Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
A sweeping tale of forbidden love and warring gods, where a young Inuit shaman and a Viking warrior become unwilling allies in a war that will determine the fate of the new world.
A thousand years ago, Omat, born with the soul of a hunter and the spirit of the Wolf, journeys across the icy wastes, fighting for survival with every step. When Omat encounters Brandr, a wounded Viking warrior, they set in motion a conflict that could shatter their icy world... or save it.
The most compelling original source material for the Norse myths is a collection of anonymous poems known as the Poetic Edda. Based on a 13th-century Icelandic transcription of ancient oral legends, the Poetic Eddaincludes the creation myths of the Ash Tree and the Frost Giants, the adventures of Thor and Loki, and many other lesser-known Norse tales. Jackson Crawford’s translation manages the difficult task of making the stories understandable while capturing the rhythm and beauty of the original poems.
"The poems of the Poetic Edda have waited a long time for a Modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc. Jackson Crawford's modern versions of these poems are authoritative and fluent and often very gripping. With their individual headnotes and complementary…
Living high in the world’s Arctic regions, Inuit civilization remained largely free of European influences until the twentieth century, allowing its traditions to remain relatively intact into the modern era. Like the Norse, Inuit are a people of wolves and sea monsters and giants. But while the Norse focus mainly on male gods and supernatural warriors, Inuit legends are full of female deities and resourceful humans, making for an arguably more relatable and compelling mythology. Neil Christopher’s immensely readable compendium of Inuit myths is a great introduction to this vibrant tradition.
A collection of ancient Inuit myths. In this exhaustive story collection, the rich tradition of Inuit storytelling becomes accessible to the rest of Canada for the first time. Unipkaaqtut is the Inuit word meaning "to tell stories." This definitive collection of Inuit legends is thoughtfully introduced and carefully annotated to provide the historical and cultural context in which to understand this rich oral tradition. Read about the origin of thunder and lightning, the tale of the man who married a fox and many animal fables from the North. Fascinating and educational, this little-known part of Canada's heritage will captivate readers…
For many fans of Greek myths, Egypt is the next logical stop on a journey to a broader understanding of world mythology. As a culture which influenced both the Hellenistic and Judeo-Christian world, Egypt’s stories inform our understanding of other Western traditions. And the mania for mummies and pyramids means outstanding examples of Egyptian artifacts await in museums across the world, helping make the ancient tales come alive. The Complete Gods and Goddesses of Ancient Egyptmakes for a fantastic introduction into the world of Ra, Isis, and Osiris.
The gods and goddesses of ancient Egypt, worshipped for over half of recorded history, are among the most fascinating and complex of any civilization. Here is a comprehensive and authoritative guide to the deities that lay at the heart of Egyptian religion and society. It examines the evolution, worship and eventual decline of the numerous gods and goddesses - from minor household figures such as Bes and Taweret to the all-powerful deities Amun and Re - that made Egypt the most completely theocratic society of the ancient world, and made Egyptians, according to Herodotus, 'more religious than any other people'.
Unlike the Homerian epics,Gilgamesh has been studied by scholars since only the late 19th century. (David Damrosch’sThe Buried Book: The Loss and Rediscovery of the Great Epic of Gilgameshdetails its fascinating discovery among a box of cuneiform shards in the British Museum.) Yet this Babylonian epic predates the Odyssey by over a millennium and relates a hero’s journey even more formidable. While Odysseus just wants to get back home, Gilgamesh seeks immortality itself. Bloody battles with giants, marathon sex with goddesses, heartbreaking love between two men, and the universal human quest to reconcile ourselves with death—Gilgameshhas it all.
This stirring new version of the great Babylonian epic includes material from the recently discovered "monkey tablet" as well as an Introduction, timeline, glossary, and correspondences between lines of the translation and those of the original texts. "A comprehensive Introduction with a light touch (Beckman), a poetic rendering with verve and moxie (Lombardo): This edition of the colossal Babylonian Gilgamesh Epic should satisfy all readers who seek to plumb its wealth and depth without stumbling over its many inconvenient gaps and cruxes. A fine gift to all lovers of great literature." -Jack M. Sasson, Emeritus Professor, Vanderbilt University and The…
The Oxford Companionis an encyclopedia, not a narrative, but I love that it includes stories from the Bible, the Quran, and other sacred texts alongside fantastical legends that span the globe. The line between myth and religion is, after all, largely subjective. King David, the nymph Daphne, and the Dayak myths of Borneo all share the same page. For those of us seeking inspiration in myth, the Oxford Companionoffers ideas from Abraham to Ziusudra.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In The Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
Each of the sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, and elsewhere. This is not just a history of the bull but also a view of ourselves through the eyes of the bull, illustrating our pre-literate use of myth, how the advent of writing and the urban revolution changed our view of ourselves, and how even bullfighting in Spain is a variation on the ancient sacrifice of the sacred bull.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. In I Am Taurus, author Stephen Palmer traces the story of the bull in the sky, starting from that point 19,000 years ago - a journey through the history of what has become known as the sacred bull. Each of the eleven sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, Greece, Spain and elsewhere. This is not just a history of the bull but also an attempt to see ourselves through…
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