History was one of my majors in college and it’s something that I’ve always gravitated back to despite venturing off into various non-history-related careers. When I chose to become an author, it was only natural that I would find myself writing in the military historical fiction genre. I found these works not only inspiring, but both time and money well spent. While they range widely outside of modern conflicts, they shine a light on the grim times and places of long ago. I believe my award-winning Northern Wolf Series will do the same for you as its cavalry-focused novels bring to life lesser-known engagements of the American Civil War.
While written in a similar vein as The Last Kingdom, Kristian has a knack for making his writing come to life in a very Anglo-Saxon epic poem kind of way. In this novel, we follow an orphan of sorts, Raven, as he joins a rapacious band of Norsemen embarking on a violent quest. Kristian is a relative newcomer compared to the others on this list, but he does not disappoint and will take the reader on a grand adventure.
For two years Osric has lived a simple life, apprentice to the mute old carpenter who took him in when others would have him cast out. But when Norsemen from across the sea burn his village they also destroy his new life, and Osric finds himself a prisoner of these warriors. Their chief, Sigurd the Lucky, believes the Norns have woven this strange boy's fate together with his own, and Osric begins to sense glorious purpose among this Fellowship of warriors.Immersed in the Norsemen's world and driven by their lust for adventure, Osric proves a natural warrior and forges a…
Ian Stuart Sharpe likes to imagine he is descended from Guðrum, King of the East Angles, although DNA tests and a deep disdain for camping suggest otherwise. He is the author of two novels set in his alternate Vikingverse, the All Father Paradox and Loki’s Wager. He once won a prize at school for Outstanding Progress and chose a dictionary as his reward, secretly wishing it had been an Old Norse phrasebook. It took him thirty years, but he has finally realised his dream.
Lars Brownworth’s The Sea Wolves is a great place to begin your Viking voyage. Like any good Norse raid it is breathtaking and action-packed. It has a wide scope, colouring in all the corners of the Viking world, from the Vinland to Byzantium. It is easy to digest, and as swaggering as it is educational.
In AD 793 Norse warriors struck the English isle of Lindisfarne and laid waste to it. Wave after wave of Norse ‘sea-wolves’ followed in search of plunder, land, or a glorious death in battle. Much of the British Isles fell before their swords, and the continental capitals of Paris and Aachen were sacked in turn. Turning east, they swept down the uncharted rivers of central Europe, captured Kiev and clashed with mighty Constantinople, the capital of the Byzantine Empire.
But there is more to the Viking story than brute force. They were makers of law - the term itself comes…
I was in my thirties when I finally visited Cornwall, though I’d long lost my heart to Cornwall through reading. A city girl, I ached to climb the cliff paths and breathe the salt-laden air. My head was full of folklore and history, rugged cliffs, secret coves, and desolate moors. For the last twenty-five years, we’ve been lucky enough to sail our boat along the south coast, anchoring in the timeless harbours and rowing up the creeks. My stories come while we watch the birds scuttle across the riverbanks. A product of my early reading, I’m a romantic dreamer and invite you to join me in my fictional world.
I was at a strict boarding school and read this book long into the night by torch under the bedclothes. It is 973 and King Edgar is on the throne. The story takes us from Cornwall, but it starts in Cornwall and has a Cornish heroine at its heart. I felt her pride in tracing her family back to King Arthur and followed her adventure with bated breath. All of Anya Seton’s books captivate me, but this one drew me completely. It’s in the placenames, the descriptions, the myths, and folklore. Celtic Cornwall is more than a setting; the desolate moors and wonderfully described scenery weave a mystical power of their own.
Princes, Vikings, and the history of tenth-century England come together in this saga of exploration and unrequited love.
Prince Rumon of France, descendant of Charlemagne and King Alfred, is a searcher. He has visions of the Islands of the Blessed, perhaps King Arthur’s Avalon, “where falls not hail, or rain, or any snow.” Merewyn grows up in savage Cornwall—a lonely girl, sustained by her stubborn courage and belief that she is descended from the great King Arthur. Chance—or fate—in the form of a shipwreck off the Cornish coast brings Rumon and Merewyn together, and from that hour their lives are…
This
new book is the best one-volume history of the Vikings and the Viking Age available. It sometimes reads like a thrilling novel, taking the reader deep into this
mysterious and often misunderstood world.
Price explodes many misconceptions
about the Viking Age and the people who lived in it while presenting fantastic
new information in the fields of archeology, history, and literature to give us
a clearer picture of the time.
It’s an absolute must-read for anyone interested
in Norse history, spirituality, and culture and was invaluable background
reading for my book.
'As brilliant a history of the Vikings as one could possibly hope to read' Tom Holland
The 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before the…
I’m a former high school teacher and college professor of French who discovered a passion for medieval history while earning my MA in French Literature. When I spent a summer studying in Normandy, I was fascinated by the Viking influences and vestiges in that region of France. I researched tales of Valkyrie and Nordic shield maiden warriors who fought alongside their fearsome men, finding inspiration for my own medieval novel. Winter Solstice in the Crystal Castle features a fire-hearted French princess descended from Viking Valkyrie who wields a sword to defend her Breton kingdom and forge her own destiny.
Helena of Rivenloch is a feisty, sword-wielding wench who refuses to be tamed by any man.
When an unsuitable suitor wishes to wed her younger sister, Helena attempts to slay the bridegroom, abducts his right-hand man, and demands her sister’s freedom. But her plans go awry when her captive captures her fiery, rebellious heart.
I loved how Helena was as fierce a fighter as any knight, capable of capturing Sir Colin du Lac. I loved her independent, fierce spirit, as she forged her own destiny. And I especially loved the passionate romance that bloomed between Helena and Colin, who respected her as his equal as she won his heart.
Helena of Rivenloch refuses to allow a Norman, Pagan Cameliard, to force her little sister into marriage. But when she tries to slay the bridegroom, she's apprehended by his right-hnd man, Colin du Lac. Clever Helena manages to turn the tables, taking Colin hostage and spirits him away to a secluded cottage while she waits for a reply to her ransom demand. But Colin knows there will be no reply. Indeed, his abduction - by a woman - will likely amuse Pagan. So Colin passes the days with Helena, growing curiously beguiled by his beautiful, brazer captor. Despite the growing…
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Sadly this book is now out of print, but hopefully, Snorri will create an updated and expanded edition in the near future. This book is a look at the Sagas of Icelanders, and particularly the combat in the sagas, from the perspective of a slaughterhouse worker, a perspective that only a butcher would have. In researching Vikings and their combat, one must intently look for experts who often are far outside one’s own field of expertise. Snorri’s book shows the benefits of an approach from a different perspective.
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
An excellent account of this supremely intelligent Machiavellian rogue and wit of a Norwegian king by the eminent Norwegian historian and namesake Sverre Bagge. King Sverrir’s saga was written by an Icelander with the king looking over his shoulder and apparently dictating portions of it. Nothing quite captures a medieval insurgency any better than this saga when read through the lens of Bagge’s astute commentary.
My book builds on the foundation laid by my five recommended books (as well as several others). Anuta is a remote Polynesian community in the Solomon Islands. It is one of the few remaining islands where voyaging canoes are still constructed regularly, constitute a part of everyday life, and where inter-island travel in such canoes never ceased. I was first there for a year in 1972–73 and was introduced to Anutan maritime practice. During that visit, I took part in a four-day voyage to Patutaka, an uninhabited island thirty miles away.
This book was also published under the title Vikings of the Pacific and was written by New Zealand Māori scholar Sir Peter Buck (also known by his Māori name, Te Rangi Hīroa). It was a pioneering work explaining, from an Indigenous perspective, the process through which the islands of Polynesia came to be settled over thousands of years by voyagers traveling in outrigger or double-hulled canoes without navigational instruments.
As an anthropologist whose research has focused on Polynesia and who has always been interested in maritime issues, I was intrigued by the questions this book raised and motivated to explore them during my own ethnographic fieldwork.
Pp. xiii, 335; frontispiece plate of the author, 57 black-and-white photo-plates, 4 maps. Publisher’s original wine-red cloth, lettered in gilt on the spine and front cover, front cover with gilt boat, endpaper maps, 8vo. The author served as director of the Bernice B. Bishop Museum in Hawaii. The volume discusses the peopling of the islands of the Pacific Ocean in detail. No ownership marks.
I’ve been fascinated with high fantasy since the moment my grandmother first presented me with Eragon by Christopher Paolini. Then, add in a Nora Roberts book when I turned sixteen, and voila, my love for all things fantasy romance was born. I crave tension, romance, sizzle, and some epic fight-to-love scenes that make my blood run hot. When I started writing, I knew the exact genre I wanted to focus on–romance. All. Things. Romance. Fantasy, paranormal, contemporary–I enjoy writing them all but in every single one of my stories there lies a thread of fight–of sizzle–because what’s a happily ever after if you don’t have to work for it?
I cannot even begin to recommend this book enough! This entire series is the whole package. Epic heroes who live on mountain tops, a civilization that protects the rest of the world, and a man willing to do anything for the woman to whom he has given his heart. *Swoon*
Always the dutiful daughter, Lady Joselyn is weeks away from marrying a rival lord in order to save her house. However, she suddenly finds herself in the clutches of an ancient beast she’s only ever heard of in legends. More terrifying than that is the beast’s master, a wild man who insists Joselyn is his bride by right, and plans to seal his claim in blood.
Dragon-rider, Hollen, has finally captured the woman of his dreams, though he quickly learns waiting for her was less than half the battle. His new bride…
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
The most compelling original source material for the Norse myths is a collection of anonymous poems known as the Poetic Edda. Based on a 13th-century Icelandic transcription of ancient oral legends, the Poetic Eddaincludes the creation myths of the Ash Tree and the Frost Giants, the adventures of Thor and Loki, and many other lesser-known Norse tales. Jackson Crawford’s translation manages the difficult task of making the stories understandable while capturing the rhythm and beauty of the original poems.
"The poems of the Poetic Edda have waited a long time for a Modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc. Jackson Crawford's modern versions of these poems are authoritative and fluent and often very gripping. With their individual headnotes and complementary…
