rekindled my enthusiasm for the genre.
Inquisitor Glokta is a character I wanted to hate. He is a torturer, and a cripple, having been tortured himself. He’s ruthless and focused and possibly the meanest of anti-heroes. But I think I came to imagine what it was like to be the dashing hero, loved by everyone, feted by royalty, and then ruined by malice and torture, and yes, as this tale unfolded, I began to like him and the rest of the misfits that populate Joe Abercombie’s world very much indeed.
Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body - not that he allows it to distract him from his daily routine of torturing smugglers.
Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men.
Sometimes I don’t feel very heroic. Octogenarian old women have been known to pass me going upstairs because I have only one working lung (I was born without a right pulmonary artery). I’m also skinny and a touch under-tall. I work in a profession (geophysicist) few understand, and there just don’t seem to be a lot of tv shows about—unlike all the doctors, lawyers, and police dramas. I think it resonates with a great many people when an unlikely person makes a difference. Each and every one of us can make the world a little bit better. Sometimes, we need to believe in ourselves…and try. Besides, who doesn’t like an underdog? Or stories about them.
Jessica Cluess surprises not just the readers, but also each of the characters in her novel with her choices for protagonists. Every new emperor in her world is chosen from a contest amongst the eldest heirs of each of the five major houses of the land. But this time, the eldest of each family is spurned and the younger, apparently weaker child is picked to compete. House of Dragons is a lot of fun, and the story has a clever construction, for this strange choice of hero is no accident. There is a powerful reason and lesson in House of Dragons. Read it and find out why we sometimes want the second pick for the team.
Five royal houses will hear the call to compete in the Trial for the dragon throne. A liar, a soldier, a servant, a thief, and a murderer will answer it. Who will win? Three Dark Crowns meets The Breakfast Club with DRAGONS.
When the Emperor dies, the five royal houses of Etrusia attend the Call, where one of their own will be selected to compete for the throne. It is always the oldest child, the one who has been preparing for years to compete in the Trial. But this year is different. This year these five outcasts will answer the…
Sometimes I don’t feel very heroic. Octogenarian old women have been known to pass me going upstairs because I have only one working lung (I was born without a right pulmonary artery). I’m also skinny and a touch under-tall. I work in a profession (geophysicist) few understand, and there just don’t seem to be a lot of tv shows about—unlike all the doctors, lawyers, and police dramas. I think it resonates with a great many people when an unlikely person makes a difference. Each and every one of us can make the world a little bit better. Sometimes, we need to believe in ourselves…and try. Besides, who doesn’t like an underdog? Or stories about them.
Was there ever a less heroic leading character than Prince Jalan? Apparently a vain, selfish coward, he would not even be likable if he was not also funny and honest. Well, he is honest some of the time, in his inside voice, even while being a liar to almost everyone else. So, when Jalan gets unwillingly and unwittingly caught up with an enormous Viking to go on a quest to save the world, I had to wonder how this one was going to work out. But it turns out that Jalan may have been lying to himself more than the reader, or himself, even realized, and he may not be quite the coward that he says he is.
From the critically acclaimed author of THE BROKEN EMPIRE series comes a brilliant new epic fantasy series, THE RED QUEEN'S WAR.
I'm a liar and a cheat and a coward, but I will never, ever, let a friend down. Unless of course not letting them down requires honesty, fair play or bravery.
The Red Queen is dreaded by the kings of the Broken Empire as they dread no other.
Her grandson Jalan Kendeth - womaniser, gambler and all-out cad - is tenth in line to the throne. While his grandmother shapes the destiny of millions, Prince Jalan pursues his debauched…
Not only am I a cyberpunk writer, I’m officially a Doctor of Cyberpunk. My Ph.D. thesis, The Dark Century: 1946–2046, looked at hardboiled fiction, film noir, and tech-noir (AKA cyberpunk) traditions across the past, the present, and an imagined future. It was a radical break from my previous career as an aid worker, where I ran poverty alleviation programs throughout Southeast Asia. And yet, I’ve drawn on that experience in my prose, using the experience of the cultures that I lived and worked in to breathe life into the settings for my short stories and novels.
This book largely takes place over a three-day battle. It showcases the stupidity of war, the cowardice, the luck, the incompetence, and yes, sometimes even the breathtaking courage.
As you’d expect from Abercrombie–the so-called Lord of Grimdark–the ‘heroes’ are no such thing, but rather, flawed and broken individuals who go to war out of obligation or ambition or because they know no other way of life.
Joe Abercrombie writes superb action scenes. Visceral, urgent, bloody. He’s also particularly cruel to his characters. I’m not sure if he’s picking on me particularly or if it’s just the dark alchemy of his literary soul that makes him such a popular author, but he’s always a bit of a bastard to the characters I like the most.
They say Black Dow's killed more men than winter, and clawed his way to the throne of the North up a hill of skulls. The King of the Union, ever a jealous neighbor, is not about to stand smiling by while he claws his way any higher. The orders have been given and the armies are toiling through the northern mud. Thousands of men are converging on a forgotten ring of stones, on a worthless hill, in an unimportant valley, and they've brought a lot of sharpened metal with them.
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.
The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.
Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
I’m fascinated by the religious supernatural, especially visions and apparitions. I once saw Mother Teresa levitate – believe me? How do I prove it to you? Religious apparitions have occurred across faith traditions and global regions to all sorts of people. One of the most frequently reported apparitions in history is of the Virgin Mary. Thousands of people have claimed personal visits from the Blessed Mother; since 1830, their numbers have rocketed in America. Only some Marian visions become famous, while others are forgotten. These five enlightening books suggest how and why the Mother of God chooses to be seen, how visionaries explain what they see, and why other people believe.
I love Warner’s work because her books address big questions about
belief and meaning, such as those behind beloved fairy tales or the
heroic history of Joan of Arc.
In this book, Warner traces shifting
legends about the Virgin Mary buried in theological debates, literature,
and art over 2000 years of Christianity. Warner reminded me that,
although the Gospels seem full of Marys and Mariams, Scripture offers
little information about the mother of Christ, which has allowed
generations of believers the freedom to envision her as they saw fit.
I came away from the book wondering why the Virgin’s
appearance and wardrobe have not changed much over 2000 years. She is
always a beautiful, usually young woman wearing droopy robes and a veil,
sometimes a crown or halo, and often carrying a book or a baby. Maybe
it’s so the faithful can recognize her when she descends in a cloud…
Shows how the figure of Mary has shaped and been shaped by changing social and historical circumstances and why for all their beauty and power,the legends of Mary have condemned real women to perpetual inferiority.
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
We all think we know the story of Joan of Arc – she’s possibly one of the world’s most famous women. But what Kelly Devries’ book does is to put Joan’s military accomplishments into the spotlight.
By focusing on Joan as a military leader, the book reminds us that women’s military experience was often dismissed. In Joan’s case, the only explanation people had for the military capacity of a teenage girl was magic. The British thought Joan was a witch, the French that she was divinely inspired – but no one thought that she may just have been a good fighter and a good leader.
Devries unpacks some of the more prosaic explanations behind Joan’s military success, explanations that indicate that Joan (like other women) may have had military talents rather than magical ones.
Where previous works have concentrated on the religious and feminist aspects of Joan's career, this title addresses the vital issue of what it was that made her the heroine she became. Why did the soldiers of France follow a woman into battle when no troops of the Hundred Years War had done so before, and how was she able to win? The English called her whore, and believed her to be possessed, but her own troops trusted her without any proof of her abilities. And she did have very great abilities - in particular her remarkable prowess as a military…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This superbly researched book breaks new ground about the relationship between image and reality for heroines in history.
Warner manages to both bring Joan of Arc alive as an historical actor, and also show how her image has been invented and reinvented through history. Warner taught me that when it comes to heroines, there is often an important blurred relationship between fact and fiction. Importantly, gender and sexuality are also at the heart of Warner’s interpretations.
Warner captures the story of a truly amazing heroine and also reveals Joan’s incredible significance.
Joan has a unique role in Western imagination - she is one of the few true female heroes. Marina Warner uses her superb historical and literary skills to move beyond conventional biography and to capture the essence of "Joan of Arc", both as she lived in her own time and as she has 'grown' in the human imagination over the five centuries since her death. She has examined the court documents from Joan of Arc's 1431 Inquisition trial for heresy and woven the facts together with an analysis of the histories, biographies, plays, and paintings and sculptures that have appeared…
In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
When it comes to historical fiction, especially one set in Asia, James Clavell is the guy to beat (or at least match).
The story of Shogun unfolds in 17th-century, feudal Japan. An undisputedly exotic setting. A British ship is wrecked on its shores, and its stranded navigator must find his way through Japan's complex cultural and political dynamics. Meanwhile there are other Europeans seeking religious influence and commercial advantage.
Perhaps best of all, the characters are monumental and include one of the strongest and most courageous women in literature since Joan of Arc.
Alternate Cover for 0440178002A bold English adventurer. An invincible Japanese warlord. A beautiful woman torn between two ways of life. All brought together in an extraordinary saga aflame with passion, conflict, ambition, and the struggle for power.Here is the world-famous novel of Japan that is the earliest book in James Clavell’s masterly Asian saga. Set in the year 1600, it tells the story of a bold English pilot whose ship was blown ashore in Japan, where he encountered two people who were to change his a warlord with his own quest for power, and a beautiful interpreter torn between two…
